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Taxis and Cosmos: A Clarifying Table

In Arts & Letters, Austrian Economics, Books, Humanities, Jurisprudence, Law, Legal Education & Pedagogy, liberal arts, Libertarianism, Pedagogy, Philosophy, Western Philosophy on April 3, 2019 at 6:45 am

This table is meant to clarify the distinction between taxis (“made order”) and cosmos (“grown order”), two forms of order as described by F. A. Hayek in Law, Legislation and Liberty: Volume One, Rules and Order (The University of Chicago Press, 1973). According to Hayek, “Classical Greek was more fortunate in possessing distinct single words for the two kinds of order, namely taxis for a made order, such as, for example, an order of battle, and kosmos for a grown order, meaning originally ‘a right order in a state or a community.’”[9]

Taxis Cosmos
Made Order[1] Grown Order[2]
Constructionist[3] Evolutionary[4]
Exogenous[5] Endogenous[6]
Planned / Designed Spontaneous
Simple Complex
Concrete Abstract
Purposeful Purposeless[7]
Centralized power Dispersed / weakened power

 

[1] “The first answer to which our anthropomorphic habits of thought almost inevitably lead us is that it must be due to the design of some thinking mind. And because order has been generally interpreted as such a deliberate arrangement by somebody, the concept has become unpopular among most friends of liberty and has been favored by authoritarians. According to this interpretation of order in society must rest on a relation of command and obedience, or a hierarchical structure of the whole of society in which the will of superiors, and ultimately of some single supreme authority, determines what each individual must do.” Hayek, Law, Legislation and Liberty at p. 37.

[2] “The grown order … is in English most conveniently described as a spontaneous order.” Hayek, Law, Legislation and Liberty at p. 37. “Since a spontaneous order results from the individual elements adapting themselves to circumstances which directly affect only some of them, and which in their totality need not be known to anyone, it may extend to circumstances so complex that no mind can comprehend them all. … Since we can know at most the rules observed by the elements of various kinds of which the structures are made up, but not all the individual elements and never all the particular circumstances in which each of them is placed, our knowledge will be restricted to the general character of the order which will form itself. And even where, as is true of a society of human beings, we may be in a position to alter at least some of the rules of conduct which the elements obey, we shall thereby be able to influence only the general character and not the detail of the resulting order.” Hayek, Law, Legislation and Liberty at p. 41.

[3] “[This] view holds that human institutions will serve human society only if they have been deliberately designed for these purposes, often also that the fact that an institution exists is evidence of its having been created for a purpose, and always that we should so re-design society and its institutions that all our actions will be wholly guided by known purposes.” Hayek, Law, Legislation and Liberty at p. 8-9.

[4] “[This] view, which has slowly and gradually advanced since antiquity but for a time was almost entirely overwhelmed by the more glamorous constructivist view, was that that orderliness of society which greatly increased the effectiveness of individual action was not due solely to institutions and practices which had been invented or designed for that purpose, but was largely due to a process described at first as ‘growth’ and later as ‘evolution,’ a process in which practices which had first been adopted for other reasons, or even purely accidentally, were preserved because they enabled the group in which they had arisen to prevail over others.” Hayek, Law, Legislation and Liberty at p. 9.

[5] “[The] authoritarian connotation of the concept of order derives … entirely from the belief that order can be created only by forces outside the system (or ‘exogenously’).” Hayek, Law, Legislation and Liberty at p. 36.

[6] “[The authoritarian connotation of the concept of order] does not apply to an equilibrium set up from within (or ‘endogenously’) such as that which the general theory of the market endeavors to explain.” Hayek, Law, Legislation and Liberty at p. 36.

[7] “Most important … is the relation of a spontaneous order to the conception of purpose. Since such an order has not been created by an outside agency, the order as such also can have no purpose, although its existence may be very serviceable to the individuals which move within such order. But in a different sense it may well be said that the order rests on purposive action of its elements, when ‘purpose’ would, of course, mean nothing more than that their actions tend to secure the preservation and restoration of that order. The ‘purposive’ in this sense as a sort of ‘teleological’ shorthand’, as it as been called by biologists, is unobjectionable so long as we do not imply an awareness of purpose of the part of the elements, but mean merely that the elements have acquired regularities of conduct conducive to the maintenance of the order—presumably because those who did act in certain ways had within the resulting order a better chance of survival than those who did not. In general, however, it is preferable to avoid in this connection the term ‘purpose’ and to speak instead of ‘function’.” Hayek, Law, Legislation and Liberty at p. 39.

[8] All citations in this post are to this version of the book.

[9] Hayek, Law, Legislation and Liberty at p. 37.

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Cultural Marxism is Real

In Academia, Arts & Letters, Books, History, Humanities, liberal arts, Literary Theory & Criticism, Literature, Pedagogy, Philosophy, Scholarship, The Academy, Western Philosophy on March 27, 2019 at 6:45 am

This piece originally appeared here at the James G. Martin Center for Academic Renewal.

Samuel Moyn, a Yale law professor, recently asked, “What is ‘cultural Marxism?’” His answer: “Nothing of the kind actually exists.” Moyn attributes the term cultural Marxism to the “runaway alt-right imagination,” claiming that it implicates zany conspiracy theories and has been “percolating for years through global sewers of hatred.”

Alexander Zubatov, an attorney writing in Tabletcountered that the “somewhat unclear and contested” term cultural Marxism “has been in circulation for over forty years.” It has, moreover, “perfectly respectable uses outside the dark, dank silos of the far right.” He concluded that cultural Marxism is neither a “conspiracy” nor a “mere right-wing ‘phantasmagoria,’” but a “coherent intellectual program, a constellation of dangerous ideas.”

In this debate, I side with Zubatov.  Here’s why.

Despite the bewildering range of controversies and meanings attributed to it, cultural Marxism (the term and the movement) has a deep, complex history in Theory. The word “Theory” (with a capital T) is the general heading for research within the interpretative branches of the humanities known as cultural and critical studies, literary criticism, and literary theory—each of which includes a variety of approaches from the phenomenological to the psychoanalytic. In the United States, Theory is commonly taught and applied in English departments, although its influence is discernable throughout the humanities.

A brief genealogy of different schools of Theory—which originated outside English departments, among philosophers and sociologists for example, but became part of English departments’ core curricula—shows not only that cultural Marxism is a nameable, describable phenomenon, but also that it proliferates beyond the academy.

