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Archive for the ‘Creative Writing’ Category

“Sojourn,” Part Eight, A Serialized Story by Yasser El-Sayed

In Arts & Letters, Creative Writing, Fiction, Humanities, Literature, Writing on July 13, 2016 at 8:45 am

Yasser El-Sayed

Yasser El-Sayed has recently published fiction in Natural Bridge, The New Orphic Review, The Marlboro Review, Red Truck Review, and elsewhere. His short stories have been nominated for the Pushcart Prize in 2014 and in 2008. Yasser’s prose focuses upon the intersections of Arab and American experience both in the Middle East and the United States, including the contemporary American South. He is at work on a short story collection, Casket and Other Stories. Yasser is a physician and professor at Stanford University where he specializes in high-risk obstetrics. He lives and writes in Northern California.


For the next two days they stayed in the hotel compound, cooked their meals in the beach house and ate there. In the late afternoon as the heat abated they made love before dinner and then again after, the windows to their bedroom pulled open, the smell and sounds of the sea wafting through.

“I showed you my past,” she said, propping herself up against the headboard. “I figured that gave me the right to barge into yours.”

“You were a little relentless,” said Nabil with a smile. From the beginning Joanne had pursued him with a self-confidence that at first alarmed him, but which eventually he accepted as emblematic of her. “You know, I had people vouch for your sanity.”

“Of course I knew that!” She laughed. “But I was sworn to secrecy; the Flemmings, the Castillos, Steve Pullman and his ridiculous fiancée who kept looking at me with this awful expression dripping with fake sympathy. Well, I honestly didn’t care what you thought. So polite. Reticent. Please. I grew up with a bunch of tobacco chewing rednecks. You think I was going to be so easily turned away?”

One Thanksgiving, he’d driven with her into that very epicenter of her childhood memory: Hooker, Oklahoma. They’d flown into Oklahoma City and then driven their rented car across miles of flat land, then rolling hills, plenty of scrub grass and red dirt, and finally funneling into the narrow strip of panhandle to her father’s ranch. The John Lee Casey homestead was announced with its own towering wood archway emblazoned with the letters JLC, and then Nabil was in front of John Lee Casey himself, all 6 foot 3 inches of him, Wrangler jeans and checkered western shirt and, of course, alligator boots and a silver belt buckle that looked like a weapon.

“Your father sized me up as if I was some exotic life form.”

“Well, you are.  And so’s my mother, because she’s from Tulsa. Anyway, he’d never seen an Ayrab before.”

“Imagine that!” Nabil laughed.

“Now he asks after you all the time.”

“You got laid under his moose heads and embalmed squirrels.”

“You got laid too, towel-head.”

Nabil had been given his own bedroom, graciously adorned with various hunting trophies and other memorabilia of formerly living creatures. Joanne had climbed into his bed and mounted him, and he had willingly bucked and heaved and groaned and came and yippeed his way into the early morning light, ascending on the glorious town of Hooker.

Far away Nabil thought he heard a muted thud. A faint boom.

“You had a home, a place to show me, my hillbilly,” Nabil said trying not to sound too serious.  But he was.  He was very serious:  “That’s the difference. There is no such place for me.”

“This is that place,” she said emphatically.

To be continued….

“Sojourn,” Part Seven, A Serialized Story by Yasser El-Sayed

In Arts & Letters, Creative Writing, Fiction, Humanities, Literature, Writing on July 6, 2016 at 6:45 am

Yasser El-Sayed

Yasser El-Sayed has recently published fiction in Natural Bridge, The New Orphic Review, The Marlboro Review, Red Truck Review, and elsewhere. His short stories have been nominated for the Pushcart Prize in 2014 and in 2008. Yasser’s prose focuses upon the intersections of Arab and American experience both in the Middle East and the United States, including the contemporary American South. He is at work on a short story collection, Casket and Other Stories. Yasser is a physician and professor at Stanford University where he specializes in high-risk obstetrics. He lives and writes in Northern California.


The Australian took his chances at the airport. The German couple decided at the last moment to go with him. The Chinese tour group was gone, too, piling into a minivan which appeared one morning outside the hotel lobby, the driver cross-checking the names with a printed list on his clipboard.  Even most of the vacationing locals packed up and headed home, although a few families remained in the beach houses on the hotel grounds. Nabil would pass them as he walked along the stretch of beach leading up to the hotel proper, hearing fragments of Arabic. There remained a scattering of families from around Egypt, the parents drinking coffee quietly on the small patios overlooking the beach, watching their children play by the shore.

Every afternoon Nabil  saw more army convoys rumbling west down the highway; at night he and Joanne heard the percussive whomp whomp of military helicopters overhead, and the shriek of fighter aircraft flying low. In their isolation, these random bursts of mechanized rage were Nabil and Joanne’s connection to the unrest in the cities. The country was in turmoil; the police had disappeared from the streets; in every major city the violence was escalating. Cell phone coverage was intermittent at best, the Internet cut off entirely. Joanne got through to the American embassy in Cairo and requested advice. She was informed that if she could get to the consulate in Alexandria, perhaps something could be done to get her out of the country. But there were no guarantees beyond that. The prospect of making their way into Alexandria seemed terrifying especially to Nabil. He imagined them caught up in the tempest, their American passports a liability, his place of birth an added vulnerability. The thought that he could somehow be separated from Joanne only heightened the anxiety. They agreed to wait things out. Another week of vacation ahead of them, after which they could reconsider. An eerie quiet had settled over the resort premises. A skeleton crew of staff remained, and the service dwindled to non-existent. In the hotel proper the halls were deserted. When Nabil and Joanne wandered through one morning, the marble foyer echoed with their footsteps.

They availed themselves of long walks on the beach. In the distance the white sand dunes merged into the expanse of desert. The sky was a diaphanous blue and unyielding. By midday the glare of the sun was blinding. As they ambled west across a stretch of dunes, away from the shoreline and further into the desert, a lone hawk circled overhead, hunting, unnerving Nabil, escalating the feeling of emptiness around them.

Joanne laughed at his trepidation and said, “I’m entirely at peace with this isolation.”

“It’s the plains in you,” Nabil said defensively. “Space for the sake of space. But even you left.”

“I loved the space,” she said pensively. “I hated the emptiness. I’m not empty here. I imagine you as a little boy. It’s incredible to me that you were once here.”

“I don’t remember much.”

“You choose not to remember much.”

“I told you what I remember. One day she was here, the next she was dead. I was a kid. I remember a funeral and sometime later, weeks, months, I’m not sure, leaving. Flying across the world to a new country. All this put to rest. No pictures saved. Nothing.  A clean break. What would you remember of your childhood without stories and pictures?”

He pulled up suddenly.  His eyes scoured the empty skies as the screeching of a fighter jet somewhere in the distance shattered the still air.

To be continued….

“Sojourn,” Part Six, A Serialized Story by Yasser El-Sayed

In Arts & Letters, Creative Writing, Fiction, Humanities, Literature, Short Story, Writing on June 29, 2016 at 6:45 am

Yasser El-Sayed

Yasser El-Sayed has recently published fiction in Natural Bridge, The New Orphic Review, The Marlboro Review, Red Truck Review, and elsewhere. His short stories have been nominated for the Pushcart Prize in 2014 and in 2008. Yasser’s prose focuses upon the intersections of Arab and American experience both in the Middle East and the United States, including the contemporary American South. He is at work on a short story collection, Casket and Other Stories. Yasser is a physician and professor at Stanford University where he specializes in high-risk obstetrics. He lives and writes in Northern California.


