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Archive for the ‘Philosophy’ Category

What is Libertarianism?

In Arts & Letters, Economics, Humanities, liberal arts, Liberalism, Libertarianism, Philosophy, Western Philosophy on April 18, 2018 at 6:45 am

Definitions of libertarianism often convey a sense that this philosophy is total and complete, that its manifestation in the concrete world is immanently knowable. Vigorous debates about the fundamental tenets of libertarianism dispel any hope that the essence or principal attributes of libertarianism can be easily captured in a brief sentence or paragraph.

The central concern of libertarianism, however, is to maximize individual liberty and economic freedom to enable human flourishing. Liberty and freedom involve the ability of human agents, acting alone or in concert, voluntarily to pursue their wants and goals using their earned talents and natural skills, absent the forcible, coercive mechanisms of government and without infringing on the rights of others to so act.

Elsewhere I have said that “[e]xperimentation is compatible with—perhaps indispensable to—libertarianism to the extent that libertarianism is, as I believe, the search for the correct conditions for human flourishing—as well as the cautious description and reasoned implementation of principles emanating from that condition.”[1]

I used the phrase “to the extent that” to suggest that my conception of libertarianism is not definitive or absolute, that it is subject to scrutiny and debate. I emphasized “the correct conditions for human flourishing” because libertarians have propounded disparate and even contradictory theories about how best to achieve human flourishing.

The conditions that have succeeded to that end have proven themselves to be correct, or at least more correct than demonstratively unworkable alternatives.

The word “search” is meant to underscore the primacy of the intellect and knowledge: Human agents must be free to think and freely articulate the content of their thoughts before practices and institutions—the products of thought—may be tested, refined, verified, modified, adapted, or discarded according to their tangible success within physical (as opposed to purely mental or ideational) experience.

The principles that emerge from this process of applied thinking can be described as libertarian if they aspire to generate and actually generate individual liberty and economic freedom without increasing the forcible interference of government with consensually interacting human agents.

 

[1] Allen Mendenhall, Literature and Liberty: Essays in Libertarian Literary Criticism (Lexington Books, 2014), p. 14 (italics added).

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What is Conservatism?

In Arts & Letters, Conservatism, Humanities, liberal arts, Philosophy, Politics, Western Philosophy on March 14, 2018 at 6:45 am

Conservatism in the sense in which I use the term refers to an attitude or disposition that rejects ideology (all-encompassing systems of normative theory and institutionalized practices that drive policy towards idealized or utopian ends) and radicalism or extremism (the quality of holding fanatical, severe, or drastic views).

Conservatives so styled are neither doctrinaire nor absolutist. They tend to be spiritual, or at least recognize in humans a need and desire for spiritual fulfillment and religious order. Change, they believe, is inevitable; it should occur prudentially, gradually, and naturally through civil debate, prescribed political processes, and nonviolence.

Conservatism predicates the necessity for moral order on the imperfectability of human nature and the limitations of human intelligence; its normative values are embedded, historical, local, contextual, and rooted in immemorial usage.

Conservatism views the past as a fund of wisdom and knowledge, not as a brooding evil to be discarded, erased, or escaped. It therefore respects cultural continuities.

Russell Kirk’s various iterations of conservative principles in different versions of The Conservative Mind are, in my mind, the surest expressions of conservatism to date.

What Is Pragmatism?

In Arts & Letters, Humanities, liberal arts, Philosophy, Pragmatism, Western Philosophy on February 28, 2018 at 6:45 am

Pragmatism is difficult to define because it refers to a wide-ranging philosophical tradition.  Figures with little in common, such as W. E. B. Du Bois, Isaac Levi, Reinhold Niebuhr, and George Herbert Mead, have been associated with pragmatism.

C.S. Peirce is credited as the wellspring of pragmatism, in part because he used the term “pragmatism” to refer to his writings and teachings. Yet when his friend William James began identifying as a pragmatist, Peirce sought to rename his mode of thinking “pragmaticism” to distinguish his ideas from James’s.

More recently, Richard Rorty garnered a reputation as a pragmatist despite his deep misgivings about Peirce. James himself claimed to have learned pragmatism from reading John Stuart Mill. He called pragmatism a new name for old ways of thinking. Pragmatism, in this sense, has no fixed origin and is not confined to a single philosophical discipline attributable to any one thinker. It is, rather, a plastic concept describing an instrumental approach to solving concrete problems.

Descriptions of pragmatism are fluid and wide-ranging because of its various iterations by multiple thinkers with disparate interests and backgrounds. Pragmatism is nevertheless identifiable by certain features and qualities.

Pragmatists tend to avoid claims to unqualified certainty or universalism; they resist abstractions, closed schools of thought, and dogma that purport to have all the answers. They are searchers and seekers, never comfortable that the knowledge they have attained is complete or comprehensive.

Pragmatists seek to generate inquiry by systematically and intentionally testing ideas in the material world through practical application and sustained observation, by modifying or adapting ideas when errors are found, by subjecting ideas to a community of minds for verification (rather than leaving them to individuals in isolation), and by examining the habits and tendencies of nature and behavior for recurring, lasting themes or traits. Although pragmatists tend to be tolerant of views that have not been discounted, or open to ideas that have not been disproven, they are also prudently skeptical of ideas that have not won out in the course of history, i.e., that are unrepresented in custom or tradition.

Pragmatism is neither liberal nor conservative in the political sense, but represents a mode of knowing and understanding based on lived experience and confirmed hypotheses. Pragmatism is a constantly modified methodology for acquiring knowledge; it’s not a doctrine. It looks to ascertainable outcomes and proven results as indicia of the truth and workability of ideas.

Session Eighteen: Richard Bulliet on the History of the World

In Academia, Arts & Letters, Historicism, History, Humanities, liberal arts, Pedagogy, Philosophy, Western Civilization on February 21, 2018 at 6:45 am

Here, in the eighteenth lecture of his course, The History of the World, Richard Bulliet discusses Inner and East Asia (400-1200 C.E.):

How Much Legislative Power Do Judges Really Have?