Scholars versed in Theory are reasonably suspicious of crude, tendentious portrayals of their field. Nevertheless, these fields retain elements of Marxism that, in my view, require heightened and sustained scrutiny. Given estimates that communism killed over 100 million people, we must openly and honestly discuss those currents of Marxism that run through different modes of interpretation and schools of thought. To avoid complicity, moreover, we must ask whether and why Marxist ideas, however attenuated, still motivate leading scholars and spread into the broader culture.

English departments sprang up in the United States in the late 19th and early 20th century, ushering in increasingly professionalized studies of literature and other forms of aesthetic expression. As English became a distinct university discipline with its own curriculum, it moved away from the study of British literature and canonical works of the Western tradition in translation, and toward the philosophies that guide textual interpretation.

Although a short, sweeping survey of what followed may not satisfy those in the field, it provides others with the relevant background.

The New Criticism

The first major school to establish itself in English departments was the New Criticism. Its counterpart was Russian formalism, characterized by figures like Victor Shklovsky and Roman Jakobson, who attempted to distinguish literary texts from other texts, examining what qualities made written representations poetic, compelling, original, or moving rather than merely practical or utilitarian.

One such quality was defamiliarization. Literature, in other words, defamiliarizes language by using sound, syntax, metaphor, alliteration, assonance, and other rhetorical devices.

The New Criticism, which was chiefly pedagogical, emphasized close reading, maintaining that readers searching for meaning must isolate the text under consideration from externalities like authorial intent, biography, or historical context. This method is similar to legal textualism whereby judges look strictly at the language of a statute, not to legislative history or intent, to interpret the import or meaning of that statute. The New Critics coined the term “intentional fallacy” to refer to the search for the meaning of a text anywhere but in the text itself. The New Criticism is associated with John Crowe Ransom, Cleanth Brooks, I. A. Richards, and T.S. Eliot. In a way, all subsequent schools of Theory are responses or reactions to the New Criticism.

Structuralism and Post-Structuralism

Structuralism permeated French intellectual circles in the 1960s. Through structuralism, thinkers like Michel Foucault, Jacques Lacan, Julia Kristeva, and Louis Althusser imported leftist politics into the study of literary texts. Structuralism is rooted in the linguistics of Ferdinand de Saussure, a Swiss linguist who observed how linguistic signs become differentiated within a system of language. When we say or write something, we do it according to rules and conventions in which our anticipated audience also operates. The implied order we use and communicate in is the “structure” referred to in structuralism.

The French anthropologist Claude Levi-Strauss extended Saussure’s ideas about the linguistic sign to culture, arguing that the beliefs, values, and characteristic features of a social group function according to a set of tacitly known rules. These structures are “discourse,” a term that encompasses cultural norms and not just language practices.

Out of structuralism and post-structuralism emerged Structural Marxism, a school of thought linked to Althusser that analyzes the role of the state in perpetuating the dominance of the ruling class, the capitalists.

Marxism and Neo-Marxism

In the 1930s and 1940s, the Frankfurt School popularized the type of work usually labeled as “cultural Marxism.” Figures involved or associated with this school include Erich Fromm, Theodore Adorno, Max Horkheimer, Herbert Marcuse, and Walter Benjamin. These men revised, repurposed, and extended classical Marxism by emphasizing culture and ideology, incorporating insights from emerging fields such as psychoanalysis, and researching the rise of mass media and mass culture.

Dissatisfied with economic determinism and the illusory coherence of historical materialism—and jaded by the failures of socialist and communist governments—these thinkers retooled Marxist tactics and premises in their own ways without entirely repudiating Marxist designs or ambitions.

Beginning in the 1960s and 1970s, scholars like Terry Eagleton and Fredric Jameson were explicit in embracing Marxism. They rejected the New Critical approaches that divorced literature from culture, stressing that literature reflected class and economic interest, social and political structures, and power. Accordingly, they considered how literary texts reproduced (or undermined) cultural or economic structures and conditions.

Slavoj Žižek arguably has done more than any member of the Frankfurt School to integrate psychoanalysis into Marxist variants. “Žižek’s scholarship holds a particularly high place within cultural criticism that seeks to account for the intersections between psychoanalysis and Marxism,” wrote the scholar Erin Labbie.[1] She added, “Žižek’s prolific writings about ideology, revealing the relationships between psychoanalysis and Marxism, have altered the way in which literary and cultural criticism is approached and accomplished to the extent that most scholars can no longer hold tightly to the former notion that the two fields are at odds.”[2] Žižek is just one among many continental philosophers whose Marxist and Marxist-inflected prognostications command the attention of American academics. 

Deconstruction

Jacques Derrida is recognized as the founder of deconstruction. He borrowed from Saussure’s theory that the meaning of a linguistic sign depends on its relation to its opposite, or to things from which it differs. For instance, the meaning of male depends on the meaning of female; the meaning of happy depends on the meaning of sad; and so forth. Thus, the theoretical difference between two opposing terms, or binaries, unites them in our consciousness. And one binary is privileged while the other is devalued. For example, “beautiful” is privileged over “ugly,” and “good” over “bad.”

The result is a hierarchy of binaries that are contextually or arbitrarily dependent, according to Derrida, and cannot be fixed or definite across time and space. That is because meaning exists in a state of flux, never becoming part of an object or idea.

Derrida himself, having re-read The Communist Manifesto, recognized the “spectral” furtherance of a “spirit” of Marx and Marxism.[3] Although Derrida’s so-called “hauntology” precludes the messianic meta-narratives of unfulfilled Marxism, commentators have salvaged from Derrida a modified Marxism for the climate of today’s “late capitalism.”

Derrida used the term diffèrance to describe the elusive process humans use to attach meaning to arbitrary signs, even if signs—the codes and grammatical structures of communication—cannot adequately represent an actual object or idea in reality. Derrida’s theories had a broad impact that enabled him and his followers to consider linguistic signs and the concepts created by those signs, many of which were central to the Western tradition and Western culture. For example, Derrida’s critique of logocentrism contests nearly all philosophical foundations deriving from Athens and Jerusalem. 

New Historicism

New Historicism, a multifaceted enterprise, is associated with Shakespearean scholar Stephen Greenblatt. It looks at historical forces and conditions with a structuralist and post-structuralist eye, treating literary texts as both products of and contributors to discourse and discursive communities. It is founded on the idea that literature and art circulate through discourse and inform and destabilize cultural norms and institutions.

New historicists explore how literary representations reinforce power structures or work against entrenched privilege, extrapolating from Foucault’s paradox that power grows when it is subverted because it is able to reassert itself over the subversive person or act in a show of power. Marxism and materialism often surface when new historicists seek to highlight texts and authors (or literary scenes and characters) in terms of their effects on culture, class, and power. New historicists focus on low-class or marginalized figures, supplying them with a voice or agency and giving them overdue attention. This political reclamation, while purporting to provide context, nevertheless risks projecting contemporary concerns onto works that are situated in a particular culture and historical moment.