At the end of another of these evenings—there were no other evenings to be had—Neena invited them to linger. “A nightcap. Just the three of us,” she said.

Abu-Bakr had left earlier than usual that night, exclaiming loudly that there were signs the unrest was spreading and he had to attend to business, and then he strode military style out of the bar. To which Joanne had quipped within ear-shot, “Working. Imagine that.”  But with him gone, both Joanne and Nabil could relax and enjoy their moment with Neena.

Behind the bar, Neena poured Nabil a scotch, a cognac for herself.

“Just mineral water for me,” said Joanne.

Neena tilted her head, eyed Joanne for a moment. “I have noticed this before, but now I am sure. My dear, you are pregnant.”

Nabil smiled, nodded.

“Mon Dieu! Félicitations! Mabrouk!””

“Thank you,” replied Joanne stiffly.

“Not exactly planned,” added Nabil.

“A little complicated,” Joanne said.

Neena made a face and shook her head. “How complicated is it? The process well understood, no?” She laughed, said, “Ah oui. Je comprends. You are not together, really together in that way. Not married.”

She poured Joanne’s mineral water. “No alcohol. The hardest part about being pregnant,” she said. “But I still adored it. How far? Can’t be too far?”

“Just barely,” said Joanne. “A few weeks only.”

“My daughter. She is in Canada now. She came back many years ago after her father died, for his funeral. Agreed to see me. Briefly.”

Suddenly the glass panes in the doors to the terrace rattled as if they might shatter in their frames and there was the roar of fighter jets overhead, low and deafening.

Joanne cried out and Nabil gathered her in. For a moment they both looked to the ceiling.

Neena slumped in her seat; her face sank in her hands. “Who knows what will happen,” she said, when the jets had passed. “Will it be better? True, everywhere across the country it is terrible. Getting worse. No freedom. No future. But here in this small corner of the desert we drink, we sing, we dance. A small victory. My only victory.”

Joanne watched her closely. She had told Nabil that she liked Neena. She saw in Neena something of her own restlessness. She reached out and touched Neena’s hand. Neena responded, immediately taking Joanne’s hands in her own. “You could leave,” Joanne said. “Your daughter in Canada. How lucky she would be!”

Neena, who had been taking in Joanne with a warm gaze, threw back her head and laughed. “My daughter would not be feeling lucky,” she said. “I am too careless for her. She is like her father. He comes from a family of masons. They all love laying one perfect brick on top of the other. Careful does it. Careful does it. Doesn’t really matter what is being built, just as long as it’s straight and strong and the pieces all fit perfectly and the mortar isn’t making a mess. No unseemly edges. I am too unseemly.”

She stopped and shook her head, her face suddenly lit up with the urgency to make a point. “Did I tell you my mother was from Paris? I kept in touch with a few relatives there. And yes I thought at one point I might go there. I did in fact. Not for long though. I came back. You think you are from somewhere. Convince yourself of that. But not really. Suddenly you are just where you are. I caught the plane to Paris in Alexandria. I hadn’t been back to Alexandria for a long time, but each time I return I hardly recognize it. No. Seriously. It just keeps getting worse. I keep thinking how can it get worse? How can it get more crowded, more polluted, dirtier, more open sewers, more grime everywhere? How? But it does. It always surprises me. A talent really. An amazing gift for decline. So then I was really excited to leave. And when the plane took off, I said finally out of here. Gone. And I land in Paris and there is cooler air, cleaner streets, order, a beginning and end to the day. Each morning I get up in my little rented apartment. I make coffee, but it isn’t like the coffee I know. It isn’t mud. I tell myself I am sure I can find my coffee. I just have to look and find an Arab or Turkish store. In Paris they must be everywhere. Outside the streets are cleaner, there is no dust, no open sewers. El dinya nadeefa. Al aalam nadeef. No donkey carts pulling an open carriage with wares. But people hardly look at you as you walk past them. And there is the texture and smell of metal everywhere, steel, the glint of it, sunlight distilled to nothing, sharp as a knife, without warmth. That is what starts to strike me. The night rolls in. The lights go off. Each person in their own small cubicle. Their own prison. Isolement. That’s when I start to miss this place. Miss the desert. The smells, the merging of night and day, of water and sand, of past and present. I returned. Je suis revenue. Alone. Hina fee beity. Home.”

Joanne shifted in her seat. “I can see why you love this place,” she said. “Besides, with the restaurant you have no time to feel lonely.”

Neena brought her hands, which had been flying about, back to her lap. “The restaurant is failing. It has been for too long. No one cares anymore about the battlegrounds and the cemeteries. Those that did are themselves dying. I imagine them fading away in nursing homes all over gray Europe. Mon Dieu—but there were so many good years!”

“Your husband,” said Nabil. “How about him? How did he feel about this place?”

“My late husband. No. We lived apart for many years before he died. He stayed in Alexandria, with my daughter.”

A wave of irritation swept over Nabil. “So you just moved out here. One day you said, “I’ll leave my husband and daughter and move to the desert, build a restaurant.”

Joanne threw Nabil a hostile glance, but if Neena took offence at his words she didn’t show it. “You must understand some of this,” she said. “This not belonging. Then also perhaps I was not meant to be a wife to any man.”

She took the empty glass from Nabil’s hand. “Another?”

Nabil shook his head. She walked their glasses to the sink behind the bar.

“But I did not always feel alone here. One summer, soon after I started the restaurant, I met a young woman.” She had her back to them, rinsing the dishes. “She was from Alexandria. She used to stop by the restaurant every summer she was here with her family. She spoke French, which was nice. She was beautiful and lonely and there was a certain understanding. An attraction we couldn’t deny. We became close. I would look forward to the summers just to see her. We’d exchange letters the rest of the year. She wouldn’t let me visit her in Alexandria, but here, here it was different. She hated this place, and I was her reprieve.” Neena stopped, smiled, shrugged her narrow shoulders. “Stories. Too many stories. I could keep you up all night with them.”

Nabil stood up suddenly.  “It’s late,” he said. “We should go.”

Neena regarded him for a moment. “Not so late, Nabil. Mais bien. I’ll see you tomorrow night, though,” she said, then added quickly, “and please, please the cemeteries. You can’t leave without seeing the cemeteries.”

To be continued….

“Sojourn,” Part Five, A Serialized Story by Yasser El-Sayed

In Arts & Letters, Creative Writing, Fiction, Humanities, Literature, Writing on June 22, 2016 at 6:45 am

Yasser El-Sayed

Yasser El-Sayed has recently published fiction in Natural Bridge, The New Orphic Review, The Marlboro Review, Red Truck Review, and elsewhere. His short stories have been nominated for the Pushcart Prize in 2014 and in 2008. Yasser’s prose focuses upon the intersections of Arab and American experience both in the Middle East and the United States, including the contemporary American South. He is at work on a short story collection, Casket and Other Stories. Yasser is a physician and professor at Stanford University where he specializes in high-risk obstetrics. He lives and writes in Northern California.


Nabil stood by the French windows and gazed out onto the beach. “We’ll stay put for now,” he said. “We’re safe here. Who knows what it will be like in Alexandria.” He imagined the airport shut down, the pressing crowds at the terminals.

“I don’t know,” said Joanne. “We’ve come all this way. We can still travel around like we’d planned. The whole country can’t be shut down.” She paused. “Besides, who knows when we will have this time alone together again? Just the two of us.”

Nabil said nothing.

“Nabil. You know we’ll need to decide soon,” she added hesitantly. “By the time we get back to the States.”