In America, Arts & Letters, History, Humanities, Jurisprudence, Law, liberal arts, Philosophy, Western Civilization, Western Philosophy on February 14, 2018 at 6:45 am

This article originally appeared here in The Intercollegiate Review.

During his confirmation hearing last year, Justice Neil Gorsuch told Senator Dick Durbin that Roe v. Wade was “the law of the land.” A recent Washington Post headline declared, in light of Obergefell v. Hodges, “Same-sex marriage is the law of the land.”

What does it mean that opinions of the United States Supreme Court are the law of the land? Is an opinion of the Supreme Court a law? If so, do judges make law? If judges make law, thereby exercising legislative powers, wouldn’t they be legislators, not judges?

If Supreme Court opinions are laws, how can they be overturned by later justices? Were the overruled decisions never actually law to begin with? Were they temporary laws? Were the American people simply bound for years by erroneous rules or judgments?

Ask these vexing questions of ten experts in constitutional law and you’ll hear ten different responses.

Why so complicated? Perhaps because the framework of American government is at stake. Centuries of political theory, moreover, cannot be condensed or expressed in concise opinions involving particular issues about fact-specific conflicts. Judges and justices are not positioned to delineate philosophical principles with nuance and sophistication. Yet they are tasked with administering the legal system and are guided by deeply held convictions or inchoate feelings about the nature and sources of law.

When we debate the role of judges vis-à-vis the legislative or executive branch, we’re invoking the separation-of-powers doctrine enshrined in the U.S. Constitution. That doctrine derives principally from the theories of Locke (1632–1704) and Montesquieu (1689–1755).

In his Second Treatise of Government, Locke claimed that the preservation of society was “the first and fundamental natural law.” Today we worry about the corruption and incompetence of members of Congress, but in Locke’s era, when the monarch exercised extraordinary powers, the legislature was a bulwark against tyranny. It represented the will of “the people.” The preservation of society thus required robust legislative authority.

“This legislative is not only the supreme power of the commonwealth,” Locke intoned, “but sacred and unalterable in the hands where the community have once placed it; nor can any edict of anybody else, in what form soever conceived or by what power soever backed, have the force and obligation of a law which has not its sanction from that legislative which the public has chosen and appointed.”

Why must the law emanate from the legislature? Because the legislature, in his view, embodied “the consent of the society over whom nobody can have a power to make laws.” Locke’s paradigm holds, accordingly, that the legislature speaks for the people, from whom legitimate government obtains its limited authority; legislation reflects a general consensus among the people about controlling norms, beliefs, and values. The judiciary is curiously absent from this paradigm.

Montesquieu articulated a tripartite model of governance, adding the judiciary to Locke’s calculus. He argued that a state of political liberty would not exist if any of the three branches of government—executive, legislative, or judicial—arrogated to itself powers belonging to another branch. The branches competed, effectively offsetting their respective powers through checks and balances.

Montesquieu and Locke were among the most cited thinkers during the American Founding. They were indispensable sources for the framers of the U.S. Constitution. The first three articles of the Constitution establish our three branches of government.

Concerns about the scope and function of judicial power have begun to divide legal scholars on the right. On one side are proponents of judicial restraint as practiced by Robert Bork, William Rehnquist, and Antonin Scalia; on the other side are advocates of judicial engagement, which calls for a more active judiciary that strictly enforces restrictions on government action.

The judicial-restraint camp contends that the judicial-engagement camp would have the judiciary infringe on legislative authority in violation of the separation-of-powers mandate. The judicial-engagement camp contends that judges deferring to political branches often abdicate their duties to enforce not only the constitutional text but also unenumerated rights allegedly inherent in that text.

The view that judges cannot make law is increasingly unpopular. “The dubious aspect of separation-of-powers thinking,” Richard Posner says, “is the idea that judges are not to make law (that being the legislator’s prerogative) but merely to apply it.” Posner submits that “judges make up much of the law that they are purporting to be merely applying,” adding that “while the judiciary is institutionally and procedurally distinct from the other branches of government, it shares lawmaking power with the legislative branch.”

If Posner is right, then Montesquieu’s trifurcated paradigm collapses. That, or our current system is not maximally amenable to liberty as conceived by Montesquieu.

Parties to a case generally recognize judges’ rulings as binding. Courts and institutions generally accept Supreme Court decisions as compulsory. Even individuals who defy judicial rulings or opinions understand the risk they’re taking, i.e., the probable consequences that will visit them. Judicial rulings and opinions would seem, then, to be law: they announce governing rules that most people respect as binding and enforceable by penalty. If rulings and opinions are law, then judges enjoy legislative functions.

Yet the natural law tradition holds that law is antecedent to government promulgation—that indissoluble principles exist independently of, and prior to, pronouncements of a sovereign or official. On this view, the positive law may contradict the natural law. Which, then, controls? Which is the law, the one you’ll follow when push comes to shove?

Your answer might just reveal how much legislative power you believe judges really have.

Judge Andrew Napolitano’s 2017 Commencement Address at Faulkner University Thomas Goode Jones School of Law

In Academia, Arts & Letters, Christianity, History, Humanities, Jurisprudence, Justice, Law, Law School, liberal arts, Libertarianism, Philosophy on December 5, 2017 at 6:45 am

Redeeming the Debauched Falstaff

In Academia, Arts & Letters, Book Reviews, Books, Britain, British Literature, Creativity, Fiction, Humanities, liberal arts, Literary Theory & Criticism, Literature, Philosophy, Shakespeare, Western Civilization, Western Philosophy on November 15, 2017 at 6:45 am

This review originally appeared here in The American Conservative. 

