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Archive for the ‘Fiction’ Category

BOOK REVIEW | Autobiography of Mark Twain, Vol. 1: The Complete and Authoritative Edition

In American History, Arts & Letters, Book Reviews, Essays, Fiction, History, Humanities, Liberalism, Libertarianism, Literary Theory & Criticism, Literature, Nineteenth-Century America, Novels, Politics, Rhetoric, Western Civilization, Writing on November 1, 2011 at 9:26 am

Allen Mendenhall

The following post originally appeared here at Prometheus Unbound: A Libertarian Review of Fiction and Literature.

Good things come to those who wait, the old adage goes, and the world has waited a century for Mark Twain’s autobiography, which, in Twain’s words, is a “complete and purposed jumble.”

This 760 page jumble is a good thing. And well worth the wait.

Twain, or Samuel L. Clemens, compiled this autobiography over the course of 35 years. The manuscript began in fits and starts. Twain, while establishing his legacy as a beloved humorist and man of letters, dashed off brief episodes here and there, assigning chapter numbers to some and simply shelving others. In 1906, he began making efforts to turn these cobbled-together passages into a coherent narrative. He met daily with a stenographer to dictate various reflections and then to compile them into a single, albeit muddled, document. The result was a 5,000 page, unedited stack of papers that, per Twain’s strict handwritten instructions, could not be published until 100 years after his death.

To say that we’ve waited a century to view this manuscript is only partially accurate because pieces of the manuscript appeared in 1924, 1940, and 1959. But this edition, handsomely bound by the University of California Press, and edited by Harriet Elinor Smith and others of the Mark Twain Project, is the first full, printed compilation of the autobiographical dictations and extracts. The editors, noting that “the goal of the present edition [is] to publish the complete text as nearly as possible in the way Mark Twain intended it to be published before his death,” explain that “no text of the Autobiography so far published is even remotely complete, much less completely authorial.” The contents of this much-awaited beast of a book, then, are virtually priceless; no doubt many of Twain’s previously unread or unconsidered passages will become part of the American literary canon.

Stark photographs of the manuscript drafts and of Twain and his subjects — including family members and residences — accompany this fragmentary work. The lively and at times comical prose is in keeping with the rambling style of this rambling man whom readers have come to know and appreciate for generations.  Read the rest of this entry »

National Novel Writing Month

In Arts & Letters, Creative Writing, Creativity, Fiction, Humanities, Literature, News and Current Events, News Release, Novels, Writing on October 27, 2011 at 3:28 pm

Allen Mendenhall

Readers of this site should know that November is National Novel Writing Month.  Every year, in November, writers use nanowrimo.org to dash off a 50,000 word novel in just 30 days (the site doesn’t track November 31).  Please check out the site and, if you’re interested, participate in the madness.  Here are some related links:

1.  About NaNoWriMo

2.  How NaNoWriMo Works

3.  History of NaNoWriMo

The Oft-Ignored Mr. Turton in E.M. Forster’s A Passage to India

In Arts & Letters, Austrian Economics, Book Reviews, Communication, E.M. Forster, Eastern Civilizaton, Emerson, Essays, Fiction, History, Humane Economy, Humanities, Jurisprudence, Law, Law-and-Literature, Liberalism, Libertarianism, Literary Theory & Criticism, Literature, Novels, Philosophy, Politics, Religion, Transnational Law, Western Civilization, Western Philosophy on October 17, 2011 at 11:55 am

Allen Mendenhall

The following post first appeared here at Prometheus Unbound: A Libertarian Review of Fiction and Literature.

A Passage to India, by E.M. Forster [trade paperback]; also made into an award-winning film.

Perhaps the most important task of all would be to undertake studies in contemporary alternatives to Orientalism, to ask how one can study other cultures and peoples from a libertarian, or a nonrepressive and nonmanipulative, perspective.

Edward Said, Orientalism

When I asked Dr. Plauché what I should review for my first contribution to Prometheus Unbound, he suggested that I elaborate on my recent Libertarian Papers article: “The Oft-Ignored Mr. Turton: The Role of District Collector in A Passage to India.”  Would I, he asked, be willing to present a trimmed-down version of my argument about the role of district collectors in colonial India, a role both clarified and complicated by E.M. Forster’s portrayal of Mr. Turton, the want-to-please-all character and the district collector in Forster’s most famous novel, A Passage to India.  I agreed.  And happily.

