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John William Corrington on Intuition and Intellect

In America, American History, American Literature, Arts & Letters, Books, Essays, History, Humanities, John William Corrington, liberal arts, Literary Theory & Criticism, Literature, Modernism, Philosophy, Poetry, Religion, Scholarship, Southern History, Southern Literature, The South, Western Philosophy, Writing on October 17, 2018 at 6:45 am

In my edition of John William Corrington’s essays, I assembled Corrington’s unpublished notes and sections of his unpublished lectures from the early 1970s that he maintained in one document.  Because of the subject matter, I titled this section “Intuition-Intellect.”

This material demonstrates the shift in Corrington’s interests in poetry as a craft to more philosophical concerns that were influenced by poetry, or mythopoetics. His discussion of myth and his references to Eric Voegelin in these notes suggests that he had just begun to read Voegelin and to explore Gnosticism and myth criticism.

Corrington questions here the relationship between science and philosophy and hypothesizes about how the truths generated by science become mythologized to satisfy certain human desires. He proposes that science itself has a “mythic” character and claims that “the aftermath of every significant act of science is its mythologization.” Corrington speculates whether myth is inevitable because it fulfills something basic or instinctive in human nature.

Science amasses data for their predictive value, but asking what these data mean is the beginning of myth, which, properly understood, is another form of understanding and articulating truths about the world. However, myth can also, Corrington claims, have destructive implications at odds with truth. He warns about mismanaging myth, giving such examples as Nazism, Marxism, and free enterprise: ideological constructs that rely on abstract myth narratives to stamp out opposition.

Corrington critiques the scientism that has developed since the Enlightenment because he considers its emphasis on empiricism and rationalism to mask its role in formulating mythic patterns or archetypes for governing the phenomenal world, including the human social order. These patterns or archetypes, despite their mythic nature, are taken as authoritative and valid because they are conflated with or understood as scientific truth; in this manner they are assumed to be separate and apart from myth when in fact they constitute myth.  They are dangerous because they are presumed to be scientific truth subject to certain and definite application when in fact they represent mythopoetic urges to satisfy innate and instinctual human impulses.

Corrington transitions from this discussion of myth and science into a discussion of twentieth-century poetry and its “overintellectualization,” as evidenced by the implementation of supposedly scientific approaches to the study of poetry. Corrington considers the New Criticism to represent such a scientific approach to poetry.

The turn to reason and science, Corrington suggests, has destroyed the aesthetics of poetry just as it has destroyed human civilizations in the sociopolitical context. In both contexts there has been, he believes, a failure to realize the distinction between science and the mythologization of science, a failure that has led certain groups to mistake what is unreasonable and irrational for absolute reason and rationality, to believe, that is, that what is merely a pattern or archetype—a human construct—is something given and definite even apart from human knowledge of it. Those who fail to understand the distinction between science and the mythologization of science embrace a potentially destructive psychic system that mistakes science for its opposite. This essay shows that, as Corrington begins to transition away from the writing of poetry, he is also trying to integrate his interest in poetry with his growing interest in philosophy.

The exact date of this Corrington material is unknown; however, certain references suggest that Corrington wrote these notes in or around 1971. For example, he mentions a “new” album by the Rolling Stones, Sticky Fingers, which came out in 1971. It is possible that part of this material comes from a lecture that Corrington gave to the South-Central Modern Language Association in 1968. That lecture was titled “Cassirer’s Curse, Keats’s Urn, and the Poem Before the Poem.” Some of the material may have come from the National Science Foundation Lecture that Corrington titled “Science and the Humanities” and delivered at Louisiana State University in 1966. Corrington began the essay with four discursive notes under the heading “Statements and Questions.” Because the ideas in these notes are more fully developed in the text proper, I have moved them to the end of the essay.

“Intuition-Intellect” has been printed in my recent edition of Corrington’s work, which is available for purchase by clicking on the image below:

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Is Ocasio-Cortez Right About Rights?

In America, American History, Arts & Letters, Books, Christianity, Civics, Conservatism, History, Humanities, liberal arts, Liberalism, Philosophy, Politics, Western Civilization, Western Philosophy on August 29, 2018 at 8:45 am

This article originally appeared here in The Intercollegiate Review. 