In The Daemon Knows, published in 2015, the heroic, boundless Harold Bloom claimed to have one more book left in him. If his contract with Simon & Schuster is any indication, he has more work than that to complete. The effusive 86-year-old has agreed to produce a sequence of five books on Shakespearean personalities, presumably those with whom he’s most enamored.

The first, recently released, is Falstaff: Give Me Life, which has been called an “extended essay” but reads more like 21 ponderous essay-fragments, as though Bloom has compiled his notes and reflections over the years.

The result is a solemn, exhilarating meditation on Sir John Falstaff, the cheerful, slovenly, degenerate knight whose unwavering and ultimately self-destructive loyalty to Henry of Monmouth, or Prince Hal, his companion in William Shakespeare’s Henry trilogy (“the Henriad”), redeems his otherwise debauched character.

Except Bloom doesn’t see the punning, name-calling Falstaff that way. He exalts this portly, subversive figure as the charming master of deception and rogue scheming, and more importantly as a courageous vitalist “unmatched in all of Western imaginative literature.” Bloom’s astounding reverence for this clever, corrupting, calculating, mischievous Bacchanalian—whose life-affirming zest is as delightful as it is disconcerting—reveals he’s capable of the same kind of strategic indulgence that animates his transgressive subject.

His opening lines establish an affectionate, worshipful tone: “I fell in love with Sir John Falstaff when I was a boy of twelve, almost seventy-five years ago. A rather plump and melancholy youth, I turned to him out of need, because I was lonely. Finding myself in him liberated me from a debilitating self-consciousness.”

This isn’t academic prose. Bloom doesn’t write scholarship in the sense in which English professors, who chase tenure and peer approval, understand that term. Could you imagine a graduate student in literature showing up at the Modern Language Association’s annual convention and pronouncing from behind a podium that “Falstaff wants us to love him”? Or that Falstaff “is the mortal god of our vitalism and of our capacity for joyous play of every kind”? That would end a career before it began.

To hold Bloom to professional academic standards is fundamentally to misunderstand the man. His criticism is art unto itself; it’s genre-defying literature: part memoir, part fiction, part psychoanalysis. He’s a character of his own creation, as imaginary as Falstaff, and yet real and alive. In his psyche, the mysteries of which he plumbs with Freudian apprehension, Falstaff, too, is alive—and more than that, he’s a deified “embassy of life.” Bloom calls him the “greatest wit in literature,” whose vices “are perfectly open and cheerfully self-acknowledged.”

Immediately objections spring to mind: Didn’t Falstaff take bribes from competent soldiers who wished to avoid battle, thereby dooming his innocent, rag-tag band of unready troops? Doesn’t this bawdy gambler fake his own death to avoid injury and then seek credit for Hal’s slaying of Hotspur? Isn’t he a compulsive liar and self-serving fabricator? Rather than earn his keep, doesn’t he mooch off borrowed and stolen money while fraternizing with lowly criminals in disreputable taverns? Doesn’t he find stealing entertaining? Doesn’t he fail miserably in his attempt to seduce married women? Doesn’t he thrive in the seedy underbelly of impolite society?

No matter. The venerating and visionary Bloom sees Falstaff’s flaws as part of his appeal. Falstaff, prefiguring Nietzsche and Sartre, stands outside ethical jurisdiction as the lovable übermensch, the seductive sum of his own deliberate actions and unbridled agency in a world without God. Falstaffianism can be reduced to an abrupt imperative: “do not moralize.” These are Bloom’s italics, emphasizing, perhaps, the enthusiasm with which Falstaff rebuffs normative codes and basic standards of decency, vivaciously embracing the self—the subjective, knowing, self-aware “I” that wills a future into being—with laughter and existential rapture.

Kate Havard argues in Commentary that “Bloom must actually reckon with the sorts of things Falstaff does that would seem monstrous in real life.” I’m not sure about this mandate. Everyone is susceptible to wickedness. We’re fallible. Yet the magnitude of our evil acts is proportionate only to our capacity and will for achieving them. Greater power over others has the potential to increase the enormity of our chosen wrongs. Two hearts, equally blameworthy, can enact varying degrees of harm. With our meanness and malevolence, depravity and double-dealing, we’re all like Falstaff at some instant, even if we “cannot say that we are Falstaff’’ (my italics this time) because Falstaff cannot be universal—he’s too shrewd, raucous, and riotously convivial to be an archetype.

That we haven’t occasioned rank violence or mass damage is only evidence of our own powerlessness to do so in our moment of darkness. Our minds have contemplated horrors that our bodies never brought to bear. Knowing this, one begins to appreciate Bloom’s melancholy voice in such an adoring account. “Falstaff is no everyman,” he intones, “[b]ut all of us, whatever our age or gender, participate in him.” This truth, if it is one, doesn’t excuse Falstaff; rather it makes his decisions disturbingly recognizable.

Falstaff stands for absolute freedom, challenging dogmatic pieties even as he uses them to his advantage. He signals human choice and authenticity, but he’s elusive and multifaceted. “There is no single Falstaff,” Bloom submits. “In my youth and middle years I thought I knew Falstaff. That Falstaff has vanished from me. The better I know Sir John the less I know him. He has become one of the lost vehemences my midnights hold.”

This tragicomic Falstaff is so complex and ambiguous that he undermines expectations, avoids patterned behavior, and escapes simple explanation. “Falstaff is as bewildering as Hamlet, as infinitely varied as Cleopatra,” says Bloom. “He can be apprehended but never fully comprehended. There is no end to Falstaff. His matrix is freedom but he dies for love.”

Falstaff is a more cunning and charismatic version of Chaucer’s drunkenly crass miller, whose hilarious tale of casual adultery lacks the stark intentionality that makes Falstaff so treacherously in control. He’s like a flatulent Santa Claus, without the meekness or mildness of Christian self-denial. He is, in a word, exuberant, and as Bloom opines, “Exuberance in itself is a shadowy virtue and can be dangerous to the self and to others, but in Falstaff it generates more life.”