In the words of literary critic Paul Cantor, “There is a difference between political approaches to literature and politicized approaches, that is, between those that rightly take into account the centrality of political concerns in many literary classics and those that willfully seek to reinterpret and virtually recreate class works in light of contemporary political agendas.”[4]

Cultural Marxism Is Real

Much of the outcry about cultural Marxism is outrageous, uninformed, and conspiratorial. Some of it simplifies, ignores, or downplays the fissures and tensions among leftist groups and ideas. Cultural Marxism cannot be reduced, for instance, to “political correctness” or “identity politics.” (I recommend Andrew Lynn’s short piece “Cultural Marxism” in the Fall 2018 issue of The Hedgehog Review for a concise critique of sloppy and paranoid treatments of cultural Marxism.)

Nevertheless, Marxism pervades Theory, despite the competition among the several ideas under that broad label. Sometimes this Marxism is self-evident; at other times, it’s residual and implied. At any rate, it has attained a distinct but evolving character as literary scholars have reworked classical Marxism to account for the relation of literature and culture to class, power, and discourse.

Feminism, gender studies, critical race theory, post-colonialism, disability studies—these and other disciplines routinely get pulled through one or more of the theoretical paradigms I’ve outlined. The fact that they’re guided by Marxism or adopt Marxist terms and concepts, however, does not make them off-limits or unworthy of attention.

Which brings me to a warning: Condemning these ideas as forbidden, as dangers that corrupt young minds, might have unintended consequences. Marxist spinoffs must be studied to be comprehensively understood. Don’t remove them from the curriculum: contextualize them, challenge them, and question them. Don’t reify their power by ignoring or neglecting them.

Popular iterations of cultural Marxism reveal themselves in the casual use of terms like “privilege,” “alienation,” “commodification,” “fetishism,” “materialism,” “hegemony,” or “superstructure.” As Zubatov wrote for Tablet, “It is a short step from Gramsci’s ‘hegemony’ to the now-ubiquitous toxic memes of ‘patriarchy,’ ‘heteronormativity,’ ‘white supremacy,’ ‘white privilege,’ ‘white fragility,’ ‘and whiteness.’” He adds, “It is a short step from the Marxist and cultural Marxist premise that ideas are, at their core, expressions of power to rampant, divisive identity politics and the routine judging of people and their cultural contributions based on their race, gender, sexuality and religion.”

My brief summary is merely the simplified, approximate version of a much larger and more complex story, but it orients curious readers who wish to learn more about cultural Marxism in literary studies. Today, English departments suffer from the lack of a clearly defined mission, purpose, and identity. Having lost rigor in favor of leftist politics as their chief end of study, English departments at many universities are jeopardized by the renewed emphasis on practical skills and jobs training. Just as English departments replaced religion and classics departments as the principal places to study culture, so too could future departments or schools replace English departments.

And those places may not tolerate political agitations posturing as pedagogical technique.

The point, however, is that cultural Marxism exists. It has a history, followers, adherents, and left a perceptible mark on academic subjects and lines of inquiry. Moyn may wish it out of existence, or dismiss it as a bogeyman, but it is real. We must know its effects on society, and in what forms it materializes in our culture. Moyn’s intemperate polemic demonstrates, in fact, the urgency and importance of examining cultural Marxism, rather than closing our eyes to its meaning, properties, and significance.

 

[1] Erin F. Labbie, “Žižek Avec Lacan: Splitting the Dialectics of Desire,” Slovene Studies, Vol. 25 (2003), p. 23.

[2] Ibid.

[3] Jacques Derrida, Specters of Marx (Peggy Kamuf, trans.) (New York and London: Routledge, 1994), p. 3-4.

[4] Paul Cantor, “Shakespeare—‘For all time’?” The Public Interest, Issue 110 (1993), p. 35.

John William Corrington on the History of Gnosticism

In Arts & Letters, Books, Christianity, Humanities, John William Corrington, liberal arts, Philosophy, Religion, Western Philosophy on March 20, 2019 at 6:45 am

In two essays from 1976, John William Corrington supplies his brief version of the history of Gnosticism. Both essays appear in my recent edition of Corrington’s work, which is available for purchase by clicking on the book-cover image below:

The first essay examines how our empirical knowledge of the world, or experience, is necessarily bound up in the sum of our memory and interpretation of events and hence of our comprehension of history. Our experience is also an element of consciousness insofar as consciousness is the mind’s awareness of itself in relation to the phenomenal world.

The structure or makeup of consciousness is an ordered pattern of symbols. The structure of Gnostic consciousness is shaped by a hatred or dissatisfaction with the concrete reality of the world and an attempt to remake the world in the image of a false reality. Gnostic thought is regressive because it seeks to unite all things in an ideal state of unification that recalls the state of the infant in the womb whose radical break from the womb resulted in alienation and a sense of disorder.

In the second essay, Corrington points out that there have been many Gnostic schools and sects over time. The attempt to understand early Gnostics presupposes something innate or universal in the human condition because it necessarily involves a projection of our own experience and empirical knowledge of the world onto past figures, events, and modes of thought.

The Gnostics expressed in symbols their experiential knowledge of the divine that was a source of freedom from the hated reality of the concrete world. Corrington here maps different forms of Gnosticism and describes important Gnostic figures throughout various times and places. The structured symbols of Gnosticism that ordered Gnostic consciousness, he suggests, rectified the sense of alienation that derived from the unintelligibility and disorder of the cosmos.

Gnosticism considered ideal unity to be the desired end of empirical knowledge. The drive for ideal unity is evident in modern ideologies such as National Socialism, Marxist-Leninism, and other forms of totalitarianism that seek to realize an eschatological state of an eternally perfect order or ultimate reality here on earth. The Gnostic field of symbology fulfills a desire for perfect order or ultimate reality that has never been actualized concretely.

Seth Vannatta’s Justice Holmes

In American History, Arts & Letters, Books, Conservatism, History, Humanities, Jurisprudence, Law, Philosophy, Pragmatism, Scholarship, Western Philosophy on March 6, 2019 at 6:45 am

Seth Vannatta identifies the common law as a central feature of the jurisprudence of former United States Supreme Court justice Oliver Wendell Holmes, Jr. Holmes treated the common law as if it were an epistemology or a reliable mode for knowledge transmission over successive generations. Against the grand notion that the common law reflected a priori principles consistent with the natural law, Holmes detected that the common law was historical, aggregated, and evolutionary, the sum of the concrete facts and operative principles of innumerable cases with reasonable solutions to complex problems. This view of the common law is both conservative and pragmatic.