Nabil nodded. His eyes tracked the turbulent wake of a police motor boat, flag fluttering furiously in the head wind, as it cut through the waters off the hotel, then disappeared behind a swathe of massive sand dunes along the coastline.

They were at Neena’s every evening, something to occupy the long nights. They had come to recognize the few remaining tourists from the resort.  Abu-Bakr would always swagger in late, perch on his barstool and survey the scene. He never touched alcohol, just ordered a steady stream of coffee, tea, and water.  Neena made her grand entrance, the same every night, stopping by each table, lingering with Nabil and Joanne. At the end of one evening, struggling to sustain the mood amid her dwindling clientele, she set up a microphone at the far end of the bar, and sang along with Edith Piaf, Frehel, Jacqueline François, Gilbert Bécaud. She had a nice voice, swayed to the music as she sang, and seemed to lose herself for a while. By closing time she was clearly drunk, steadying herself against a chair, propping her wispy frame against the bar, pouring another glass of her favorite red wine.

But both Nabil and Joanne looked forward to the nightly stroll to Neena’s, the sun low on the horizon, the searing white bleakness of the desert in midday now transmogrified by the setting sun into a tumultuous blaze of red and orange, and a turquoise hue coalescing in the distance.  And once there, his first drink ordered, Nabil would feel the weight of the day’s anxieties lift slowly.  He was secure in the cool depth of the bar. Even Abu-Bakr – his way of imposing himself into their midst – ebbed into the shadowy recesses of the bar.

“This is what happens when you stay and stay and stay, so long that you can’t imagine leaving,” Neena confided to Nabil and Joanne. She was tearful, her face distorted in the dim light. “I am going bankrupt. Soon I will have nothing! Nothing!” She said this holding her arms out to them, a moment later clasping her hands to her chest, a broken sob escaping her lips, her head hung despondently.

“My dear Neena! What’s all this?’ said Abu-Bakr, dislodging himself from the bar stool and pulling a seat up to their table. “Why the tears. Always tears. Then too much laughter. Then tears. It is always one or the other with you, no?”

“The country is on fire,” she snapped at him. “And what are you doing? You the big police chief. You and your friends who got us to this point.”

“We each do what we can. Why I am here every night, no?” replied Abu-Bakr curtly. “Keeping a close eye on everything. Everything! Keeping chaos from swallowing us up. Making sure no trouble-makers hiding here or there. Provocateurs. Destroyers of our country.”

Joanne laughed out loud. “Really?” she said. “That’s your job? That’s what you’ve been doing?”

Nabil glared at her and shook his head sharply.

Abu-Bakr smiled. “We adapt with the times, no? Just like our friends in America. They dance with us when the times are good, waltz away when the times are bad. Proclaim their innocence. Always their innocence.”

Neena shrugged, stood up abruptly, and said to Abu -Bakr “Vous m’ennuyez!” Then she brushed past him. She changed the CD.  Tempo now fast and furious.

“The Gypsy Kings.” Joanne exclaimed happily. “Bamboleo. I love that song,”

Abu-Bakr rose, held a fat paw out to her. “So a dance?” he asked. “Nothing cheers old Neena up like the sight of good friends dancing.”

“I think we are all too tired for dancing,” Nabil interjected.

Joanne didn’t respond; she kept her arms folded in front of her.

Abu-Bakr ignored Nabil and persisted, “Or are you afraid? Will you run away?”

Joanne stared at him.

“Maybe another time,” said Nabil.

Joanne laughed, rolled her eyes. “Alright,” she said. “Why not?”

She swung past Abu-Bakr, and he turned on his heels after her, caught up to her and pulled her close  He tried to spin her around the small open area in front of the bar, moved jerkily with her across the floor, his glistening face almost touching hers. She rested her hands gingerly on his shoulders, avoiding the two large stains soaking his shirt.  Like a songbird on the back of a lunging rhinoceros, Nabil thought.  He started to get up, but Neena waved him down, took it upon herself: “Let her go you buffoon!  Dégoûtant! She’s drowning in your sweat.”

Abu-Bakr pulled up short, let his hands fall off Joanne’s waist and stepped back. He turned to Joanne, palms up, and offered an exaggerated bow.

But Joanne glared at him, turned on her high heels, and strode straight to Nabil.  “Air,” she said.

“Perhaps I am not a good enough dancer,” said Abu-Bakr as he followed Joanne back to the table. “I am, as they say, self-taught.”

“You are, as they say, a fool,” said Neena sharply. “Take her out to the terrace Nabil. A nice breeze. Away from all this.”

“Let’s go,” said Nabil. He tried to put his arms around Joanne’s shoulders, but she shrugged him off.

On the terrace, in the moonlight, Nabil turned his back to the sea and leaned against the wooden railing. He said, “That fat fuck.”

“Oh please,” Joanne said. “I could give a damn. Just with all of you sitting around it felt like a spectacle.”

She turned away from him and clicked to the end of the terrace. Nabil followed, stood behind her, neither close nor far.

She peered out over the Mediterranean, white caps out there.  Finally, she said, “I don’t mind staying here.” She held herself tight. “I don’t mind one bit. I don’t need to go anywhere else.”

“Let’s see how things go,” Nabil said.

“It’s okay,” she said.

“Maybe there will be trains out of Alexandria and we can get to Cairo. Figure things out from there.”  He put a hand on her waist.

She shook her head, brushed windswept hair from her eyes. “It’s just fine with me to stay for now. Can’t imagine that it’s any better anywhere else.” She took a deep breath and peered out at the water that was dappled in the moonlight.  “Let’s go back in.”

In the bar the German couple was sitting at a table in the back and talking with worried intensity. The Australian hiker had dozed off in a corner, his sunburned legs and scruffy boots stretched out in front of him, his chin on his chest. A small contingent of Chinese tourists had stood up from their table to leave. Neena was nowhere in sight.

Abu-Bakr was sitting on his stool at the bar and waved them over. He looked at Nabil and then Joanne, a contrite expression on his face.  “I’m very sorry. Very sorry. I did not mean to upset. Truly. Please sit a while” The television was broadcasting images from Cairo, where traffic was moving smoothly across the Kasr El Nil Bridge. At the bar, Nabil placed himself between Abu-Bakr and Joanne.  “Nothing about the protests?” Nabil said.  “Never a word.”

Abu-Bakr laughed. “This orchestrated coup against the government will never work,” he said. “They like to bark; they like the sound of their own barking. When did you say you were last in Egypt?”

“I left when I was ten. A long time ago,” said Nabil.

“Yes, you have been gone too long. You don’t understand Egyptians anymore. I, sir, have lived here my whole life. I have been in this town for more than two decades! I know police work and I know people. These people you see demonstrating on television, it means nothing. Anyway, believe me, people are fundamentally cowards, even here in Egypt. They say a lot of things. Yes, sometimes they even do things. Sometimes terrible things. Then they run away. They pack up, they take their daughter, their son, whomever, and they run away. Sometimes to America, no?”

“I’m not sure I understand what you’re getting at,” replied Nabil.

Abu-Bakr adjusted his rear in the stool, which groaned, and he gazed past Nabil at Joanne, who was sitting stony faced. “My dear Joanne, my dear, All-American Joanne.  I am not the enemy. Please understand, I speak the truth. We here are complacent. Of course we are. We have been tamed by the whip, by poverty, by the centuries, by the cattle prod in the rectum. We are a hollow shell of a people, the detritus of history. There is nothing we won’t accept. Beat us and we will crawl. Yell and we will scuttle away.”

Joanne waited a few beats and said, “I think that’s pretty pathetic.”