Colin I. Bradford writes fawningly that Alexandria Ocasio-Cortez, a member of the Democratic Socialists of America, reaffirms “the centrality of the individual, individual rights, liberty, and freedom in which respect, trust, fairness and responsibility loom large.” He depicts Ocasio-Cortez as the embodied union of individualism and collectivism, someone who, in his words, “sees the individual as both a solitary being with certain inalienable rights and as a citizen and member of society.”

There’s much to unpack in Bradford’s frightfully grand statements, but let’s briefly consider some historical context for them.

“Modern Western ‘democracies,’” says John W. Danford, “are actually better described as liberal commercial societies. They rest on principles of individualism and individual rights—especially legal rights—which are more fundamental than democracy, and also much newer.”

Individual Rights Came from Christianity

The belief that humans by their nature possess “rights” against which governments may not transgress has not always been commonly held. Larry Siedentop’s Inventing the Individual: The Origins of Western Liberalism (2014) made the compelling case that natural rights theories are distinctively Christian in origin. He presents the ancient pagans as tribal and patriarchal, characterized by fierce loyalty to kin and clan and lacking conscientious differentiations between public and private life. (The operative differentiation was between public and domestic life.) Inequality was accepted as a given; the notion of rights was practically nonexistent. What mattered was the family unit: secure lineage, child bearing, and glorification of the paterfamilias as the powerful hero. Cities emerged from familial corporate associations around which property relations were structured according to class hierarchies.

Correlated with the rise and spread of Christianity in the West was the proliferation of the concept of the individual as a rights-bearing creature with inherent dignity, which any legal order properly so called must recognize and protect. The teachings of Jesus Christ and St. Paul redirected political thought away from the material, phenomenal world and toward the afterlife, eternity, and the soul. The message that grace through Christ was available to anyone, not just rulers or the highborn, underscored the autonomy of the individual, the self-aware subject. A Christian emphasis on personal moral agency and responsibility, moreover, undercut Greek and Roman aristocratic culture and its attendant traditions of ancestor worship.

Siedentop contends, therefore, that Christianity, not the Renaissance, was the fountain of individualism. If the Enlightenment was the height of philosophizing about the relationship of the individual to society, then it was also the natural outflow of earlier eras shaped by Christianity. This narrative runs counter to the portrayal of medieval Christianity as closed and authoritarian and of the Enlightenment as predominately secular. It illuminates Danford’s description of modern liberal societies as fundamentally committed to individual rights embedded in the law.

Mutual Submission, Similar Ethics

A distinguishing feature of Enlightenment thinking was social contract theory, which is particularly important to the Anglo-American legal tradition as manifest in Magna Carta (1215), the English Bill of Rights (1689), the Virginia Declaration of Rights (1776), the Declaration of Independence (1776), and the U.S. Bill of Rights (1789–91). These documents enshrine the principles of equality under the law, basic human dignity, rule of law, consent of the governed, popular sovereignty, and natural rights.

The most celebrated delineations of social contract theory belong to Hobbes, Locke, and Rousseau. A simplistically synthesized account of their three hypothetical origins of political society runs like this: humans once existed as free agents in an ungoverned state of nature and eventually banded together in protective social units to enforce claims to property and defend against outside threats; voluntarily entering into these social units required individuals to give up unfettered liberty by consenting to the authority of a superintending body—a government— that exercised only those powers to which the individuals in the society corporately assented, either expressly or impliedly.

The social contract for a mature, successful society involves a collection of individuals wise enough to appreciate the reciprocal advantage of mutual submission and similar enough in ethics and morals to prescribe the proper scope, limits, and structure of the approved ruling authority. The U.S. Constitution, in theory, represents a social contract: a pact between citizens and its rulers that restrains government, divides power, and sets competing interests against one another with offsetting effect.

U.S. Supreme Court “Expansions”

The U.S. Supreme Court, in cases regarding the Fourteenth Amendment, began in the twentieth century to evaluate claims of unremunerated, allegedly fundamental rights in light of the history of judicial safeguards. A purported right was deemed presumptively fundamental if it enjoyed an established tradition of formal recognition by Anglo-American courts. Under this interpretive scheme, when the Supreme Court determined that an alleged right was nonfundamental, the alleged right would not be incorporated (via the doctrine of substantive due process) to apply against the states. The Supreme Court, however, gradually recognized particular suspect rights within broader categories of long-established rights. The so-called right to privacy, for example, that had valid antecedents in the common law was repurposed to include phenomena unknown at the common law.