Vannatta’s analysis of Holmes opens new directions for the study of conservatism and pragmatism—and pragmatic conservatism—demonstrating that common-law processes and practices have much in common with the form of communal inquiry championed by C.S. Peirce. For more on this subject, download “Seth Vannatta’s Justice Holmes,” which appeared in the journal Contemporary Pragmatism in the fall of 2018.

Writers on Writing (Red Dirt Press, 2019)

In Arts & Letters, Books, Creative Writing, Humanities, liberal arts, Literature, Uncategorized, Writing on January 23, 2019 at 6:45 am

My latest book, Writers on Writing, is available for purchase here at Amazon and here at Red Dirt Press’s website.  From the publisher:

As a lawyer, Allen Mendenhall asks questions. As a writer, he’s interested in the craft. Combine these two and you get this, a collection of writers discussing writing. Writers on Writing: Conversations with Allen Mendenhall is an anthology of penetrating interviews with prominent and diverse authors who discuss arts, literature, books, culture, life, and the writing process with Allen Mendenhall, editor of Southern Literary Review and associate dean at Faulkner University Thomas Goode Jones School of Law. Featuring the telling insights and sage advice of novelists, historians, poets, professors, philosophers, and more, Writers on Writing is not just an informative guide or a useful resource but a fount of inspiration. Readers will find in these pages authentic voices, frank exchanges, and unique perspectives on a wide variety of matters. Aspiring and established writers alike will learn from this book.

Why I Write: Daren Dean

In Arts & Letters, Books, Creative Writing, Humanities, Writing on December 26, 2018 at 6:45 am

Daren Dean

Daren Dean writes in the American South, and is the author of the novel Far Beyond the Pale, which was recently reviewed in The Huffington Post. His work has appeared or is forthcoming in Louisiana Literature, Red Dirt Forum, Cowboy Jamboree, BULL, Midwestern Gothic, The Green Hills Literary Lantern, Missouri Life, The Oklahoma ReviewFiction Southeast, storySouth, Crixeo, and elsewhere. He’s been interviewed in or for diverse publications such as Ecotone online, Chattahoochee Review, Image, Ploughshares and Little, Brown and Company. His story “Bring Your Sorrow Over Here” was selected as Runner-up by Judge George Singleton in Yemassee’s William Richey Short Fiction contest. He holds an MFA in Creative Writing from the University of North Carolina at Wilmington. His favorite unofficial title comes from Robert Olen Butler who wrote, “Dean writes like the laureate of fallen angels.” He teaches creative writing and composition in the English department at Louisiana State University in Baton Rouge.

This piece originally appeared here in Fiction Southeast.

“The type of mind that can understand good fiction is not necessarily the educated mind, but it is at all times the kind of mind that is willing to have its sense of mystery deepened by contact with reality, and its sense of reality deepened by contact with mystery.”—Flannery O’Connor

 

Why do I write? Who can answer this question definitely? No one thing made me want to write. In fact, I think it was an accumulation of experiences from childhood and maybe even lives before I was born. I guess it’s the idea of the transience in life. The way our family moved in and out of each other’s lives and into the lives of other families as well. I never worried about this as a kid, but as an adult looking back I see it as both a blessing and a curse. I was being groomed to be a writer I think and all I can do is point to some of these signposts. Some of my earliest memories are probably what everyone would agree are the those emotional events that your memory holds onto because even as a child you know they hint at something profound though you can’t quite put your finger on it. The mystery surrounding all of us all the time is what drove me to want to write. It’s the mystery that is lived as O’Connor said. Flannery O’Connor said the modern world wants to eliminate mystery, but it is this fundamental mysteriousness inherent in each of our lives that drives me to write.

As a boy, I can remember lying next to my brother Lane on the floor. Lane was older than me by a year. He was born mentally handicapped. He could not communicate. It was never clear to me that he recognized us, my mom and me, for sure. He would sometimes sit in the sunlight with the dustmotes coming in from a window and slap the back of his hand so hard over and over, he would also gnaw on his hand, until there was a callous on it. Well, I would lay there on the floor and stare into his blue blue eyes and try to communicate with him telepathically. I’m not sure  I knew that word then but for some reason I was convinced it might be possible. He would stare back at me very calmly, but as far as I know we never communicated in words but at least I did feel love and an indescribable emotion. This impulse to communicate with another human being, a friend, a mother, a father, a son or daughter, is the heart of what a writer does. Interestingly, when my children were born, this idea of communicating emotion returned to me. The feeling I had when I attempted to communicate with Lane.

I talked quite a bit as a young boy. I see it in my kids now. It’s this fundamental need to know, to share, and to love in that way. There was a time in my adolescence when I almost quit talking to anyone I didn’t know. I think there were reasons for it. We moved so much. I didn’t want to try to make new friends and connections when they were going to come to nothing. Even then I still yearned for understanding. It was a frustrating time as it is for most everyone. However, communicating emotion through stories is T. S. Eliot’s Objective Correlative but it’s a pretty tall order. I feel emotion. You feel emotion. It’s tough to put it into words. I can remember every time we drove over the Missouri River bridge going in and out of Jefferson City, my great Aunt Vivian would point out that my great grandfather was one of the carpenters who worked on the state capitol, which seemed pretty magnificent to me. The giant dome. Over time I began to associate it with my great grandpa. I could remember him vaguely, he had quite a sense of humor, but he died when I was young. In my mind, he built the capitol all by himself. But since we moved around so much, I was not around family much and I felt this void. Who was I? A question that haunted me for a long time. It haunts most of us one way or another I suppose. How did I fit? It was one of the negative things to constantly moving, this alienation. I wanted to make sense of life and know who I was. My parents had divorced when I was so young, I could not remember them ever being together as husband and wife. I saw my father on average about once every two years. He was a handsome stranger, a mystery, I could never unlock. At other times, my mother also mysteriously disappeared and I lived with my great aunt and uncle. They were wonderful for taking me in. I think my mom had us so young she wanted to sow her own wild oats. I couldn’t articulate any of this except that I yearned for her to return.