For those who haven’t read the novel, here, briefly, is a spoiler-free rundown of the plot.  A young and not particularly attractive British lady, Adela Quested, travels to India with Mrs. Moore, whose son, Ronny, intends to marry Adela.  Not long into the trip, Mrs. Moore meets Dr. Aziz, a Muslim physician, in a mosque, and instantly the two hit it off.  Mr. Turton hosts a bridge party — a party meant to bridge relations between East and West — for Adela and Mrs. Moore.  At the party, Adela meets Mr. Fielding, the local schoolmaster and a stock character of the Good British Liberal.  Fielding invites Adela and Mrs. Moore to tea with him and Professor Godbole, a Brahman Hindu.  Dr. Aziz joins the tea party and there offers to show Adela and Mrs. Moore the famous Marabar Caves.

When Aziz and the women later set out to the caves — Fielding and Godbole are supposed to join, but they just miss the train — something goes terribly wrong.  Adela offends Aziz, who ducks into a cave only to discover that Adela has gone missing.  Aziz eventually sees Adela speaking to Fielding and another Englishwoman, both of whom have driven up together, but by the time he reaches Fielding the two women have left.  Aziz heads back to Chandrapore (the fictional city where the novel is set) with Fielding, but when he arrives, he is arrested for sexually assaulting Adela.  A trial ensues, and the novel becomes increasingly saturated with Brahman Hindu themes.  (Forster is not the only Western writer to be intrigued by Brahman Hinduism.  Ralph Waldo Emerson and William Blake, among many others, shared this fascination.)  The arrest and trial call attention to the double-standards and arbitrariness of the British legal system in India.

Rule of law was the ideological currency of the British Raj, and Forster attempts to undercut this ideology using Brahman Hindu scenes and signifiers.  Rule of law seeks to eliminate double-standards and arbitrariness, but it does the opposite in Chandrapore.  Some jurisprudents think of rule of law as a fiction.  John Hasnas calls rule of law a myth.  Whatever its designation, rule of law is not an absolute reality outside discourse.  Like everything, its meaning is constructed through language and cultural understanding.  Rule of law is a phrase that validates increased governmental control over phenomena that government and its agents describe as needing control.  When politicians and other officials lobby for consolidation or centralization of power, they often do so by invoking rule of law.  Rule of law means nothing if not compulsion and coercion.  It is merely an attractive packaging of those terms. 

British administrators in India, as well as British commentators on Indian matters, adhered in large numbers to utilitarianism.  Following in the footsteps of Jeremy Bentham, the founding father of utilitarianism, these administrators reduced legal and social policy to calculations about happiness and pleasure.  Utilitarianism holds, in short, that actions are good if they maximize utility, which enhances the general welfare.  Utilitarianism rejects first principles, most ethical schools, and natural law.  Rather than couch their policymaking in terms of happiness and pleasure, British administrators in India, among other interested parties such as the East India Company, invoked rule of law.  Rule of law manifested itself as a concerted British effort to discipline Indians into docile subjects accountable to a British sovereign and dependent upon a London-centered economy.  The logic underpinning rule of law was that Indians were backward and therefore needed civilizing.  The effects of rule of law were foreign occupation, increased bureaucratic networks across India, and imperial arrogance.

Murray Rothbard was highly critical of some utilitarians, but especially of Bentham (see here and here for Rothbard’s insights into the East India Company).  In Classical Economics, he criticized Bentham’s opinions about fiat currency, inflationism, usury, maximum price controls on bread, and ad hoc empiricism.  Bentham’s utilitarianism and rule of law mantras became justifications for British imperialism, and not just in India.  A detailed study of Hasnas’s critique of rule of law in conjunction with Rothbard’s critique of Bentham could, in the context of colonial India, lead to an engaging and insightful study of imperialism generally.  My article is not that ambitious.  My article focuses exclusively on A Passage to India while attempting to synthesize Hasnas with Rothbard.  Forster was no libertarian, but his motifs and metaphors seem to support the Hasnasian and Rothbardian take on rule of law rhetoric and utilitarianism, respectively.  These motifs and metaphors are steeped in Brahman Hindu themes and philosophy. Read the rest of this entry »

Allen Mendenhall Interviews Joyce Corrington

In Art, Arts & Letters, Creativity, Fiction, Film, History, Humanities, Information Design, John William Corrington, Law, Literature, News and Current Events, Novels, Philosophy, Screenwriting, Television, Television Writing, Writing on September 22, 2011 at 8:31 am

Joyce Corrington is a writer who, with her late husband John William “Bill” Corrington, wrote several films, including The Omega Man (1970), Box Car Bertha (1971), and The Battle for the Planet of the Apes (1973).  Also with Bill Corrington, she co-authored four novels: So Small a Carnival (1986), A Project Named Desire (1987), A Civil Death (1987), and The White Zone (1990).  She was head writer for such television series as Search for Tomorrow, Texas, General Hospital and Superior Court, and she has been a co-executive producer for MTV’s The Real World.  She holds a Ph.D. from Tulane University.  Her latest book, Fear of Dying, is available in both Kindle e-book and paperback format.  Formerly a Malibu resident, she now resides in New Orleans. 