The tendency of the Supreme Court in the twentieth century to expand (and, in some cases, to limit) the scope of alleged rights reveals, I think, that a privileged group of robed lawyers are inadequately equipped to philosophize about rights. The validity of alleged rights accrues socially, from the bottom up, when they can be traced over time to long-standing, if not immemorial, usage, customs, mores, and traditions, and when their practical applications have been tested by successive generations. Certain rights are natural, that is, prior to government promulgation, but their intelligibility is deeply historical, rooted, contextual, situational, and embedded.

Rights or Privileges?

One could argue, and Siedentop suggests, that Christianity’s institutionalization of rights discourse created the conditions necessary for secularization, in effect that Christianity ushered in a culture that led to its gradual removal from civic society. Siedentop postulates, in other words, that the success of Christianity eventuated its demise in the Western public sphere. The story of rights discourse in U.S. Supreme Court decisions lends credence to this perspective, revealing that prevailing notions of rights have grown to encompass what were once merely privileges.

If institutions follow culture, however, then a constitution that contemplates individual rights is only as good as the people it controls: a populace without extensive virtue will weaken or decline regardless of its organizational governance and administrative framework. Christianity may not have promoted ideas that caused its erasure from our governing institutions; rather, the people of the United States may have drifted away from the Christian ideas that made those institutions effective and stable.

Bradford recognizes that “individualist values of liberty, property rights, freedom and sovereignty worked well in the 20th century as the foundations of competition, free markets, democracy and the nation state.” Yet he sees these concepts as inadequate today, lacking something he believes Ocasio-Cortez can supply, to wit, a form of collectivism that in his representation facilitates community and social harmony. He simply fails to see that the unique individualism that emerged out of Christianity generated the community and social harmony he now desires.

There is no individualism absent the recognition that every human life, anywhere and everywhere, is precious and important. It follows from that premise that no one may violate the rights of others who themselves have not violated another’s rights. This principle, extended to society writ large, creates the conditions necessary for community to flourish. Individualism in Christian societies aided the growth of cities, institutionalized the dignity of the human person as a bearer of rights, and challenged rather than empowered abusive government. Ocasio-Cortez should not hope to eradicate this kind of individualism, for it has accomplished more good for humanity than the socialism she purportedly embraces.

What is Libertarianism?

In Arts & Letters, Economics, Humanities, liberal arts, Liberalism, Libertarianism, Philosophy, Western Philosophy on April 18, 2018 at 6:45 am

Definitions of libertarianism often convey a sense that this philosophy is total and complete, that its manifestation in the concrete world is immanently knowable. Vigorous debates about the fundamental tenets of libertarianism dispel any hope that the essence or principal attributes of libertarianism can be easily captured in a brief sentence or paragraph.

The central concern of libertarianism, however, is to maximize individual liberty and economic freedom to enable human flourishing. Liberty and freedom involve the ability of human agents, acting alone or in concert, voluntarily to pursue their wants and goals using their earned talents and natural skills, absent the forcible, coercive mechanisms of government and without infringing on the rights of others to so act.

Elsewhere I have said that “[e]xperimentation is compatible with—perhaps indispensable to—libertarianism to the extent that libertarianism is, as I believe, the search for the correct conditions for human flourishing—as well as the cautious description and reasoned implementation of principles emanating from that condition.”[1]

I used the phrase “to the extent that” to suggest that my conception of libertarianism is not definitive or absolute, that it is subject to scrutiny and debate. I emphasized “the correct conditions for human flourishing” because libertarians have propounded disparate and even contradictory theories about how best to achieve human flourishing.

The conditions that have succeeded to that end have proven themselves to be correct, or at least more correct than demonstratively unworkable alternatives.

The word “search” is meant to underscore the primacy of the intellect and knowledge: Human agents must be free to think and freely articulate the content of their thoughts before practices and institutions—the products of thought—may be tested, refined, verified, modified, adapted, or discarded according to their tangible success within physical (as opposed to purely mental or ideational) experience.

The principles that emerge from this process of applied thinking can be described as libertarian if they aspire to generate and actually generate individual liberty and economic freedom without increasing the forcible interference of government with consensually interacting human agents.

 

[1] Allen Mendenhall, Literature and Liberty: Essays in Libertarian Literary Criticism (Lexington Books, 2014), p. 14 (italics added).

What is Conservatism?