As I grew older, I was around an independent Christian denomination based on the Holiness movement. It was charismatic. Spirit-filled. My Uncle introduced me to it as a boy. The church was called the Christian Center and later they opened a school called the Christian Center Academy. I went there for a few years in grade school. Again, it was an introduction to the spiritual world and still more mysteries. Could human beings communicate with God? I saw people being prayed for: Miraculous healings; people being slain in the spirit; the faithful speaking in tongues; the beauty of the Psalms. The metaphors in the Book of John are still quite wonderful to me. The Word was God. I remember in one of the upper rooms of the Christian Center (the Church was in an old building on the main drag through town and situated right next to a tavern) there was a big painting of a giant white cross over a fiery abyss and the faithful ran across it. No one needed to explain this. Also, the themes of impending apocalypse, fire, and redemption were real to me in a way that was so literal that if you found yourself alone you might wonder if the Rapture had already taken place. It reminds me that in an interview the Mississippi writer, Larry Brown was asked something like if he’d ever been Born Again. And he said something like, ‘I feel like I’ve been saved many, many times in my life.’ I love that and it resonates with me—and my experience too. I was very passionate about my own spirituality in my twenties. In the Church they talk about the feeling of the Spirit moving in the congregation and that is a very palpable feeling.

As a teenager, I read Fitzgerald, Hemingway, and all about the Lost Generation of writers and artists. I loved the Surrealists and wished I could be an artist of some kind but I seemed to have no physical talent for it. So, I remember reading things by and about Andre Breton and even the Dadaists. I thought maybe I could write if I could train myself to think in words instead of images. So I started to try this and some of those early experiments were bizarre to say the least. Most were terrible. But I was reading and dreaming so much then. This is very necessary to the development of any writer. There was a great deal of emotion going into poetry and something like prose back then. I felt like I was tapping into something, but I didn’t know what it was. Now, I know I was tapping into the universe. Around that time I remember coming across an old hardback copy of Truman Capote’s Other Voices, Other Rooms. What a great novel! There was an author photo of the young Capote in a white t-shirt. I was hooked!

In college I read A Good Man is Hard to Find by Flannery O’Connor in an English class. I remember thinking, why haven’t I read her before now! Why have they hid this writer from me! I don’t know who hid her per se but I couldn’t believe I’d never even heard anyone talk about her before! My English professor told me about Wise Blood. I read all of O’Connor’s work. It resonated with me because of my religious experiences. Wise Blood was the book that made me want to be a writer again. Several years went by. I really didn’t write that much. I wasn’t that good at it. Writing was, and is, hard work unless you totally immerse yourself in it. Then, it can be sublime.

Several years went by. I discovered the annual New Stories from the South collection. I started to read that collection religiously. I came across Larry Brown’s works because of that series. I think I read Facing the Music first. Then, I found Joe. I sensed that my spiritual experiences along with the kind of rural characters I recognized in Brown’s work was something I could write about as well. Even before Brown, I read a couple of books by Harry Crews. In a Childhood: The Biography of a Place, Crews opens with these startling lines: “My first memory is of a time ten years before I was born, and the memory takes place where I have never been and involves my daddy whom I never knew.” This line really spoke volumes to me as I mentioned earlier that I felt disconnected. Now, I can see that one reason I decided to write was to find these connections and some of them I’ve found in events real and imagined. The historic record and the fictional world of imagination come together in the writer’s mind and form this bridge to emotion, to understanding and connection. Readers read for this connection just as much as writer’s write for it. I recently read this piece in the Oxford American that Barry Hannah wrote. Something he said stuck out to me: “But I believe he (a writer) might also be a sort of narcoleptic who requires constant waking up by his own imaginative work. He is closer to sleep and dream, and his memory is more haunted . . .”

At one time I thought I would find all the answers in a person…and later I thought I might find them in a book…then I thought I might find them within and from my own writing. Now, pushing 50, I find I’m more resigned with being (with process) than thinking I know all the answers. My advice would be don’t be so quick to eliminate all of the mystery. You only get that sense of wonder one time and it cannot be duplicated. This is the mystery I’m talking about.

John William Corrington on Gnosticism and Modern Thought

In Academia, American History, Arts & Letters, Books, Christianity, History, Humanities, John William Corrington, liberal arts, Literature, Philosophy, Religion, Scholarship, Southern History, The Academy, The South, Western Philosophy on December 12, 2018 at 6:45 am

Corrington delivered “Gnosticism and Modern Thought” as a lecture at a conference on Gnosticism (“Gnosticism and Modernity”) held at Vanderbilt University on April 27-29, 1978. The original version of this essay, located in the archives at Centenary College, consists of a typed document with handwritten pages at the end. An edited version of this essay appears in my recent edition of Corrington’s work, which is available for purchase by clicking on the book-cover image below.

Corrington opens the essay with a reference to Nick Adams, a character from a short story by Ernest Hemingway who has established for himself an alternate, deformed sense of reality—a Second Reality—whereby he orders his experience. Corrington likens this Second Reality to the structure of consciousness accepted and propagated by Gnosticism. Corrington argues that the Gnostic acceptance of a false reality brought about an embrace of magic and fantasy, both of which the Gnostics used to order their social and political experience.

This perceived form of order is, in fact, disorder. Gnosticism is manifest in modern political movements, Corrington suggests, and it renews and reuses certain symbols to describe the nature of the world. It premises itself, moreover, on assumptions about the divine ability of man to achieve a unified, monistic, salvational telos on earth.

Gnosticism, which is part of an irrepressible drive for the divine that is common to each psyche, has a coherent ideational, narrative structure that makes its symbology appealing and plausible. Gnosticism is a symptom of the desire to achieve the symbolic return to the womb, a representation of paradise in which unity and perfection and order are attained. The Gnostic thus seeks to realize in the concrete world, by way of magic and other breaks from reality, the supposedly ultimate and eternal state in which pure, transcendent unity and monism are instantiated.

Corrington sees Gnosticism in the scientism of the modern era. If metaxy represents the proper understanding of the place of man and the divine on earth, the Second Reality, which the Gnostic chooses over metaxy, is a distorted teleological worldview. Corrington submits that more would be known about modern Gnostic tendencies in the form of ideology if there were not a breakdown of the disciplines into such compartments as history, science, political science, theology, psychology, and so on.

John William Corrington on the Structure of Gnostic Consciousness

In Academia, American History, American Literature, Arts & Letters, Books, Christianity, Essays, History, Humanities, liberal arts, Literary Theory & Criticism, Literature, Philosophy, Scholarship, Southern History, The Academy, The South, Western Philosophy, Writing on December 5, 2018 at 6:45 am

John William Corrington wrote the essay “The Structure of Gnostic Consciousness” around the time he delivered his paper “Gnosticism and Modern Thought: A Way You’ll Never Be” at a conference titled “Gnosticism and Modernity,” held at Vanderbilt University on April 27-29, 1978.