Photo by Robert Corrington

Joyce, thank you so much for doing this interview.  I’m surprised we haven’t done one before.  You’ve been an enormous help to me over the years.  You even allowed me to stay at your home in New Orleans so that I could do research on your late husband, Bill.  During that time I learned that you hold a Ph.D. from Tulane University, and taught Chemistry at Xavier University for ten years.  Tell me, how did a person with that background become a writer?

I’m sure it would never have happened if I hadn’t met and married Bill when we were both at Rice University.  He was working on a doctorate so he could earn a living teaching, but he wanted to write.  Bill succeeded in publishing a number of well-received novels, which I typed and edited for him.  But we did not become co-writers until Roger Corman read one of Bill’s novels and invited him to write a movie script.  This was not something Bill especially wanted to do.  But it paid better than college teaching, so we evolved a film writing partnership, whereby I would create a detailed story structure and Bill would write a script following my outline.  After six films, we became involved in writing television series and continued our writing partnership there and in the four New Orleans mystery books we published.  Bill passed away as the fourth was being written, so I completed it.

Why did you choose to continue the series?

After Bill died I found it difficult to get the same kind of writing jobs we had been used to doing.  I think this was because all of my credits were as half of a writing team and producers felt uncertain whether I could do the job by myself.  Thus I had about two years where I had little to do and, while I read a lot during that time, I also began writing a sequel to our New Orleans mystery series.  I think I wanted to prove that I could do it by myself.  Just after finishing the manuscript for Fear of Dying, I was hired to help produce The Real World, a job which I held for eleven seasons.  I did not get around to publishing Fear of Dying until I retired from that job. Read the rest of this entry »

Dragon*Con Convention in Atlanta

In Arts & Letters, Fiction, Georgia, Humanities, Literature, News and Current Events, News Release, Writing on August 31, 2011 at 8:25 am

Allen Mendenhall

The Dragon*Con convention will take place in Atlanta from September 2 through September 5.  The convention features events and workshops about science fiction and fantasy, gaming, comics, literature, art, music, and film.

AJC Decatur Book Festival

In Arts & Letters, Creative Writing, Essays, Fiction, Humanities, Literature on August 31, 2011 at 7:56 am

Allen Mendenhall

The Atlanta Journal-Constitution Decatur Book Festival will take place this weekend (September 2 – 4, 2011).  Click here for more details.  The festival features lectures and book signings by over 300 others.  The complete list of authors is available here.

The Anthology of Appalachian Writers, Bobby Ann Mason Volume III

In Art, Arts & Letters, Book Reviews, Creative Writing, Creativity, Fiction, Humanities, News Release, Poetry, Writing on July 12, 2011 at 12:46 pm

Allen Mendenhall

Below is a news release for a volume that features my poem “Conversation on a Rail.”

News Release: The third volume of The Anthology of Appalachian Writers, Bobbie Ann Mason edition, is now for sale at the Shepherd University Book Store (see http://www.shepherdbook.com/).  This newest book in the collection  presents a selection of stories, essays, poetry, and photographic art, which provide readers with an extraordinary look at the language, storytelling, cultural traditions and heritage of Appalachians—Appalachians working and living in the region today and yesterday.         

As with each previous volume, a common center is provided by the literary art and talent of the 2010 Appalachian Heritage Writer-in-Residence at Shepherd University and recipient of the Heritage Writer’s Award—Kentucky writer Bobbie Ann Mason.  Mason’s work brings to literary life the common folk and the everyday working classes—living, learning, and trying to cope and survive in the complex world they find before them.  

The book also contains stories by two winners of the 2010 West Virginia Fiction Competition selected by Mason.  Mason wrote of Natalie Sypolt’s “Save the Lettuce”: “This is a tight, controlled, powerful story.  Nothing is overdone.”  Like Mason’s award-winning novel In Country, Sypolt’s short fiction piece is a powerful story about war without the war.  Read the rest of this entry »