In Arts & Letters, Conservatism, Humanities, liberal arts, Philosophy, Politics, Western Philosophy on March 14, 2018 at 6:45 am

Conservatism in the sense in which I use the term refers to an attitude or disposition that rejects ideology (all-encompassing systems of normative theory and institutionalized practices that drive policy towards idealized or utopian ends) and radicalism or extremism (the quality of holding fanatical, severe, or drastic views).

Conservatives so styled are neither doctrinaire nor absolutist. They tend to be spiritual, or at least recognize in humans a need and desire for spiritual fulfillment and religious order. Change, they believe, is inevitable; it should occur prudentially, gradually, and naturally through civil debate, prescribed political processes, and nonviolence.

Conservatism predicates the necessity for moral order on the imperfectability of human nature and the limitations of human intelligence; its normative values are embedded, historical, local, contextual, and rooted in immemorial usage.

Conservatism views the past as a fund of wisdom and knowledge, not as a brooding evil to be discarded, erased, or escaped. It therefore respects cultural continuities.

Russell Kirk’s various iterations of conservative principles in different versions of The Conservative Mind are, in my mind, the surest expressions of conservatism to date.

What Is Pragmatism?

In Arts & Letters, Humanities, liberal arts, Philosophy, Pragmatism, Western Philosophy on February 28, 2018 at 6:45 am

Pragmatism is difficult to define because it refers to a wide-ranging philosophical tradition.  Figures with little in common, such as W. E. B. Du Bois, Isaac Levi, Reinhold Niebuhr, and George Herbert Mead, have been associated with pragmatism.

C.S. Peirce is credited as the wellspring of pragmatism, in part because he used the term “pragmatism” to refer to his writings and teachings. Yet when his friend William James began identifying as a pragmatist, Peirce sought to rename his mode of thinking “pragmaticism” to distinguish his ideas from James’s.

More recently, Richard Rorty garnered a reputation as a pragmatist despite his deep misgivings about Peirce. James himself claimed to have learned pragmatism from reading John Stuart Mill. He called pragmatism a new name for old ways of thinking. Pragmatism, in this sense, has no fixed origin and is not confined to a single philosophical discipline attributable to any one thinker. It is, rather, a plastic concept describing an instrumental approach to solving concrete problems.

Descriptions of pragmatism are fluid and wide-ranging because of its various iterations by multiple thinkers with disparate interests and backgrounds. Pragmatism is nevertheless identifiable by certain features and qualities.

Pragmatists tend to avoid claims to unqualified certainty or universalism; they resist abstractions, closed schools of thought, and dogma that purport to have all the answers. They are searchers and seekers, never comfortable that the knowledge they have attained is complete or comprehensive.

Pragmatists seek to generate inquiry by systematically and intentionally testing ideas in the material world through practical application and sustained observation, by modifying or adapting ideas when errors are found, by subjecting ideas to a community of minds for verification (rather than leaving them to individuals in isolation), and by examining the habits and tendencies of nature and behavior for recurring, lasting themes or traits. Although pragmatists tend to be tolerant of views that have not been discounted, or open to ideas that have not been disproven, they are also prudently skeptical of ideas that have not won out in the course of history, i.e., that are unrepresented in custom or tradition.

Pragmatism is neither liberal nor conservative in the political sense, but represents a mode of knowing and understanding based on lived experience and confirmed hypotheses. Pragmatism is a constantly modified methodology for acquiring knowledge; it’s not a doctrine. It looks to ascertainable outcomes and proven results as indicia of the truth and workability of ideas.

How Much Legislative Power Do Judges Really Have?

In America, Arts & Letters, History, Humanities, Jurisprudence, Law, liberal arts, Philosophy, Western Civilization, Western Philosophy on February 14, 2018 at 6:45 am

This article originally appeared here in The Intercollegiate Review.

During his confirmation hearing last year, Justice Neil Gorsuch told Senator Dick Durbin that Roe v. Wade was “the law of the land.” A recent Washington Post headline declared, in light of Obergefell v. Hodges, “Same-sex marriage is the law of the land.”

What does it mean that opinions of the United States Supreme Court are the law of the land? Is an opinion of the Supreme Court a law? If so, do judges make law? If judges make law, thereby exercising legislative powers, wouldn’t they be legislators, not judges?

If Supreme Court opinions are laws, how can they be overturned by later justices? Were the overruled decisions never actually law to begin with? Were they temporary laws? Were the American people simply bound for years by erroneous rules or judgments?