He yawned and stretched his arms out in front of him. He seemed pleased with his monologue.

“Well,” Nabil said.  “It’s getting late.”

Abu-Bakr looked at Joanne and a sleepy smile crept over his face. “You are a believer, no? You believe in human energy, in the transformative ability of the human spirit, in the capacity of man to alter his fate and the course of human events. A can-do spirit! Manifest Destiny! The western frontier! How precious. How American. Here we have been slogging the same slice of narrow terrain for thousands of years. That is our frontier.”

The cleaning lady came out from the kitchen carrying a large rubber container for the dirty dishes. Abu-Bakr waved her over. “An example,” he said to Joanne.

“No,” Nabil said. “That’s enough.”

“But please,” Abu-Bakr said. “It is important I make things clear.  Mounira—come over here.”

Mounira approached hesitantly, a wavering smile on her face. “What! You think I am going to bite?” Abu-Bakr said to her. “You speak a little English, yes. I just have a question for you.”

Mounira nodded.

“My friends here are visiting from America. You know USA! USA! USA!”

Mounira nodded again. “They want to know the way to the Statue of Liberty. You know the famous one I’m talking about. Where is it exactly? Down the highway somewhere?”

“Yes,” she said.

“Before Marsa Matrouh?”

“A few miles before. A couple of towns before.”

“Thanks Mounira,” said Abu-Bakr. “Now that wasn’t so bad!”

After she left he turned to Joanne and said, “See what I mean. Statue of Liberty. She has no clue. Just, yes sir. Absolutely sir. Anything you say sir.”

“That’s absurd,” said Joanne. “She’s probably thinking you are an idiot. She’s humoring your stupidity.”

In the shadows by the kitchen entrance, Nabil saw Mounira staring back at them.

Abu-Bakr wagged a finger at Joanne. Under his breath he chanted: “USA!  USA!”

“That’s enough,” Nabil said.

To be continued…

Claire Hamner Matturro Reviews Robert Bailey’s “Between Black and White”

In Arts & Letters, Book Reviews, Books, Creative Writing, Fiction, Humanities, Justice, Law, Law-and-Literature, Literature, Novels, Southern Literary Review, Southern Literature, The Novel, The South, Writing on June 15, 2016 at 6:45 am


Claire Hamner Matturro, a former lawyer and college teacher, is the author of four legal mysteries with a sense of humor. Her books are Skinny-Dipping (2004) (a BookSense pick, Romantic Times’ Best First Mystery, and nominated for a Barry Award); Wildcat Wine (2005) (nominated for a Georgia Writer of the Year Award); Bone Valley (2006) and Sweetheart Deal (2007) (winner of Romantic Times’ Toby Bromberg Award for Most Humorous Mystery), all published by William Morrow. She remains active in writers’ groups, teaches creative writing in adult education, and does some freelance editing. Visit her at

The review originally appeared here in Southern Literary Review.

Following the success of his powerful debut legal thriller, The Professor (Thomas & Mercer 2015), Bailey offers a second, stunning story in the series. In his novel Between Black and White (Thomas & Mercer March 2016), Bailey establishes beyond doubt that he is an author to be read and reckoned with.

Between Black and White is closely tied to Bailey’s first book and involves several of the same characters. In The Professor, readers were introduced to aging former law professor Tom McMurtrie, who returns to the courtroom after being forced out of his teaching position at The University of Alabama School of Law. Tom teams up with Rick Drake, an impetuous young attorney and his one-time student. Together, in The Professor, Tom and Rick pursue a tense and dangerous wrongful death lawsuit.

While Tom and Rick dominate The Professor, another lawyer—Bocephus Haynes, or Bo—steps into that story at critical times to boost and support Tom. Bo is a bigger than life black University of Alabama football star who blew out his knee and, instead of retreating into depression over the loss of a pro football career, goes to law school. Tom is one of his professors, and the two develop a close friendship.

As much as The Professor was Tom and Rick’s story, Between Black and White is Bo’s story. In the prologue, we meet Bo as a five-year-old who watches members of the Ku Klux Klan lynch his beloved father. From the opening pages of Chapter One—which finds a disheartened, angry Bo getting drunk on the anniversary of his father’s brutal lynching—to the shocking, violent conclusion, Bo leaps off the pages with boldness and spirit. But like all well-crafted fictional heroes, he is flawed, and his failings land him in a courtroom as the sole defendant in a capital murder case.

His near fatal flaw: hunger for revenge. Obsessed with punishing the man who lynched his father, Bo shapes his professional life around that goal. After graduating with honors from The University of Alabama School of Law, Bo turns down offers at prestigious law firms. He returns to his home town, Pulaski, Tennessee, to a solo law practice as the city’s only black attorney—and to pursue the man he holds responsible for his father’s death. Too many people in the city of Pulaski know Bo is driven by his fixation to punish the man he blames for his father’s lynching. His wife has even left him because his drive to avenge his father’s murder has endangered their two children.

Since Bo was five years-old, he has blamed Andrew Davis Walton, a powerful businessman in Pulaski, for his father’s death. Once the Imperial Wizard of the Tennessee Knights of the KKK, Walton shook off the robes of the Klan and made millions in the stock market. Known as the “the Warren Buffett of the South,” he tried to make amends for his Klan actions.

Yet people have a long memory when it comes to the Klan—and no one more than Bo. Though Walton was hooded the night five-year-old Bo witnessed the lynching, Bo recognized Walton’s voice. But no one in law enforcement was ever willing—then or later—to prosecute Walton on the testimony of a child claiming to identify a voice.

On the 45th anniversary of his father’s lynching, Bo gets drunks in a local bar. Walton and Maggie, Walton’s aging, beautiful wife and one of the local landed aristocracy, seemingly accidentally run into Bo in the bar. Face to face with Walton, Bo threatens him in front of witnesses by quoting the Old Testament’s “eye for an eye.”

After the bartender breaks up the confrontation, Walton steps outside. But before Bo leaves the bar, Maggie returns to tell him that Walton is dying. She asks that Bo leave her terminally ill husband alone. Bo staggers out, lamenting to himself that Andy Walton was going to die before he could bring him to justice.

That night, someone shoots Walton and stages a mock lynching at the site where Bo’s father was lynched four and a half decades before.

Physical evidence points directly at Bo. Everyone in the legal community knows he had the motive and opportunity. Even before Bo recovers from his hangover, he is in jail. The prosecutor, a fierce woman attorney who has butted heads with Bo in court before, decides to seek the death penalty.

Pulaski was the birthplace of the Ku Klux Klan, and many residents and officials in the city strive to live that down. So when the murder, with its roots in the old KKK lynching, puts Pulaski and its Klan heritage back in the spotlight of national media, city officials attempt to pressure Bo to plead guilty and avoid the further media circus of a trial.

Bo refuses. He is innocent of murdering Walton—or so he claims, though no one in law enforcement believes him. He calls on his former law professor and close friend, Tom, to defend him. Reluctantly, Tom agrees and retains local attorney Raymond “Ray Ray” Pickalew, another former U of A football player. Rick, who is now Tom’s law partner, is dragged into the case as well.

Though Tom and Rick sense a setup, they struggle against multiple roadblocks—and the overwhelming physical evidence of Bo’s guilt—to determine who had a motive to kill Andy Walton and frame Bo. During their quest, Tom is assaulted and sidelined by his injuries; Ray Ray is a drunk with an attitude, and young. Overwhelmed Rick is left to unravel the seemingly unrelated pieces of a complex, emotional puzzle. Villains from The Professor return to taunt and threaten Tom and Rick, adding further intricacy to the plot.