Bloom commendably acknowledges the charges leveled against him: “I am weary of being accused of sentimentalizing Falstaff.” He says he’s “been chided for sentimentality when I observe Falstaff betrays and harms no one,” and he pleads with us to enjoy Shakespeare’s rendering of the Fat Knight, adding, “Do not moralize.” The point is not to elicit agreement but to move you emotionally, although his expressive mode is less sentimental than it is spiritual or mystical. He has a jovial appetite for living, thinking, and loving that resembles Falstaff’s in its sheer capaciousness—hence his aside that he’s a “lifelong Falstaffian.”

The Book of Genesis asserts that God made man in his image. One wonders whether Bloom’s ecstatic Bardolatry—he once called Shakespeare “a mortal god”—leads to a different but related conclusion: that Shakespeare, as God, created Bloom in Falstaff’s image. Although age has thinned his once corpulent physique, Bloom is, at times, the boastful embodiment of the bombastic, iconoclastic genius (Sir John) whose chief weakness is his fondness and devotion. At other times, he’s a prophetic seer haunted by the daemon, devoid of merry wit, laughter, or redemptive charm and enthused by ineffable forces to cry out with beautiful despair and angst. His gusto seems ever-present, as does his displayed interiority.

Yet there is no single Bloom. You may think you know him, but then he vanishes as a lost vehemence.

“He has never abandoned me for three-quarters of a century,” Bloom muses of Falstaff, “and I trust will be with me until the end. The true and perfect image of life abides with him: robustly, unforgettably, forever. He exposes what is counterfeit in me and in all others.” Perhaps that’s why Falstaff is so threatening: he lays bare that manipulative, liberated part of ourselves that we don’t acknowledge or even fathom, that’s alienated and estranged from other people, accessible only to the “I myself”—the only thing we know that we know.

Allen Mendenhall Interviews Anton Piatigorsky, Author of “Al-Tounsi”

In Arts & Letters, Books, Creative Writing, Criminal Law, Fiction, Humanities, Justice, Law, liberal arts, Literature, Novels, Oliver Wendell Holmes Jr., Philosophy, Writing on October 4, 2017 at 6:45 am

AM: Thanks for discussing your debut novel with me, Anton.  It’s titled Al-Tounsi and involves U.S. Supreme Court justices who are laboring over a case about an Egyptian detainee held on a military base in the Philippines. How did you come up with this premise for a novel? 

AP:  I was interested in the intersection between contemporary legal and political issues and the personal lives of the justices. I was particularly impressed by the ways in which the writ of habeas corpus has been used (and suspended) throughout U.S. history.

The Great Writ is a heroic call to responsibility—a demand made by the judiciary for the executive to live up to its obligations to imprisoned individuals. While it has obvious political and social ramifications, it also has philosophical ones. It encourages moral and psychological reckoning: what are our responsibilities to others?

I was excited about writing a novel where two strains—the political and the personal—overlap and blend. I realized that if I fictionalized the important 2008 Guantanamo Bay case Boumediene vs. Bush—by changing key events, decisions and characters—I could use it as the basis for a novel about the Court that explores all my interests.

Anton Piatigorsky

AM: How did you decide to change directions and write about the law?  Did this case just jump out at you?  Your previous writings address a wide variety of subjects but not, that I can tell, law. 

AP:  I came to the law, strangely enough, through religion. I’ve long been interested in how religion functions, and especially in the ways that secular systems mimic religious ones. When I started reading about American law and the U.S. Supreme Court, I saw those institutions as a part of an Enlightenment era secular religion. From this perspective, law is a system of rituals, codes and writings that helps establish an identity for a community, a set of shared values and beliefs, and a way for people to function within the world. I found that fascinating. It inspired all sorts of questions.

What are the general beliefs about people and the world that lie beneath the American legal system? How are those beliefs enacted in cases, courts, and legal writings? How do they play out in the rituals of the Court?  How do the justices of the Supreme Court —who are, in some ways, high priests of the legal world — reconcile conflicts between their personal beliefs and the foundational beliefs of the legal system they guide?

The fictional stories I wanted to tell about justices’ lives grew out of these general questions. Those questions also led me into an investigation of the main case before them.

AM: One of the most fascinating parts of the book, to me, is the Afterword, which consists of the concurring opinion of the fictional Justice Rodney Sykes.

AP: I have always loved novels of ideas, when a character’s emotional journey overlaps with their complex thoughts and beliefs. Whenever that type of fiction really works — as it does with Dostoyevsky’s The Brothers Karamazov — the character’s philosophy or worldview stands alone as a work of non-fiction. And so the novel becomes part fiction, part critical thought. It functions as a critique on ideas that circulate in the real world.

That’s what I hoped to achieve for Justice Rodney Sykes’s formal opinion in the novel’s Afterword. I wanted Rodney to reach a powerful critique of basic tenets of the American legal system. I wanted him to address what our responsibilities are (or aren’t) towards others in the legal system, and the problems with that system’s fundamental faith in individual actors. In his concurrence, Rodney takes an unorthodox and unlikely stance for a Supreme Court Justice, but that’s what makes it a work of fiction. A novel can be the perfect forum to discuss how a real person might come to a radical decision, and how that decision might revolutionize their thoughts and actions.

AM: Who are your favorite living writers?

AP:  I particularly admire J.M. Coetzee and Alice Munro. I think about their works often while I’m writing and editing my own.

Coetzee has written several fantastic “novels of ideas.” Both Diary of a Bad Year and Elizabeth Costello manage to incorporate far-reaching critiques into their larger stories about characters, and they do so while using imaginative formal techniques. I also love Coetzee’s cold and austere style in his less overtly intellectual books. They’re cleanly written, shockingly honest, and endlessly compelling.