Ask these vexing questions of ten experts in constitutional law and you’ll hear ten different responses.

Why so complicated? Perhaps because the framework of American government is at stake. Centuries of political theory, moreover, cannot be condensed or expressed in concise opinions involving particular issues about fact-specific conflicts. Judges and justices are not positioned to delineate philosophical principles with nuance and sophistication. Yet they are tasked with administering the legal system and are guided by deeply held convictions or inchoate feelings about the nature and sources of law.

When we debate the role of judges vis-à-vis the legislative or executive branch, we’re invoking the separation-of-powers doctrine enshrined in the U.S. Constitution. That doctrine derives principally from the theories of Locke (1632–1704) and Montesquieu (1689–1755).

In his Second Treatise of Government, Locke claimed that the preservation of society was “the first and fundamental natural law.” Today we worry about the corruption and incompetence of members of Congress, but in Locke’s era, when the monarch exercised extraordinary powers, the legislature was a bulwark against tyranny. It represented the will of “the people.” The preservation of society thus required robust legislative authority.

“This legislative is not only the supreme power of the commonwealth,” Locke intoned, “but sacred and unalterable in the hands where the community have once placed it; nor can any edict of anybody else, in what form soever conceived or by what power soever backed, have the force and obligation of a law which has not its sanction from that legislative which the public has chosen and appointed.”

Why must the law emanate from the legislature? Because the legislature, in his view, embodied “the consent of the society over whom nobody can have a power to make laws.” Locke’s paradigm holds, accordingly, that the legislature speaks for the people, from whom legitimate government obtains its limited authority; legislation reflects a general consensus among the people about controlling norms, beliefs, and values. The judiciary is curiously absent from this paradigm.

Montesquieu articulated a tripartite model of governance, adding the judiciary to Locke’s calculus. He argued that a state of political liberty would not exist if any of the three branches of government—executive, legislative, or judicial—arrogated to itself powers belonging to another branch. The branches competed, effectively offsetting their respective powers through checks and balances.

Montesquieu and Locke were among the most cited thinkers during the American Founding. They were indispensable sources for the framers of the U.S. Constitution. The first three articles of the Constitution establish our three branches of government.

Concerns about the scope and function of judicial power have begun to divide legal scholars on the right. On one side are proponents of judicial restraint as practiced by Robert Bork, William Rehnquist, and Antonin Scalia; on the other side are advocates of judicial engagement, which calls for a more active judiciary that strictly enforces restrictions on government action.

The judicial-restraint camp contends that the judicial-engagement camp would have the judiciary infringe on legislative authority in violation of the separation-of-powers mandate. The judicial-engagement camp contends that judges deferring to political branches often abdicate their duties to enforce not only the constitutional text but also unenumerated rights allegedly inherent in that text.

The view that judges cannot make law is increasingly unpopular. “The dubious aspect of separation-of-powers thinking,” Richard Posner says, “is the idea that judges are not to make law (that being the legislator’s prerogative) but merely to apply it.” Posner submits that “judges make up much of the law that they are purporting to be merely applying,” adding that “while the judiciary is institutionally and procedurally distinct from the other branches of government, it shares lawmaking power with the legislative branch.”

If Posner is right, then Montesquieu’s trifurcated paradigm collapses. That, or our current system is not maximally amenable to liberty as conceived by Montesquieu.

Parties to a case generally recognize judges’ rulings as binding. Courts and institutions generally accept Supreme Court decisions as compulsory. Even individuals who defy judicial rulings or opinions understand the risk they’re taking, i.e., the probable consequences that will visit them. Judicial rulings and opinions would seem, then, to be law: they announce governing rules that most people respect as binding and enforceable by penalty. If rulings and opinions are law, then judges enjoy legislative functions.

Yet the natural law tradition holds that law is antecedent to government promulgation—that indissoluble principles exist independently of, and prior to, pronouncements of a sovereign or official. On this view, the positive law may contradict the natural law. Which, then, controls? Which is the law, the one you’ll follow when push comes to shove?

Your answer might just reveal how much legislative power you believe judges really have.