“The Structure of Gnostic Consciousness” developed out “Gnosticism and Modern Thought” as a contribution that Corrington prepared for an edition that he and Richard Bishirjian were planning to publish after the Vanderbilt conference. The edition was never published because, according to Bishirjian, some of the contributors did not want to be associated with Mel Bradford, who was contributing a chapter to the book.

Corrington was involved in organizing the 1978 conference with Bishirjian and Eric Voegelin. Bishirjian would later relate that Voegelin considered Corrington’s paper to be the best that weekend. Among those participating in the conference was the literary critic Cleanth Brooks. Ellis Sandoz and Mel Bradford were also in attendance; Bradford delivered a paper and Sandoz moderated a panel.

“The Structure of  Gnostic Consciousness” in some ways summarizes Corrington’s philosophical interpretations of Gnosticism, political order, consciousness, myth, symbolism, the psyche, and knowledge. Corrington criticizes Gnosticism for failing to deal with reality as it is constituted in consciousness. The collapse of the Gnostic understanding of reality leads to disorder and confusion and the embrace of such things as magic that are at odds with a symbolic order emanating from a sound understanding of reality apprehended through consciousness. The Gnostic failure to comprehend reality generates delusional, ahistorical assumptions about the divinity of man and the ability of man to bring about a heaven on earth within history. Marxism is an example of a type of modern thinking that displays Gnostic elements.

The Gnostics felt alienated by and disenchanted with the cosmos as it exists in reality; they hated the real cosmos and remade it in the image of distorted, mythopoetic concepts whose symbology of disorder is mistaken for order. To achieve gnosis, or knowledge, is actually to accept a wrong and archaic mode of mythopoetic thought whereby magic is possible rather than beyond the realm of reality. This form of gnosis is attributable to Simon the Sorcerer or Simon the Magician, the Gnostic leader who is recounted briefly in the canonical Book of Acts of the Apostles in the New Testament.

Corrington discusses the work of the twelfth century mystic Joachim of Fiore, who exposited a millenarian view of history that influenced modern symbolic systems and consciousness which, according to Corrington, represent a divorce from earlier types of mythopoetic thinking. Joachim of Fiore rearticulated a Gnostic vision of earth and the cosmos, projecting eschatological salvation onto the concrete activities in which we are immersed and seeking to realize a heaven on earth within history. His notion of consciousness rendered a conceptual end to history, a fantasy in which the real is lost to a deformed system of symbolism whereby the natural desires of the psyche are satisfied by a false eschatology.

“The Structure of Gnostic Consciousness” has been printed in my recent edition of Corrington’s work, which is available for purchase by clicking on the image below:

John William Corrington on a Rebirth of Philosophical Thought

In Academia, American History, American Literature, Arts & Letters, Books, Essays, History, Humanities, liberal arts, Literary Theory & Criticism, Literature, Philosophy, Religion, Southern History, Writing on November 21, 2018 at 6:45 am

“A Rebirth of Philosophical Thought” is an essay by John William Corrington that appeared in The Southern Review in 1984. It opens by discussing the connection between Louisiana State University and Eric Voegelin and addresses the efforts of Voegelin and Ellis Sandoz to bring about a “rebirth” in philosophical thought, namely in premodern, mythopoetic forms of philosophizing.

Corrington calls Voegelin’s thought “an argument directed to the reader as spoudaios, the mature human being who, if he is capable of theoria, self-reflection, will be able to reconstitute in his own psyche the substance of what Voegelin has experienced in recollection from a past rendered opaque for most of us by some five hundred years of cultural destruction.”

For both Voegelin and Corrington, Nazism, Marxism, fascism, communism, and other totalizing ideologies of the twentieth century were the result of disordered philosophy and the divorce of modern thinking from its premodern antecedents for which humans had an innate longing, but from which they were alienated by modernity.

“A Rebirth of Philosophical Thought” provides helpful summaries of Voegelin’s most definitive theories, including his belief that modern disorder reveals symptoms of latent Gnosticism that has undergone dramatic but gradual change in light of the rise of Pauline Christianity with its various Greek influences.

“A Rebirth of Philosophical Thought” has been printed in my recent edition of Corrington’s work, which is available for purchase by clicking on the image below:

Review of Amy Chua’s Political Tribes

In Academia, America, American History, Arts & Letters, Books, History, Humanities, liberal arts, Politics, Scholarship on November 14, 2018 at 6:45 am

This review originally appeared in Academic Questions. 

Amy Chua, known both affectionately and derogatively as “Tiger Mom” after her highly acclaimed Battle Hymn of the Tiger Mother (2011), is a law professor at Yale Law School and an expert on globalization and international business transactions. She has the impeccable credentials of the typical law professor: Harvard University, Harvard Law School, clerkship with a federal appellate judge, and private practice experience at a Wall Street law firm. Her first book, World On Fire, coined the term “market-dominant minorities” to refer to “ethnic minorities who, for widely varying reasons, tend under market conditions to dominate economically, often to a startling extent, the ‘indigenous’ majorities around them.”[1] Certain minority populations, this theory runs, exert disproportionate control over their regional economy, fomenting in the process group backlash, resentment, and tribalism among those impoverished majorities who feel disenfranchised or marginalized.

The theme of market-dominant minorities underlies Chua’s latest book, Political Tribes: Group Instinct and the Fate of Nations, which examines domestic identity politics and the effects of foreign identity politics on U.S. foreign policy. Chua’s focus on tribalism, that instinctual tendency of humans to associate around shared norms, values, histories, customs, and traditions, holds together what feels like two different arguments: the one about culture at home and the other about foreign policy.

The less original of the two involves foreign policy. Five of Chua’s eight chapters can be reasonably reduced to a simple conclusion: American military intervention and capitalism did not succeed in Vietnam, Afghanistan, Iraq, Venezuela, and elsewhere because they were predicated on ideals that did not square with local, on-the-ground realities. In short, American values could not be universalized; presuming their viability in complex ethnic or tribal conflicts abroad led to disastrous consequences. Although she doesn’t cite him, her theme seems Hayekian: faraway experts cannot rationally design workable systems for the particular circumstances that are intelligible only to those with native knowledge.

Chua’s account of domestic tribalism and identity politics, on the other hand, is premised on the claim that America, historically, has been a “super-group.” A super-group is characterized by membership that “is open to individuals from all different backgrounds—ethnic, religious, racial, cultural.” Moreover, “a super-group does not require its members to shed or suppress their subgroup identities.” Rather, “it allows those subgroup identities to thrive, even as individuals are bound together by a strong, overarching collective identity” (12).