Thus, Bailey sets up the classic formula of a legal thriller. Mind you, formula is not used as a derogatory term here. Shakespeare’s sonnets were formula and critics do not dismiss them in disparaging terms. As used here, formula simply refers to the structure and elements that define a genre or a literary style. In a legal thriller where the focus is on a criminal defendant on trial for his or her life, readers expect the odds to be stacked against the defendant. They expect the defense attorneys to be complicated, troubled, overwhelmed and conflicted. And, owing perhaps to the Perry Mason standard, readers expect a surprise witness and revelation near the close of the trial which allows the defense attorneys to prevail and the defendant to be found not guilty.

There are, of course, notable exceptions to this basic formula. Lincoln Lawyer and A Time to Kill come to mind. Both of those legal thrillers had guilty defendants, yet with vastly differing twists at the end.

Given the formulaic elements at play in the genre, a successful legal thriller author has to avoid creating a stale, mechanical plot that reads like a written version of a paint-by-number canvas. Yet the author has to keep the plot within the confines of the genre or publishers will scratch their heads and throw the manuscript on the reject pile.

In other words, authors working within a prescribed genre face a kind of delicate yet vicious circle. On the one hand, they must write within the parameters of their chosen genre. But, on the other hand, they have to do something new, exciting and fresh. It’s kind of like saying: Color within the lines. But don’t color within the lines.

Within this catch-22, the author has to give the reader something more—and something different. This Bailey does, and does with a bang.

Yet, having said that much, to say much more about the surprising, original twists of Between Black and White risks spoiling the plot. Thus, this reviewer will only observe that per the Perry Mason/John Grisham model, an unexpected witness with a startling revelation does pop up at the end of the trial. But just when the reader settles back to relax and believe that justice has been achieved, something complicated, violent and utterly surprising happens.

It isn’t just that Bailey knows how to surprise us, but he also writes well. Very well. Make no mistake on that point. His sentences are clear, clean, distinctive, and when they need to hit with a punch, they do. His pacing is excellent—an edge-of-the-seat, can’t-put-it-down momentum fuels the storyline from the prologue to the climatic ending. His characters are well-drawn, his sense of place and world-building excellent. The plot is intricate, but believable. There is redemption for some characters, resolution for others—and those that deserve neither are left to flounder in their own hell. Justice is achieved, albeit in a confused, violent way.

In short, Bailey wrestles what in less talented hands could have been a formulaic story into something wholly fresh, engaging, and ultimately rich and satisfying. This is a book you want to own and read.

“Sojourn,” Part Four, A Serialized Story by Yasser El-Sayed

In Arts & Letters, Creative Writing, Fiction, Humanities, Literature, Writing on June 8, 2016 at 6:45 am

Yasser El-Sayed

Yasser El-Sayed has recently published fiction in Natural Bridge, The New Orphic Review, The Marlboro Review, Red Truck Review, and elsewhere. His short stories have been nominated for the Pushcart Prize in 2014 and in 2008. Yasser’s prose focuses upon the intersections of Arab and American experience both in the Middle East and the United States, including the contemporary American South. He is at work on a short story collection, Casket and Other Stories. Yasser is a physician and professor at Stanford University where he specializes in high-risk obstetrics. He lives and writes in Northern California.


By the time the food came, kabobs for Nabil, chicken for Joanne, the bar had filled up slightly.

“Not so good about the airport,” said Nabil. “I’m thinking this was all a mistake. We shouldn’t have come.” His mood turned dark. He stared at his plate, a worried expression settling on his features.

They recognized some of the faces from the hotel – Joanne pointed out a German couple they had met briefly in the hotel lobby, also a young man with unruly sandy hair and an Aussie T-shirt.  A comforting handful of others sat in groups of two or three; most looked like tourists from Europe and Asia.

Nabil’s food was mediocre; the kabobs too few and too lean. Joanne had chosen well, her chicken perfectly regal on its bed of puree. But the atmosphere had picked up with the chatter of customers and soon a more comfortable air had settled in, the events moving across the country momentarily receding into the background.  Nabil, relaxed, his fears abating, found he could eat. Joanne dug into her food, stopping only to watch as a woman they had not noticed before strolled through the dining room and chatted with a few of the guests. Behind her, Nabil saw, to his surprise, the police chief, Abu-Bakr. He had stepped back from the woman once she started conversing with the diners, and made his way to the bar counter, settling himself on a stool, a few feet away from their table. His trousers, taut over each substantial thigh, looked more than uncomfortable, his girth spilling over his belt as he sat hunched over on the barstool. He glanced over at Nabil and Joanne, nodded his head in acknowledgement. Joanne regarded Abu-Bakr briefly, waved a few vague fingers in his direction, turned her attention back to her dinner.

The woman walked into the bar. She was older, slender, small, clad in a black evening gown, silver hair tied up in a bun, a string of pearls shimmering across the pale skin of her throat. She looked overdressed for the setting, but somehow comfortable in her presentation, as if in her mind she was somewhere else, presiding over a different kind of clientele in a different kind of place.

“Neena in the flesh?” Joanne said.

They watched her move around the tables and greet patrons.  Soon, she stopped at their table.  “Hallo,” she said, in French-accented English. “How do you like your meal?”  Her face was a perfect oval of carefully placed eyeliner and shadow, blush and lipstick, nice but still failing to hide her age.

Joanne said, “The roasted chicken is divine.”

“Very nice,” Nabil lied. “Looks like things are picking up a little.”

“You must be American,” Neena said. “We get so few Americans these past few years. British, French, Italian, German, even Canadians, everything. But no Americans. It’s a shame. Malheur de la politique.” She had a throaty voice, a habit of stretching out certain words for emphasis, her mannerisms a little too expressive, as if this were a speech she had practiced and delivered countless times before. “Le monde est vraiment petit n’est-ce-pa? No need for all these problems.”

Abu-Bakr overheard the exchange, laughed, leaned over in their direction and said, “Neena, perhaps our American friends could inform us as to why in god’s name they hate us so much?”

Ignore him,” said Neena. “Unfortunately I have to tolerate his presence.”

“We are American,” said Nabil to the woman. “But my father’s family was from around here. Used to own land around here.”

Neena nodded distractedly. She placed a hand lightly on Nabil’s shoulder, smiled warmly at Joanne. She assumed a faraway expression, two fingers floating momentarily across her temple as if to smooth out the fine worry lines. “Well I was raised in Alexandria, but I vastly, vastly prefer this place. I’ve been here so, so long now. Fell in love with the desert. Madly. The terrible, wonderful emptiness of it all. And then history of this town. The wars that raged.” She pointed east in the direction of the old battlefields of El Alamein.

She stopped, ran a finger absent-mindedly across a loose strand of hair. “What’s the family name?” she asked.

“Awad,” replied Nabil.

Something like recognition passed briefly over her face.  She covered with more verbiage. “You should come back. You should come back every night. There is nothing else to do around here. We can talk more. Nous pouvons parler toute la nuit! I need to understand more why you are here.” And with that she bade them a good evening and paused for a moment by Abu-Bakr at the bar.

Joanne saw her exchange a few words with Abu-Bakr, and both glanced quickly in their direction. Then Abu-Bakr rose from his seat and followed her back into the dining room.

Nabil was looking around the bar trying to catch their waiter’s attention.

“When did you say the airport closed?’ Nabil asked the waiter after he finally brought them their check.

“Just few hours ago. Tonight.”

“Any news on when it will re-open?” Nabil said trying to sound more nonchalant than he felt.