Session Sixteen: Richard Bulliet on the History of the World

In Academia, Arts & Letters, Christianity, Historicism, History, Humanities, liberal arts, Western Civilization, Western Philosophy on January 31, 2018 at 6:45 am

Here, in the sixteenth lecture of his course, The History of the World, Richard Bulliet discusses the Emergence of Christian Europe (600-1200 C.E.):

Session Fifteen: Richard Bulliet on the History of the World

In Academia, Arts & Letters, Christianity, Humanities, Teaching, Western Civilization, Western Philosophy on January 24, 2018 at 6:45 am

Here, in the fifteenth lecture of his course, The History of the World, Richard Bulliet discusses the Emergence of Christian Europe (600-1200 C.E.):

What Is Magna Carta?

In Arts & Letters, Britain, History, Humanities, Jurisprudence, Law, liberal arts, Western Civilization, Western Philosophy on November 29, 2017 at 6:45 am

Redeeming the Debauched Falstaff

In Academia, Arts & Letters, Book Reviews, Books, Britain, British Literature, Creativity, Fiction, Humanities, liberal arts, Literary Theory & Criticism, Literature, Philosophy, Shakespeare, Western Civilization, Western Philosophy on November 15, 2017 at 6:45 am

This review originally appeared here in The American Conservative. 

In The Daemon Knows, published in 2015, the heroic, boundless Harold Bloom claimed to have one more book left in him. If his contract with Simon & Schuster is any indication, he has more work than that to complete. The effusive 86-year-old has agreed to produce a sequence of five books on Shakespearean personalities, presumably those with whom he’s most enamored.

The first, recently released, is Falstaff: Give Me Life, which has been called an “extended essay” but reads more like 21 ponderous essay-fragments, as though Bloom has compiled his notes and reflections over the years.

The result is a solemn, exhilarating meditation on Sir John Falstaff, the cheerful, slovenly, degenerate knight whose unwavering and ultimately self-destructive loyalty to Henry of Monmouth, or Prince Hal, his companion in William Shakespeare’s Henry trilogy (“the Henriad”), redeems his otherwise debauched character.

Except Bloom doesn’t see the punning, name-calling Falstaff that way. He exalts this portly, subversive figure as the charming master of deception and rogue scheming, and more importantly as a courageous vitalist “unmatched in all of Western imaginative literature.” Bloom’s astounding reverence for this clever, corrupting, calculating, mischievous Bacchanalian—whose life-affirming zest is as delightful as it is disconcerting—reveals he’s capable of the same kind of strategic indulgence that animates his transgressive subject.

His opening lines establish an affectionate, worshipful tone: “I fell in love with Sir John Falstaff when I was a boy of twelve, almost seventy-five years ago. A rather plump and melancholy youth, I turned to him out of need, because I was lonely. Finding myself in him liberated me from a debilitating self-consciousness.”

This isn’t academic prose. Bloom doesn’t write scholarship in the sense in which English professors, who chase tenure and peer approval, understand that term. Could you imagine a graduate student in literature showing up at the Modern Language Association’s annual convention and pronouncing from behind a podium that “Falstaff wants us to love him”? Or that Falstaff “is the mortal god of our vitalism and of our capacity for joyous play of every kind”? That would end a career before it began.

To hold Bloom to professional academic standards is fundamentally to misunderstand the man. His criticism is art unto itself; it’s genre-defying literature: part memoir, part fiction, part psychoanalysis. He’s a character of his own creation, as imaginary as Falstaff, and yet real and alive. In his psyche, the mysteries of which he plumbs with Freudian apprehension, Falstaff, too, is alive—and more than that, he’s a deified “embassy of life.” Bloom calls him the “greatest wit in literature,” whose vices “are perfectly open and cheerfully self-acknowledged.”

Immediately objections spring to mind: Didn’t Falstaff take bribes from competent soldiers who wished to avoid battle, thereby dooming his innocent, rag-tag band of unready troops? Doesn’t this bawdy gambler fake his own death to avoid injury and then seek credit for Hal’s slaying of Hotspur? Isn’t he a compulsive liar and self-serving fabricator? Rather than earn his keep, doesn’t he mooch off borrowed and stolen money while fraternizing with lowly criminals in disreputable taverns? Doesn’t he find stealing entertaining? Doesn’t he fail miserably in his attempt to seduce married women? Doesn’t he thrive in the seedy underbelly of impolite society?

No matter. The venerating and visionary Bloom sees Falstaff’s flaws as part of his appeal. Falstaff, prefiguring Nietzsche and Sartre, stands outside ethical jurisdiction as the lovable übermensch, the seductive sum of his own deliberate actions and unbridled agency in a world without God. Falstaffianism can be reduced to an abrupt imperative: “do not moralize.” These are Bloom’s italics, emphasizing, perhaps, the enthusiasm with which Falstaff rebuffs normative codes and basic standards of decency, vivaciously embracing the self—the subjective, knowing, self-aware “I” that wills a future into being—with laughter and existential rapture.