Tribalism, Chua submits, is spreading throughout the United States, dividing people by racial and class identities. When people identify with and as groups, she argues, they see themselves as victims and respond to perceived threats by retreating into insularity, defensiveness, and punitiveness. Elites, as a tribe, disdain “the provincial, the plebian, [and] the patriotic.” By contrast, “many ordinary Americans have come to view the elite as a distant minority controlling the levers of power from afar, ignorant about and uninterested in ‘real’ Americans” (6-7).

Chua alleges that the United States has split into the “haves” and “have-nots,” recognizable categories that are nevertheless crude. Although she describes several examples of groups that fall within these categories, her central concern is the difference between the progressive, elite, activist haves and the populist, patriotic have nots. The former purport to speak for marginalized, underclass groups without actually including those groups as members. The latter embraces the prosperity gospel and watches NASCAR and WWE. The haves and have nots, in this cartoonish illustration, represent “America’s two white tribes,” which have, she believes, turned against each other.

Chua seems correct about the alienation of white America in light of rapidly changing demographics and cultural norms. “For tens of millions of white Americans today,” she says, “mainstream popular culture displays an un-Christian, minority-glorifying, LGBTQ America they can’t and don’t want to recognize as their country—an America that seems to exclude them, to treat them as the enemy” (173). Yet Chua is off-base in assuming that the United States is or ever was a super-group, let alone “the only [super-group] among the major powers of the world.” She states: “We have forged a national identity that transcends tribal politics—an identity that does not belong to any subgroup, that is strong and capacious enough to hold together an incredibly diverse population, making us all American” (166). Her fear is that tribalism will cause America to lose “who we are.”

But who are “we”? Citizens of the United States? People who live within the territorial boundaries of the United States? People whose ancestors came from—where? She never clarifies. Are “we” unifying or coming apart the more diverse we become in terms of culture, religion, race, national origin, and so forth? Is it really an identity that holds us together? What about our Constitution, which, in the words of Albert Jay Nock, “recognizes no political boundaries, no distinctions of race or nation” in that “our allegiance to it takes precedence over every local or personal interest.”[2]

The fact is that America—both the idea and the geographical territory—has never truly been open to the kind of all-inclusive, harmonious diversity that Chua celebrates. The growing cultural chasm between New England and the South during the eighteenth century does not seem to have transcended tribal politics. The economy of the yeoman farmer and eventually the plantation system with its chattel slavery in the nineteenth-century agricultural south stood in stark contrast to the busy industry of New England. During the Civil War, southerners in the Confederate States of America would not have identified as American while retaining a “sub-group” identity.

There are many Americas. The history of the United States consists of numerous conflicts over which and whose version of America should prevail. It’s true, of course, that the United States has enjoyed, to some extent, an “ethnicity-transcending national identity and . . . unusual success in assimilating people from diverse origins,” at least if the total number of immigrants and the fact that many of them do feel part of a larger America are any indication. But the existence of the National Origins Formula, in effect from 1921 to 1965, and the immigrant exclusion laws (e.g., the Chinese Exclusion Act of 1882) suggest that the United States has, at times, been at least equally committed to keeping certain immigrants out of the country.

Treatment of immigrants in the United States has differed in kind and degree from region to region, city to city, and decade to decade. Thus, to purport that America has maintained some uniform and constant attitude towards immigrants, immigration, cultural multiplicity, ethnic minorities, and religious variety is mistaken. The United States may have been comparatively better than other nations at instituting welcoming, tolerant laws and policies regarding immigrants, but it has, for better or worse, always been tribal. In other words, tribalism in this country is not a new problem necessitating sudden panic.

Chua seems to recognize this weakness in her case, acknowledging that “American politics have always been identity politics.” She adds: “If we define ‘identity politics broadly, to include cultural and social movements based on group identities, then slavery and Jim Crow were forms of identity politics for white Americans, just as the suffragette movement at the turn of the twentieth century was for women.” If that’s true, then what’s so dangerously different now? How could she imply that things have gotten worse than they were during the Jim Crow Era? Her response: “[A]t different times in the past, both the American Left and the American Right have stood for group-transcending values. Neither does today” (22).

One problem with this blanket assertion is what it doesn’t say, namely that those group-transcending values that have existed in certain periods were never identical or homogenous across the United States, never part of a consistent narrative with which large swaths of the American population would agree. The imaginary utopian super-group America that Chua promotes and envisions is the product of myth. She recalls the airy, exhilarating rhetoric of the honorable St. Jean de Crèvecœur, a French liberal aristocrat enthused by the democratic possibility inspired by the New World. Yet Crèvecœur’s sentimentality was time bound, reflecting the Enlightenment excitement and optimistic mood out of which sprang the myth of the American Dream. The United States, however, has never been “a group in which membership is open to individuals of any background but that at the same time binds its members together with a strong, overarching, group-transcending collective identity.”

Myths express narrative truths about ourselves that we tell ourselves and others. The population of the United States has grown steadily and rapidly since the Founding era due to immigration, among other factors. Chua asserts that, “[o]ver the centuries, through the alchemy of markets, democracy, intermarriage, and individualism, America has been uniquely successful in attracting and assimilating diverse populations,” and that “the United States has always been one of the most ethnically and religiously open countries in the world.” She’s accurate by the measure of overall immigrant population and by the nature of our immigration laws in some respects during some periods. To be uniquely successful, however, is not to be fully or even consistently successful.

Perhaps the most unifying idea behind America, the sentiment that more than others achieved national solidarity, involved antimonarchy; for to become American has not required proof of bloodline, feudal hierarchy, or title. Still, for most of our nation’s history, immigration has originated from European nations, where monarchy was slow to dissolve and still exists in residual forms. And if you wanted to climb the social ladder, it didn’t hurt to belong to certain families: the Adamses, the Quincys, the Appletons, the Harrisons, the Cabots, the Lodges, the Roosevelts, the Holmeses, the Thayers, the Coolidges, the Rockefellers, the Peabodys, the Kennedys, the Bushes. America has lacked kings and queens, but it has erected de facto aristocracies.

The linguistic history of the United States might lend substance to Chua’s thesis about anti-tribalism and the possibility of immigrant incorporation into American civic life. Early America was a polyglot society, but the United States did not become a polylingual nation. In the contest for primacy among native dialects—Spanish in Florida and the southwest, French in Louisiana, Dutch in New York, German in Pennsylvania, and the multiple languages of immigrants from China or Japan, Italy or South America—English won out as the common tongue. Yet Chua isn’t talking about language when she extols America the super-group; she ignores arguably the most important corroborating evidence that supports her premise.