Alice Munro—although it’s almost a cliché to praise her at this point—shows remarkable insight into her characters, gradually revealing their motivations, resentments and surprising decisions without ever erasing their fundamental mysteries as people. Her stories are complex formally, but in such a quiet way that I often don’t notice their structures until I’ve read them a few times. Her writing is a great model for how to show characters’ lives and decisions with efficiency and imagination while maintaining mystery.

AM: Do you intend to continue in the novel form in your own writing?

AP:  Absolutely. I would love to write more legal fiction, as well. I’ve spent years learning about the law, but know that I’ve barely scratched the surface. There are so many potentially interesting legal stories. I’m also at the early stages of a new novel, which is not explicitly about law, but does feel like an outgrowth of Al-Tounsi in certain ways.

AM: I worked for a state Supreme Court justice for over three years, and I agree: there are many interesting legal stories out there, and I’ve found that facts are often stranger than fiction.

AP:  It must be fascinating to work on the diverse cases that roll through a court. I can only imagine how many potential stories you and other lawyers, judges and court workers can recall—ideas for a million novels and movies and plays.

I think legal stories are particularly exciting for fiction because they distill big questions into concrete human situations and personalities. The giant subjects of guilt and innocence, love and betrayal, responsibilities towards others as opposed to ourselves, community or self-reliance, greed, jealousy and ambition all play out in specific facts and events, in the concrete details of a case. It’s just like in a novel. And since the American legal system is, in my mind, an application of an entire Enlightenment, philosophic worldview, these test cases and stories also pose huge philosophical, ethical and moral questions. It’s no coincidence some of the best novels ever written involve detailed legal plots.

AM:  That reminds me of something Justice Holmes once said: “Law opens a way to philosophy as well as anything else.”  But it sounds as if you and I would go further and say it might open a way better than many other things do.

AP:  Law is like applied philosophy; It puts general ideas to the test in the real world. If a philosophy remains theoretical it never really touches what it means to live it, inside it. The answers theoretical philosophy provides are always tentative.

A huge inspiration for my novel was the work of the late French philosopher, Emmanuel Levinas. While Levinas’s writing is often arcane and difficult to get through, I find his thinking to be a powerful and searing indictment of basic Enlightenment principles. While I was writing Al-Tounsi, I used Levinas’s insights—directly—to help me construct Justice Sykes’s final concurrence. It was hugely inspiring to find a concrete way to use this philosophy I have long loved. All the questions and problems I was interested in exploring were present in this genuine legal situation, in the constitutional habeas corpus case, Boumediene vs. Bush, on which I based my fictional case of Al-Tounsi vs. Shaw.

So, yes, I completely agree with you and Justice Holmes!

AM:  So glad we had this opportunity to talk.  Let’s do it again.  

 

 

Making Legal Education Great Again

In America, Civics, Conservatism, History, Humanities, Jurisprudence, Law, Law School, Legal Education & Pedagogy, liberal arts, Liberalism, Pedagogy, Philosophy, Scholarship, Teaching, The Academy, Western Civilization, Western Philosophy on August 30, 2017 at 6:45 am

This piece originally appeared here and was published by the James G. Martin Center for Academic Renewal.

Legal education has become a surprisingly regular topic of news media for several years now. Most of this commentary has focused on enrollment and matriculation problems, bar passage rates, accreditation standards, student debt, and the job market for recent graduates. These are pressing issues that raise vexing questions for law school administrators, and they warrant the attention they’ve received.

Little attention, however, has been paid to curriculum, except as it pertains to those issues. And not just curriculum, but subject matter within the curriculum.

There are certain subjects—let’s call them “the permanent things”—that always have and will interest scholars of the law because of their profound influence on legal norms and institutions: history, philosophy, literature, and theology. Whether they belong in law schools or some other department, whether they prepare students to become practice-ready or not, these topics will remain relevant to subsequent generations of jurists and legal scholars. There will be a place for them somewhere within the world of legal learning and letters.

Law school faculty and research centers have expanded over recent decades to include studies of these humanistic fields. As long as these fields populate law school, there’s a felt need for rigorous liberal education in them.

Ordered liberty in the United States has historically rested on a commitment to religious faith and pluralism, fidelity to the rule of law, and traditional liberties grounded in the conviction that all humans are created equal and endowed by their creator with certain inalienable rights. These values characterize the American experiment. Our society is built on them, and its continued vitality depends upon maintaining and promoting our commitment to them.

Yet these values are ridiculed and attacked in universities across the country. When they’re taught, they’re often treated as products of a morally inferior era and thus as unworthy of our continued respect. And because these values aren’t seriously or rigorously taught, students lack working knowledge about them and are therefore unprepared for the kind of civic engagement that young people desire and demand.

A decline in civic education has caused misunderstanding and underappreciation of our foundational norms, laws, and liberties. Religious liberty is mischaracterized as license to harm and on that basis is marginalized. Economic freedom is mischaracterized as oppression and is regulated away. Well-positioned reformers with good but misguided intentions seek to fundamentally transform the American experiment from the ground up. They work to limit foundational freedoms and increase regulatory power.

Without well-educated lawyers and civil servants equipped to resist these reformers, the transformation of America will result in the destruction of the freedoms enabled by our founding generation. We cannot allow this to happen. The Blackstone & Burke Center for Law & Liberty at Thomas Goode Jones School of Law, for which I serve as executive director, therefore seeks to educate the legal community in such areas as natural law, natural rights, religious liberty, economic freedom, freedom of speech, freedom of association and assembly, and other liberties that find expression not just in the American but in the larger Western jurisprudential tradition.

I define “legal community” broadly to include law students, law professors, public policy institutes, political theorists, judges, and businesses in addition to practicing lawyers. Because my center is housed in a law school, it’s well positioned to instruct future lawyers while bringing together faculty from different disciplines who are steeped in liberal education.