The waiter shrugged. “No one knows,” he said. “No one knows anything.” He nodded, looked past them into the dining room, his attention focused there where it was busier.

When they had stepped outside the restaurant, Joanne said, “What did she mean by that comment?”

“Who? By what?”

“Neena. Understanding why we are here?”

Nabil shrugged, “Who knows. Just her English turned around.”

A few cars were parked at odd angles in the small dirt cul de sac at the front of the restaurant. There was something that felt especially familiar to Nabil about this place. He’d sensed it the moment they’d first come upon the restaurant. It was more pervasive now, perhaps the alcohol, the quality of the light approaching dusk. He stood for a moment looking around him. Behind them was the sea, the sound of waves breaking on the shore. Before them, a dirt path, bordered on either side by a barren terrain of sand and scrub grass, led back to the highway. Joanne held herself close to Nabil as they ambled along.

“Somewhere here,” Nabil said. “It looks different now. I think we were standing near here. She was trying to cross.”

They’d stopped at the edge of the highway.  The sun was low, and Joanne shielded her eyes from the dusky red glow off the desert.

“It’s more built up now. I remember an empty road, desert, lots of open space.”

Joanne looked around. The small storefronts on either side of the highway, the few scattered homes nearby, the level road ahead. She laughed and said, “built up?”

They doubled back down the highway away from the town and towards the resort. Nabil spotted the convoy first. “Look,” he said.  The armored vehicles, at first hazy in the distance, were rapidly approaching them, then passing, throwing up clouds of dust. Green tarp covered the beds, but the back flaps were open, revealing rows of seated soldiers, rifles at hand. The last vehicle stormed past with a heart-seizing blare of its horn. They froze and watched until the convoy was out of sight, speeding in the direction of Alexandria.

To be continued…

“Sojourn,” Part Two, A Serialized Story by Yasser El-Sayed

In Arts & Letters, Creative Writing, Fiction, Humanities, Literature, Short Story, Writing on May 18, 2016 at 8:45 am

Yasser El-Sayed

Yasser El-Sayed has recently published fiction in Natural Bridge, The New Orphic Review, The Marlboro Review, Red Truck Review, and elsewhere. His short stories have been nominated for the Pushcart Prize in 2014 and in 2008. Yasser’s prose focuses upon the intersections of Arab and American experience both in the Middle East and the United States, including the contemporary American South. He is at work on a short story collection, Casket and Other Stories. Yasser is a physician and professor at Stanford University where he specializes in high-risk obstetrics. He lives and writes in Northern California.


They drove to the beach house and unloaded. Joanne changed into her one-piece—her body still trim—crazy crimson against her pale skin, her backside like a split peach. If she felt poorly with the pregnancy, she had not mentioned anything to Nabil. She unlocked the French windows, hurried out onto the rectangular tiled patio, rolling desert all around them except for the back of the house which opened to the sea, a crescent of blue.

The desert drifted into the cool expanse of water. “A slow ebb of pain,” said Joanne.  From where they stood it was no more than 100 yards across the white sand to the sea.  The beach was deserted, the midday air uncomfortably dense.

“You should come with,” she said.

I’ll watch you from here,” Nabil said. How beautiful she looked to him, her auburn hair radiant in the harsh sunlight.

She shrugged, turned her back to him, moved briskly across the sandy beach to the water’s edge. She waded in, barely a ripple, water lapping hip level.  He thought of his mother, his father by her side, their bodies leaning into each other, braced against the breaking waves.  His parents had seemed close at that moment, almost intimate.

“Bathwater!” Joanne called.

Unbidden, the foggy northern California coastline came to mind, the place he’d first met Joanne, Steve Pullman’s 35th birthday party at Half Moon Bay.  She was as exotic to him as he was to her, the daughter of a Scotch-Irish rancher from the Oklahoma Panhandle, her hair settling gently against her pale shoulders, which were bare in a strapless dress. You could hear an accent when she talked about it: “I got tired of the red dirt and scrub grass and rednecks and wandered west.”

Joanne cut a path into deeper water past a patch of seaweed.  She twirled and waved to him, dove in, did a flawless breast-stroke parallel to the coastline before turning back to the shore.  Nabil had experienced a surge of anxiety watching her, but it was transient, immediately suppressed.

He jumped at the sound of knocking on the front door: a stranger.  He shielded his eyes from the sunlight to get a better look. The man was short, heavy set, dressed in a loose short-sleeve shirt, embroidery on the sides, gray slacks. Not a uniform per se, but still something official about his appearance Nabil thought.

“I hope I’m not disturbing,” the man said in surprisingly good English. “Sorry for the trouble. A routine security check.”

Nabil, uneasy by the man’s presence, said, “Is there a problem?”

The man laughed pleasantly. He had his sunglasses perched atop his head, a stubbly double chin. “No. No. Please. Not at all. You arrived very late last night. My name is Mr. Abu-Bakr. My security officer didn’t have a chance to do the standard passport inspection at the registration desk, that’s all.” On his face an expression of regret for the tedium of official protocol. “I am very sorry to bother you. It will just take a moment.”

Nabil stepped aside to let the man enter. “If you give me a moment, I’ll find our passports.”

“Please,” said Abu-Bakr.

In the bedroom he peered out the window at the beach for Joanne and didn’t see her. He grabbed the passports from the drawer where he had slipped them under some folded clothes, then hurried back out to the entranceway, determined to finish up with Abu-Bakr as rapidly as possible and check on Joanne.

The man hadn’t moved. He leafed quickly through Joanne’s passport, more slowly through Nabil’s.

“The lady,” Abu-Bakr asked, “is she here?”

“She went for a swim,” said Nabil. “Are we done? I need to check on her.”

“Certainly,” said Abu-Bakr, then peered past Nabil as Joanne appeared in her bathing suit, the material still wet, molded against her breasts, snug against the gentle fullness of her hips. Nabil wished he could wrap the towel which hung from her shoulders around her.

“I think she is now found and safe,” Abu-Bakr said pleasantly, handing the passports back.

“Indeed I am,” she said, looking unperturbed. “And who are you?”

Nabil admired her confidence. So unlike his own untidy emotions. The hardest place is the “in between”—not tourist, no longer native.

“My dear lady. I am Captain Lutfi Abu-Bakr, the head of the police here.”

“Impressive! The hotel has its own police department?” said Joanne

Abu-Bakr regarded Joanne for a moment, impassively at first, then he broke into a grin, said with a laugh, “No, just for the entire city, unfortunately. A much more trivial responsibility.”

“A routine security check,” said Nabil. “I think we’re done?”

Abu-Bakr nodded, his gaze lingering on Joanne, though he spoke to Nabil. “Do you still speak your native tongue or have we lost you completely?”

“Itsharafna,” Nabil said.

“The pleasure was all mine,” replied Abu-Bakr in English, now eyeing Nabil directly.

“Strange character,” said Joanne after Abu-Bakr had left. She roped the beach towel around her hair. “Not sure he wanted to leave.”

“He was enjoying the view,” said Nabil. He pulled her close to him, her swimsuit damp against his shirt, kissed her.

“Well that’s just not right,” whispered Joanne, her tongue sea-chilled, darting between his lips. “I almost feel like I cheated on you.”

In the bedroom she finished peeling off her bathing suit, pressed herself against him. He ran his lips between her breasts, tasted the salty skin down to her navel and below where part of him now resided, the child that he’d never wanted.