Kate Havard argues in Commentary that “Bloom must actually reckon with the sorts of things Falstaff does that would seem monstrous in real life.” I’m not sure about this mandate. Everyone is susceptible to wickedness. We’re fallible. Yet the magnitude of our evil acts is proportionate only to our capacity and will for achieving them. Greater power over others has the potential to increase the enormity of our chosen wrongs. Two hearts, equally blameworthy, can enact varying degrees of harm. With our meanness and malevolence, depravity and double-dealing, we’re all like Falstaff at some instant, even if we “cannot say that we are Falstaff’’ (my italics this time) because Falstaff cannot be universal—he’s too shrewd, raucous, and riotously convivial to be an archetype.

That we haven’t occasioned rank violence or mass damage is only evidence of our own powerlessness to do so in our moment of darkness. Our minds have contemplated horrors that our bodies never brought to bear. Knowing this, one begins to appreciate Bloom’s melancholy voice in such an adoring account. “Falstaff is no everyman,” he intones, “[b]ut all of us, whatever our age or gender, participate in him.” This truth, if it is one, doesn’t excuse Falstaff; rather it makes his decisions disturbingly recognizable.

Falstaff stands for absolute freedom, challenging dogmatic pieties even as he uses them to his advantage. He signals human choice and authenticity, but he’s elusive and multifaceted. “There is no single Falstaff,” Bloom submits. “In my youth and middle years I thought I knew Falstaff. That Falstaff has vanished from me. The better I know Sir John the less I know him. He has become one of the lost vehemences my midnights hold.”

This tragicomic Falstaff is so complex and ambiguous that he undermines expectations, avoids patterned behavior, and escapes simple explanation. “Falstaff is as bewildering as Hamlet, as infinitely varied as Cleopatra,” says Bloom. “He can be apprehended but never fully comprehended. There is no end to Falstaff. His matrix is freedom but he dies for love.”

Falstaff is a more cunning and charismatic version of Chaucer’s drunkenly crass miller, whose hilarious tale of casual adultery lacks the stark intentionality that makes Falstaff so treacherously in control. He’s like a flatulent Santa Claus, without the meekness or mildness of Christian self-denial. He is, in a word, exuberant, and as Bloom opines, “Exuberance in itself is a shadowy virtue and can be dangerous to the self and to others, but in Falstaff it generates more life.”

Bloom commendably acknowledges the charges leveled against him: “I am weary of being accused of sentimentalizing Falstaff.” He says he’s “been chided for sentimentality when I observe Falstaff betrays and harms no one,” and he pleads with us to enjoy Shakespeare’s rendering of the Fat Knight, adding, “Do not moralize.” The point is not to elicit agreement but to move you emotionally, although his expressive mode is less sentimental than it is spiritual or mystical. He has a jovial appetite for living, thinking, and loving that resembles Falstaff’s in its sheer capaciousness—hence his aside that he’s a “lifelong Falstaffian.”

The Book of Genesis asserts that God made man in his image. One wonders whether Bloom’s ecstatic Bardolatry—he once called Shakespeare “a mortal god”—leads to a different but related conclusion: that Shakespeare, as God, created Bloom in Falstaff’s image. Although age has thinned his once corpulent physique, Bloom is, at times, the boastful embodiment of the bombastic, iconoclastic genius (Sir John) whose chief weakness is his fondness and devotion. At other times, he’s a prophetic seer haunted by the daemon, devoid of merry wit, laughter, or redemptive charm and enthused by ineffable forces to cry out with beautiful despair and angst. His gusto seems ever-present, as does his displayed interiority.

Yet there is no single Bloom. You may think you know him, but then he vanishes as a lost vehemence.

“He has never abandoned me for three-quarters of a century,” Bloom muses of Falstaff, “and I trust will be with me until the end. The true and perfect image of life abides with him: robustly, unforgettably, forever. He exposes what is counterfeit in me and in all others.” Perhaps that’s why Falstaff is so threatening: he lays bare that manipulative, liberated part of ourselves that we don’t acknowledge or even fathom, that’s alienated and estranged from other people, accessible only to the “I myself”—the only thing we know that we know.

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