Numerous organizations promote these values in the political arena, but few attempt to reconnect foundational values with the law. The Blackstone & Burke Center aims to fill this gap by bringing together scholars and students committed to American constitutional government and the common law foundations of our cherished liberties. Our target audience will include law students, judges, and civics groups.

For law students, we offer the Sir Edward Coke Fellowship. We’ve accepted our inaugural class of fellows, who, beginning this fall, will study formative texts in Western jurisprudence in monthly seminars that supplement their core coursework. Next semester, we’ll read and discuss works by Aristotle, Grotius, Hayek, Alasdair MacIntyre, and Robert P. George. The center will be a key networking opportunity for fellows seeking careers at foundations, think tanks, universities, and public policy organizations.

Fellows will also help to organize a judicial college for state jurists. Thanks to the Acton Institute, Atlas Network, and the Association for the Study of Free Institutions, the Blackstone & Burke Center possesses the grant money needed to host its first judicial college in October. Professor Eric Claeys of Antonin Scalia Law School at George Mason University will direct this event, the readings for which include selections from not only cases (old and recent) but also Aquinas, Locke, Blackstone, and Thomas Jefferson. The readings for judges are extensive, and the seminar sessions are meant to be intensive to ensure that judges get as much out of the experience as possible.

The center will also provide basic civics education to local communities. For several years, the Intercollegiate Studies Institute issued reports on the poor state of civic literacy in the United States. The National Association of Scholars recently issued a detailed report on the inadequacies and politicization of the “New Civics.” The current issue of Academic Questions, moreover, describes the sorry state of civics knowledge in the United States and the tendentious methods and institutions that teach political activism rather than deep learning.

Against these alarming trends, my center organized and hosted a reception featuring a U.S. Library of Congress interactive Magna Carta exhibit, which was displayed in the rotunda of the Alabama Supreme Court for three weeks and now remains in the possession of the Alabama Supreme Court Law Library. The reception included prominent judges, business and university leaders, lawyers, and the general public.

For example, Chief Justice Lyn Stuart of the Alabama Supreme Court and Judge William “Bill” Pryor of the Eleventh Circuit Court of Appeals delivered remarks about Magna Carta during the reception, and young people conversed casually with judges about the legal system, federalism, and the challenges and opportunities facing the legal profession in the 21st century. This fall, the center is cosponsoring an event with the Foundation for Economic Education on the campus of Auburn University to explore the relationship between law and markets, and I hope to see as many high-school students as college students in attendance.

Legal education is strikingly different today than it was when Thomas Jefferson apprenticed under George Wythe, or when Abraham Lincoln read law before receiving from a county circuit court certification of his good moral character, then a prerequisite to practicing law.

Nevertheless, legal education looks much the same as it did in the late nineteenth century, when Christopher Columbus Langdell, dean of Harvard Law School, instituted a curriculum, pedagogy, and case method that came to characterize “the law school experience.” If there’s been a paradigm shift, it’s been toward more practical aspects of legal education such as clinical programming. Yet many lawyers remain ignorant of the history and philosophical conventions that shaped their profession over centuries.

The Blackstone & Burke Center for Law & Liberty is a modest corrective in that it doesn’t seek to remake legal education or demolish longstanding practices and procedures in one fell swoop. Rather, it does what it can with the resources and tools available to strive to renew an America where freedom, opportunity, and civil society flourish. In the long run, I think, these reasonable efforts will have powerful effects and far-reaching benefits, both within the legal academy and beyond.

Part Three: Review of Nathaniel Branden Issue of the Journal of Ayn Rand Studies

In America, American History, Arts & Letters, Book Reviews, Essays, Historicism, History, Humanities, liberal arts, Philosophy, Scholarship, Western Civilization, Western Philosophy on July 12, 2017 at 6:45 am

This post is the reproduction of portions of a series of pieces originally published at Atlas Society’s website.  The original series of posts is available here, here, here, and here.

Section II features autobiographical reflections on Branden by his friends and associates Roger E. Bissell, Mimi Reisel Gladstein, Tal Ben-Shahar, Deepak Sethi, and Michael E. Southern. Limited space for review necessitates that I roll my thoughts on these reflections into one sketch. Compressing several autobiographical accounts into one summative analysis does not mean the accounts are unimportant or uninteresting. In fact, they are among the most enthralling contributions to the collection—in particular, Southern’s highly detailed tribute that contains a wealth of insight and information.

But the appreciative tone, personal nature, and intimate recollections in this section are difficult to fully and justly convey as a secondhand report. I thus urge readers interested in Branden’s private friendships and relationships to consult this part of the collection for themselves. I hope that highlighting a few anecdotes will suffice to show the depth and quality of the stories involved.

In one, Bissell relates that, while he was in high school, at the suggestion of his band and choral teacher, he read an essay by Branden. He then read Atlas Shrugged. Testifying to the transformative power of these experiences, he claims that the two texts “irreversibly changed” his life. He suddenly knew he should pursue music, ideas, and writing rather than mathematics. Southern had a similar experience: He read Branden’s The Psychology of Self-Esteem, Breaking Free, and The Disowned Self, and immediately withdrew from graduate school and flew to California to meet Branden.

Bissell recalls an exchange in which Branden responded to a question about how effectively to promote Objectivism. The answer, Bissell says, was simple: “to be as rational and productive as you could be at whatever you most loved to do, and to let your success at that be your testimony to the worth of Objectivism’s principles.” Still recapping Branden’s response, Bissell adds that “Objectivism exists to help you live a good life, not to require you to sacrifice your one and only, precious, individual life to its furtherance.”

In another anecdote, Ben-Shahar recalls how Branden comforted him after the death of a friend in a plane crash. In yet another, Sethi remarks that Branden helped him, an immigrant, flourish in American culture by cultivating Sethi’s self-esteem. Later, Sethi and Branden used Braden’s self-esteem techniques on business leaders.