To be continued…

“Sojourn,” Part One, A Serialized Story by Yasser El-Sayed

In Arts & Letters, Creative Writing, Fiction, Humanities, Literature, Short Story, Writing on May 11, 2016 at 6:45 am

Yasser El-Sayed

Yasser El-Sayed has recently published fiction in Natural Bridge, The New Orphic Review, The Marlboro Review, Red Truck Review, and elsewhere. His short stories have been nominated for the Pushcart Prize in 2014 and in 2008. Yasser’s prose focuses upon the intersections of Arab and American experience both in the Middle East and the United States, including the contemporary American South. He is at work on a short story collection, Casket and Other Stories. Yasser is a physician and professor at Stanford University where he specializes in high-risk obstetrics. He lives and writes in Northern California.


In Sidi Abdel Rahman, off the main highway, the roads were gutted with potholes, cracked asphalt. Nabil parked the car outside a cavernous store with wares spilling out onto the broken sidewalk: pots and pans strung together on a frayed rope, plastic soccer balls bundled in torn netting, brightly colored shirts and gowns on a metal rack and below that an array of sandals and cheap toys. Near the entrance stood a bulky, rusted ice cooler, on its front Arabic letters and a picture of a smiling boy holding an ice cream cone. The manager at the hotel had directed them here – the soobermarket he had said, pointing due east.  “A short walk,” he said, but then offered up his old Fiat.

The shopkeeper, dressed in flip flops and a sun-bleached galabiya, was parked on a plastic chair in the shade, smoking.

Nabil turned to Joanne, “OK. You’re sure you know what you need?”

Joanne nodded and swung her legs out the car. She was dressed in a short skirt that had seemed fine at the resort this morning, less so now.

El salam Alaykum,” Nabil said, greeting the shopkeeper.

He was an older fellow, bald, slight of build under his faded gray gown.  He stubbed his cigarette and spoke, a voice smoldered for years in tobacco smoke: “Alaykum el salam.” He eyed Joanne for a moment, gestured them inside with a wave of his hand.

Darkness.  The smell of coriander and cumin, of closed spaces, of spices desiccated in the heat and turned to dust. The shopkeeper followed them and sat in a dark corner behind the counter. A fan whirred loudly on a shelf above his head. Joanne strolled casually down the cramped aisles, her sandaled feet audibly shuffling on the dusty floor.

They had landed in Alexandria yesterday just as the demonstrations were erupting. Their limousine driver skirted the city center to avoid the crowds, but they could see billows of black smoke in the distance, the sounds of sirens piercing the late afternoon. And even coming down the desert highway to this forlorn place, 80 miles from Alexandria, they’d spotted a military convoy heading the opposite direction, towards the trouble. Joanne had smiled bravely when Nabil squeezed her hand. He’d spoken to the limousine driver in Arabic, tried to sound confident of his place in the country despite a surging wave of panic.

The limousine driver glanced at them over his shoulder. “Tell the lady not to be nervous, we are friendly people.”

Out of the city, she rolled down her window better to take in the darkening desert around them, the smell of gasoline fumes and sulfur slowly ebbing, a waft of eucalyptus. She lifted her face to the sky, pulled her hair back, her profile dim in the failing light. At the resort she had slept soundly. He on the other hand remained ill at ease, wandered the sparsely furnished rooms of their rented beach house on the grounds of the resort, unsettled less by the unrest around them than by the fact that he was now back in the one place his father had sworn they would never return to.

Joanne took her time scrutinizing the available goods – canned tuna, rice, beans, coffee, tea, milk, fresh bread – all displayed in no particular arrangement. She perused the vegetable stand examining cucumbers and tomatoes that looked smaller, their skin less vivid than back home. She raised a cucumber to her face and inhaled.

“Nice?” he asked.

“A little ripe,” she said.

“I’m going to step outside.”

No, she didn’t look nervous at all.  He left her looking at a curious array of detergents and cereal boxes, and with a nod to the shopkeeper, who raised a cracked, calloused palm, wandered outside.

He could feel the density of the air lift immediately, a sudden release from the stagnant miasma inside. The store was on the corner of a narrow dirt road that abutted the highway. In the other direction on both sides were high limestone walls, interrupted by the green, orange or blue wrought iron gates of private homes. Across the street, a young girl dressed in a loose fitting gown and a headscarf stood outside an open gate and hosed down a concrete doorstep, her bare feet wet in flip flops. Behind the gate Nabil caught a fleeting glimpse of a dusty front yard, a woman in a darkened hallway.

He strolled uphill to the end of the dirt road. From there he could peer down the desert highway and the heat percolating off the sweltering asphalt. It cut across the desert like a vaporous snake, slicing through a landscape sparsely populated with brightly colored Bedouin homes scattered amidst sand and sky, framed by a dusty sliver of horizon. Just east of here was El Alamein and its lonely mausoleums for the dead—soldiers from all over Europe—monasteries of scrubbed limestone and creeping bougainvillea. To the west was the long drift of sand-swept highway past the seaport of Marsa Matrouh and on into the ancient military outpost of Tobruq in Libya, the sand dunes along the coast like white mountains in the distance.  He recalled how he had described the town to Joanne, as much of it as he could remember. West of Alexandria, white sand beaches, war cemeteries in the distance, grave stones like yellowed teeth erupting from the earth. A remote outpost on a long desert highway, you could drift right past it, a fleeting glance in the rear-view mirror. He had in his mind for years.

Joanne had probed and he had told her about his childhood summers there, his father’s connection to the land, his mother’s drowning, an elusive notion of return, one step out of reach, chasing a shadow.

You get on a plane she said blandly. She was from the unhindered expanse of the Oklahoma Panhandle, steely skies as far as the eye could see. Fearless.

Nabil was startled to hear Joanne calling.  He turned abruptly and saw her outside the store, waving. How simple it now seemed, their transport across geography and memory.  He trotted back down the hill.

“I need to pay the man,” she said. “I can’t understand him.”

Inside, the shopkeeper pondered him. “Masri?”

Nabil replied that he was, yes, Egyptian.

Wah el hanem, Ajnabiya?” the man asked more kindly, handing Nabil the change, nodding his head at Joanne.

Amrikania,” Nabil said. Then for some reason he felt the need to explain, “I live there.”

“My sympathies,” the shopkeeper replied in Arabic.

To be continued….

Santa Rosa Beach, 1999

In Arts & Letters, Creative Writing, Essays, Writing on March 23, 2016 at 6:45 am

Mel Mendenhall was born and raised in Columbus, Georgia.  He lives in Atlanta and is the CEO CLVL Solutions, LLC

Mel Mendenhall

In my mind we’re all together at Santa Rosa Beach in the Florida panhandle: my wife, my children, and me. It’s the summer of 1999.

“Mel, as soon as you unpack the car” – which is actually a behemoth of a vehicle called a Suburban – “why don’t you run down to the beach with the kids? You know how they enjoy the beach.”

I don’t know how many times my wife, Julie, has said something like this to me over the course of our children’s vacations. It’s been a lot, though, I know. Too often my mind is wandering to work items: things I need to get done, conversations that need to take place. Always busy, always.

My kids are growing up, Allen the oldest, now 16, Brett nearly 14, and my precious angel girl, Ansley, soon to turn 10. I can’t believe it. Ten. It’s good to have them with me here at the beach.

Finally, I’ve started to appreciate the time we spend together on these family vacations. Somewhere it’s registered with me that time is starting to run short, that the kids are getting older and it won’t be long before Allen goes to college. Then what?

With the car emptied and our groceries and supplies for the week put away, I ask the kids if they want to head down to the beach. Ansley shouts “yay” and boasts to no one in particular, “we are going to the beach!”

Brett says, “Let’s go.”

“Allen?…Allen?” I say. “Hey, what’s with the long face?”