Chua sounds, in her anti-tribalism, more like a sanctimonious Barack Obama than our Founding Fathers. Obama’s 2016 speech to the Democratic National convention cast then-candidate Donald Trump, and by implication his supporters, as un-American. “[T]hat is not the America I know,” Obama said of Trump’s speech to the Republican National Convention the week before.[3] He continued:

 

The America I know is decent and generous . . . I see Americans of every party, every background, every faith who believe that we are stronger together—black, white, Latino, Asian, Native American; young, old; gay, straight; men, women, folks with disabilities, all pledging allegiance, under the same proud flag, to this big, bold country that we love. That’s the America I know![4]

 

This America that Obama knows was not known by George Washington, John Adams, or Thomas Jefferson. But what of Hamilton, the musical-inspiring “immigrant” from the British West Indies, who rose through the military ranks in service to Washington, eventually becoming a prominent Founding Father? He asserted that

 

foreigners will generally be apt to bring with them attachments to the persons they have left behind; to the country of their nativity, and to its particular customs and manners . . . The influx of foreigners must, therefore, tend to produce a heterogeneous compound; to change and corrupt the national spirit; to complicate and confound public opinion; to introduce foreign propensities.[5]

 

Hamilton’s conclusion? “The United States has already felt the evils of incorporating a large number of foreigners into their national mass; it has served very much to divide the community and to distract our councils, by promoting in different classes different predilections in favor of particular foreign nations, and antipathies against others.”[6] So Hamilton was a tribalist and nativist, after all.

What of the enlightened, homespun, and cosmopolitan Benjamin Franklin? He declared that

 

the number of white people in the world is proportionably [sic] very small. All Africa is black or tawny. Asia chiefly tawny. America (exclusive of the new comers) wholly so. And in Europe, the Spaniards, Italians, French, Russians, and Swedes are generally of what we call a swarthy complexion; as are the Germans also, the Saxons only excepted, who with the English make the principal boy of white people on the face of the earth. I could wish their numbers were increased. And while we are, as I may call it, scouring our planet, by clearing America of woods, and so making this side of our globe reflect a brighter light to the eyes of inhabitants in Mars or Venus, why should we in the sight of superior beings, darken its people? why increase the sons of Africa, by planting them in America, where we have so fair an opportunity, by excluding all blacks and tawneys, of increasing the lovely white and red? But perhaps I am partial to the complexion of my Country, for such kind of partiality is natural to Mankind.[7]

 

Turns out Franklin was tribalist and nativist as well.

The super-group representation of America proclaimed by Obama and Chua is attributable to only a sliver of American history in the late twentieth century. It was after the Civil Rights Act of 1964, in Chua’s view, when “America underwent [a] profound transformation: from a multiethnic nation into something even more unusual: a super-group” (27). But is it proper and anthropologically sound to define America by what amounts to around 22 percent of its history since 1776?  Doing so could be a reason why some white Americans have, in Chua’s words, asserted “ownership of the country’s past” with a tribal attitude: “We built this land of opportunity and invited you in, and now we’re being demonized for its imperfections.

Myths idealize and romanticize truth, blurring the lines between fiction and reality. As a scholar, Chua ought to be in the business of ferreting out the truth rather than distorting or glossing over it through mythmaking. She applauds the inclusiveness of America as a super-group without acknowledging the ironic implication that, a fortiori, those who disagree with her are wrong about their definition of America. Of valid conceptions of America that might seem tribal, or at least out of key with her postwar liberal revivalism, she has nothing favorable to say. She therefore opens herself up to criticism that will only compound rather than mitigate the tribalism she seeks to abate.

Chua betrays her own thesis: From a position of supposed authority, she presumes knowledge about the way ordinary people in the United States think about their country. She thereby reveals her own tribalism, to which she seems blind, and unwittingly presents herself as a member of the elite tribe that she so decries. With the wave of a hand, she lumps Americans into two undesirable categories, the haves and have nots, never taking the time to explain whether and how these categories are permeable or inadequately representative of a diverse population with distinct experiences.

Despite her intended message of peaceable inclusivism, Chua might be  misinterpreted as  insisting that newcomers, local communities, and regional cultures give up their customs and traditions and embrace the assimilationist experiment that she portrays  as essential to American identity. She says, for instance, “we need to collectively find a national identity capacious enough to resonate with, and hold together as one people, Americans of all sorts—old and young, immigrant and native born, urban and rural, descendants of slaves as well as descendants of slave owners” (203).  This is a beautiful but quixotic proposal, one that could require groups to abandon positions that are integral to their identity and Weltanschauung.

Chua’s proposal also  raises questions about how much coercion she believes to be justified to stamp out opposition or dissent in the name of absolute inclusion. What reasonable thinker would in good faith disagree that  “what is needed is one-on-one human engagement” (201), or that “[w]hen people from different tribes see one another as human beings who at the end of the day want the same things—kindness, dignity, security for loved ones—hearts can change” (202)? The problem, of course, is translating that compassionate sentiment into official policy through government or institutions. People cannot be forced to love each other.

Anti-tribalism is tribal, i.e., a view embraced by certain elite groups in America without regard to the perspective of many ordinary Americans. Political Tribes suggests, therefore, that Chua is part of the problem: her type of tribalism is acceptable, others are not. A more convincing plea would acknowledge that the breezy cosmopolitanism Chua prefers is not accessible to all, and offer a more nuanced depiction of “Americanness” and its multiplicities.

 

[1] Amy Chua, World On Fire (First Anchor Books, 2014), p. 6.

[2] Albert Jay Nock, The Theory of Education in the United States (New York: Harcourt, Brace and Company, 1932), 1.

[3] Full text of Barack Obama’s speech available in the Los Angeles Times: http://www.latimes.com/politics/la-na-pol-obama-2016-convention-speech-transcript-20160727-snap-story.html.

[4] “Read: President Obama’s Speech at the Democratic Convention,” NPR, July 28, 2016. https://www.npr.org/2016/07/28/487722643/read-president-obamas-speech-at-the-democratic-convention.

[5] The Papers of Alexander Hamilton: Vol. XXV July 1800 – April 1802, edited by Harold C. Syrett (Columbia University Press, 1977), 496.

[6] Ibid.

[7] Benjamin Franklin, Observations Concerning the Increase of Mankind, Peopling of Countries, Etc. (New York Reprint: W. Abbatt, 1918), 224.

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