Southern, who also participated in such sessions, relates that they involved “a powerful mechanism for self-discovery,” namely an exercise called “sentence completions.” He tells the story of how Branden once called an agitated woman to the front of a room of 100 people to participate in sentence-completions. She discovered, at length and through many tears, that she had never properly mourned the death of her father, a heartbreaking revelation that jarred Southern to the point that he later raised concerns with Branden, who in turn applied the sentence-completion exercise on him. What happened next was surprising. Southern allowed himself “for the first time to voice . . . all the pain growing up without a father had caused me.”  “I was told throughout my childhood,” he recounts, “that I was better off without my father and continuously heard how much he had hurt those around him who loved him. And so I dutifully repressed the longing.” Southern thus realized firsthand the therapeutic benefits of Branden’s methods.

These moving portraits of Branden suggest that he valued friendships and mentorships. The contributors affectionately refer to him by his first name and dub him a “hero” and “my Aristotle.” Southern claims that Nathaniel and Devers Branden “saved years of my life.” Whatever else he accomplished, then, Branden clearly impacted the lives of those who knew him well. He satisfied felt needs and helped others take responsibility and achieve self-actualization.

Section III, the final section, will be the most trying for readers who, like me, lack training in clinical psychology—first because we have no background or abiding interest in the subject, and second because we have no expertise with which to evaluate the significance of these contributions to the field. Without knowing Branden’s importance or unimportance within professional circles, or whether his techniques and practices are rare or common, strange or normal, exemplary or bizarre, one has difficulty determining if this section represents a necessary corrective or merely wishful thinking. I get the feeling, though, that these contributions would not have appeared in a journal edited by professional clinical psychologists and that their value is therefore bound up in Branden’s significance as an historical figure.    

The essays featured here respond to a Branden-inspired sentence-completion prompt: “If Branden’s works were studied by more academic and clinical psychologists…..” The five contributors then finish—or were supposed to finish—the sentence by saying what would have happened had the condition been fulfilled. Fittingly, they each have backgrounds in psychology, but surprisingly they steer wide of their cue and answer a different question from the one posed.  For instance, Robert L. Campbell, the coeditor of the collection, offers what he calls a “memorial tribute” that has more to do with Branden’s uniqueness among psychologists than it does with some hypothetical readership of Branden’s work. It comes off like an encomium and partly a sympathetic memoir, except for the reserved, professional critique of Branden’s inability to bridge the gap between exploratory research and clinical practice.

Cautious neither to condemn nor celebrate Branden’s more peculiar methods, such as hypnosis or “energy therapy,” Campbell suggests that Branden’s career coincided with the rise in the prestige of clinical psychology. This temporal correspondence, however, did nothing to elevate Branden’s profile within the profession. In fact, Branden was, in Campbell’s words, merely “an occasional consumer” of psychological research who was accused of “pop psychology.” As Campbell does little to recover Branden’s reputation in this regard, or to mount a storied defense on his behalf, one wonders, only one essay into this section, whether Branden the practitioner should be written off as unserious or amateurish. Campbell tempers his vague criticisms with admiring praise and the attribution of his entire career to Branden’s influence. But the point of his essay is to portray Branden as an engaging and enthusiastic expositor of Rand’s ideas, not to evaluate Branden’s contributions to clinical psychology on their substantive merit.

Walter Foddis, a doctoral student in clinical psychology whose essay possesses the tone and style more typical of scientific writing, suggests that Branden’s work never gained academic recognition because he addressed a popular rather than a scholarly audience.  Foddis might have published his piece in a journal of clinical psychology because it is primarily about scholarly views of self-esteem with concluding remarks about the practical application of his argument in light of cognitive-behavioral theory. He reviews the relevant literature on self-esteem and traces its various treatments by researchers over time.

Branden is thus a mere stepping stone for Foddis to present his own model of self-esteem—in addition to a “qualitative and quantitative instrument” called the “Self-Esteem Sentence Completion Instrument” that can be employed in experimental studies with human subjects—which readers outside the field will be unequipped to measure and assess with proficiency or competence.

Foddis doesn’t tell us why Branden remains important to clinical psychology so much as he shows us through the working out of his own unique arguments and findings in which Branden plays a key role. Saying Branden is important to the field is not as convincing as demonstrating his importance by incorporating his ideas and research into novel studies and ongoing conversations. Of the contributions to this section, then, Foddis’s does the most to recover Branden’s professional reputation even though—or rather because—Branden is not the central figure. Perhaps inadvertently, Foddis, with his references to a pragmatist, William James, as a recognized authority, coupled with his passing mentions of “human fallibility and limitations,” reveals how much distance there is between scholarly consensus in the field of clinical psychology and the more abstract, less practical theories of Objectivism associated with Rand, who despised pragmatists and systems of thought premised on the putative restrictions and limitations of human intelligence.

Teresa I. Morales Gerbaud summarizes Branden’s theories rather than applying them as Foddis does. “Branden’s body of work on human psychology,” she pronounces, “exhibits a remarkably consistent thread of logical reasoning that shapes and defines critical ideas, including notions of the key role of self-esteem in human behavior.” She calls Branden’s work “pioneering,” “critical and compelling,” and “novel.” She praises his “visionary intellect,” “the authenticity of his method,” the “salience and importance” of his ideas, “the depth of [his] thoughtful words,” and his “carefully thought-out example” of the integration of conscious and unconscious modes of knowing. And she refers to the “deep gratitude for the joy and inspiration that his work has brought to my life.” These laudatory lines, even when accompanied by the contextualization of Branden’s ideas alongside those of other experts, do not prove Branden’s significance to his field. What they prove is that Gerbaud really likes Branden.