“Dad, I’m bored.”

“Allen, we just got here.”

“I know, dad, but my friends are all staying at a hotel at Sandestin.”

“So,” I try to reason with him, “we are staying here like we always do and it’ll be fun.”

“No, dad,” he says, “I want to see my friends.”

“Oh, c’mon, Allen, let’s go to the beach.”

With that, out bounds Ansley, already in her bathing suit. Brett too. We hurry down the stairs and out the sliding glass doors to the beach. Off we go. Except “we” is just me, mom, Ansley, and Brett. Allen is inside sulking.

We play around on the beach for the better part of an hour. We walk the surf and watch the sand crabs run their endless shuttles back and forth from surf to sand. Whatever those little shells are that seem to burrow their way into the wet sand as the waves rush back only to be swallowed again by the ocean, they’re still here, as they’ve always been. But Allen is not here. He is still inside, pouting I guess.

After some time we all go back inside, shower, and ready ourselves for dinner. Then we’re in the car, driving and pointing at shops and people, a morose Allen in tow. We arrive at one of our family’s favorite restaurants, Bayou Bills. Still, Allen isn’t happy. Gee whiz, I think, kids these days.

The next morning after breakfast I walk down to the beach and, surprisingly, Allen follows. He is in his bathing suit and wearing one of his cross country t-shirts. I’m thinking this is good, that he’s warming up to our trip.

Once on the beach, Allen looks pensive. He’s unsettled. I suggest that we walk left, which is east, down the beach to see whether Beakster is here this year at the inlet about half a mile away. Beakster was a tall sea-faring crane that just a few years ago Allen befriended on one of our trips. It was really cute seeing how the bird and Allen really did seem to be playmates. That summer, when we left for home, Allen was sad to leave Beakster. He assumed, as we all did, that Beakster would miss him too.

But here we are now and Allen is gazing longingly and deliberately up the beach to the right, the west, rather than to my suggested course, east to where Beakster may be.

Suddenly, Allen, who’s the captain of his high-school cross country team, looks at me and says, “I’m going running. I’m going to see if I can make it to the hotel where my friends are.”

And with that, he begins to jog away from me, headed west. His first couple of strides kick up sand, some of which ends up on my hairy feet. The sonorous surf seems to speak at me, echoing Julie’s words, warning me that time is precious and our children are growing up.

I stand here for a long time, watching my boy – or is that a young man – growing smaller and smaller as my throat grows larger and larger. In this moment, I know childhood for him is gone and that I’ll miss it for the rest of my life.

I turn east, walking to find Beakster. If I can only find Beakster, maybe I can bring my little boy back.

“Illegal Litigation”: Excerpt from “I am the Raleigh,” by F. L. Light

In Arts & Letters, Britain, British Literature, Creative Writing, History, Humanities, Poetry, Writing on March 2, 2016 at 8:45 am

Fred Light

A Shakespearean proficiency in meter and rhetoric may to F L Light be ascribed. Nearly forty of his dramas are now available on Amazon, and twenty have been produced for Audible. His Gouldium is a series of twenty four dramas on the life and times of Jay Gould which he followed with six plays on Henry Clay Frick. The whole first book of his translation of The Iliad was published serially in Sonnetto Poesia. He has also appeared in Classical Outlook and The Raintown Review. Most of his thirty five books of couplets are on economics, such as Shakespeare Versus Keynes and Upwards to Emptiness the State Expands.

For his defense in this part of the play, Raleigh asserts that two witnesses are required for the charge of treason.

Raleigh:       The primacy in law is presence,
The testifying presence of a man
Where answers and rejoinders in a court
Proceed, procedurally set right in full
Protection of the truth. Not one but two
For treason are required. This case without
Accusers here illicit must become.
Illegal litigation the Attorney
General of England never should allow.
If no premeditated certitude
You mean in court, let my accusers come
Before me. The sheerest hearsay you assert
In court, if now unsifted inferences
Obtain without an oath, with no subscription,
Nothing demonstrable in testified
Exposure of the truth, simply enlarged
Upon a paper imputation by
A desperate man. How should unscrutinized
Reproaches credible remain unless
The Jesuit Inquisition you regard
As just? Were Cobham dead or gone abroad,
No case you’d have. But in this very house,
Winchester Castle, he abides. My lords,
Perpend how over-guessed assumptions are
Not rare in court, and lightless allegations,
Of darkling likelihood, have dazzled lawyers.
Why, Sir John Fortescue, of reverend estimation
As a Chief Justice in this realm, relates
How in his time a judge condemned a wife
At Salisbury for her husband’s death upon
Gratuitous prejudice to peasants or
On the suppositious sophistry of looks
Or likely baseness in the wife, whom one
Accuser had belied. But he that killed
Her husband was discovered after she
Was burned. The judge that had her die then told
Sir John the mordant penance of his mind
Would never pall in conscientious smart
With caustic memories. And you, Sir John
Popham, are too exultant in damnations
To regret my doom.

Popham:                   The damnedest imputations you
Deserve, far prouder to exalt prodition than
All traitors heretofore.

Raleigh:                      By fallible
Ferociousness your wisdom may default.
You’d proudly consummate your preconceptions.
And if you say the statutes I adduced
Before abide no longer in the courts,
Because religious mutability
Required removes, yet faultless equity
Remains in them, not failing reason. Now
Impartial exemplarity you lawyers find
In them, and for the common law they are
Considered sacred. Jurists never doubt
In Deuteronomy that one condemner shall
Not doom for his enormities a man,
But double attestations may suffice
Or triple for attesting treason to
A judge. There’s no dissentient scripture, old
Or new, thereon. Thus by the law of God
No men are immaterial nullities
In court. Untenable disgrace they need
Not suffer from one man.

Popham:                         Sir Walter Raleigh,
No statute you adduced can aid you now.
Those of Edward the Sixth no longer hold,
Too inconvenient for convictions, all
Repealed by Philip and Mary when their fires
Began. As the Chief Justice of this realm,
I know the common law’s commensurate
Extents to measure treason. Here in court
One requisite assertion that attests
To treason is enough. And, should one
Accomplice carry allegations how
The others were conjoined, that proof will hold.
But he that blames himself before he blames
Another cannot be denied in court,
For mouthed authority demonstrable.

Warburton: I muse, Sir Walter, measurably considerate
As you are, how you stretch yourself to stress
This point, for horse-thieves never could be judged
Thereby, requiring witnesses. By law
Upon deduced presumption we condemn
The guilty or on circumstantial presence
Or incidental revelation we
May judge events. Should regicidal gore
Not prove a swordsman guilty who had been
In covert presence with a king? He’d be
Too sanguinary for misjudgment, Sir.
No inquisition requisite therefore!

Raleigh: Yet by the common law, my lord, all trials
Of fact by juries and witnesses proceed.

Popham: No, sir, examination satisfies
The common law. Where traitors have confessed,
Redundant witnesses might not in court
Condemnatory tales unfold.

Raleigh:                                As you
Conceive the law therewith, I cannot grasp
The incongruity unknown to me.

Popham: Nay, Sir, the law is not conceived by us
But known in full.

Raleigh:                My lord, so how so laws
Suffice in process, here I suffer life
Or death thereby. Not with insufferable
Exorbitance should English rigor be
Enforced. At his asserted coronation
King James to nurture equity in England
And not fixed rigor force has sworn. And as
Benignant furtherance he would effect
In law, so should his ministers and judges no
Less happy prove.

Popham:               Procedural monarchy
Provides you equity. But our judicial course
Will be confined to justice.


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