Whereas Foddis uses Branden’s work for practical and theoretical ends—as building blocks for original research—Gerbaud merely celebrates Branden, compliments his methods, and asserts his significance. Ironically, insisting on his greatness and importance without demonstrating the practical or theoretical value of his ideas may actually undermine Branden’s reputation. At a minimum, it makes him susceptible to accusations of the kind he leveled against Rand: that his popularity has more to do with the cult of personality and adoring loyalty than it does with the operative quality of his concepts.

Andrew Schwartz does more than Gerbaud to situate Branden’s innovations in their historical context. The most important of these were, he submits, Branden’s “theory of self-esteem” and “his clinical method of sentence completion”—elements of his work that receive regular and sustained treatment throughout this collection and that, according to Schwartz, were prefigured by the Austrian psychotherapist Alfred Adler. This chapter may lend credibility to Branden’s accomplishments, but the inexpert reader is unable to reach that conclusion with clarity or conviction.

Joel F. Wade’s descriptive essay functions as a “bookend” for this final section, corresponding as it does with Campbell’s opening essay in its approbatory approach and character. Like Campbell, Wade shares personal accounts of time spent with Branden and pays close attention to Devers Branden as well, who surely deserves the attention. Like Gerbaud, Wade has little negative to say about his friend and sometime collaborator. He privileges personality and anecdote over scientific validation of Branden’s working theories and clinical applications. Not that negativity is required, but critical distance and tempered critique add the kind of credibility that makes flattery appear well-earned.

It’s evident from a dispassionate reading that this section, however affectionate and endearing, will not establish or renew scientific interest in Branden among clinical psychologists. Its contents could have fallen in the earlier sections, or the second and third sections could have been collapsed into one, but in either case Foddis’s essay, a work of scholarship, would have seemed out of place.

The contributors to the third section represent a network of friends and associates, not a disinterested community of impartial researchers jealously guarding high academic standards and ensuring strict quality controls. They give Branden a pass. Those outside the field may appreciate the admiration of trained professionals who knew or followed Branden.  Yet even non-experts will recognize that clinical psychology as we know it will be virtually unchanged or unaffected by these eulogistic essays, which are worthwhile not because of what they reveal about clinical psychology, but because of what they reveal about Branden the man.

The soaring tone struck by most of the contributors to the final section would have been more fitting for the epilogue, although one doubts they would have matched the flair and sensitivity that characterizes the essay of Stephen D. Cox, a literary critic and English professor at the University of California in San Diego. Cox’s touching epilogue is principally about Branden’s literary labors and talents. He claims that he saw Branden “in a way in which, perhaps, nobody else saw him—chiefly as a craftsman, busy in a literary workshop.” It’s from this unique vantage that Cox shares his learned opinions. “Our relationship was almost entirely literary,” he muses, “almost entirely concerned with what is ‘beautiful’ in writing.”

The two men had their differences—one was a Christian, for instance, and the other an atheist—but they cultivated a relationship based on shared interests and a mutual love for the written word. They started off as pen pals—Branden having initiated the first contact—and quickly became members of a discussion group at Branden’s home. Then they met regularly, one-on-one, over lunch or dinner and talked about literature—everything from the structural composition of novels (Branden had been working on one) to diction and syntax and the romantic love triangle between three of Branden’s fictional characters. “I didn’t feel it was my role to question Nathaniel about the psychological motivation of his works,” Cox explains of this love triangle, which loosely resembles the complex relationship between Branden, Rand, and O’Connor. Voyeuristic types will, I’m confident, wish he had questioned Branden to elicit salacious details.  

While several characters in Branden’s novel appeared, to Cox, “to represent different aspects of Nathaniel himself,” Cox didn’t see autobiography. Rather, the novel was, in his view, about “the mistakes, and the maturity, that can come with age,” as well as the need “to discover one’s course in life, even after one experiences great intellectual, material, and social success.” Eventually conversations about this novel turned into scrutiny of a draft play involving the same plot and theme; it turns out Branden was something of a dramatist in the vein of Henrik Ibsen. In fact, Rand had once gifted him thirteen volumes of Ibsen’s plays, which Branden later gifted to Cox.  “I’m looking at them now—a princely gift,” Cox remarks of these keepsakes, and you can imagine him sitting by his computer gazing wistfully at his bookshelf.

The Branden of Cox’s rumination is witty, charming, considerate, and friendly. When Cox says that “I never saw Branden try to impress anyone,” he implies that Branden was impressive in spite of himself. In the end, perhaps the most profound and lasting compliment that could be paid Branden comes in one simple line: “He was a fine literary companion.”

No appraisal of this collection could go without mentioning the excellent work of the editors, Campbell and Chris Matthew Sciabarra. Along with Cox, Bissell, and Roderick T. Long, they have put together, at the end of the collection, what appears to be an exhaustive annotative bibliography of references to Branden to date. I’m not aware of any works about Branden that don’t appear on this list.  

Although I discussed Campbell in the context of his essay contribution, I saved my praise for his and Sciabarra’s editorial efforts for the end of this review—not just because I have so far focused chiefly on the content of the essays (and hence, in large part, on the authors of those essays), but also because I wanted commendation of the editors to remain fresh on readers’ minds by placing it at the end.

Editors receive too little acclaim for their grinding and painstaking intellectual exertions, from proofreading and organizing to sourcing and advising. Editing can be a thankless, time-consuming struggle with little monetary benefit or professional recognition. Campbell and Sciabbarra should be celebrated and congratulated for their significant, impressive work. They have accomplished what they set out to do: inaugurate a “critical reassessment” of Branden by providing his theories about Objectivism and his “eclectic clinical approach” with a wider audience. They demonstrate that Branden is an important figure in his own right, a man worthy of sustained attention and scholarly exploration.

If this collection inspires future studies of Branden, then Campbell’s and Sciabarra’s quiet industry will have paid off. And they will have enabled future knowledge about Objectivism—its principles, founders, and controversies—to multiply. The roots of such education may be bitter, but the fruit will, indeed, be sweet.

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