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Pragmatists Versus Agrarians?

In America, American History, Arts & Letters, Book Reviews, Books, Conservatism, Emerson, History, Humanities, Liberalism, Literary Theory & Criticism, Literature, Nineteenth-Century America, Philosophy, Politics, Pragmatism, Southern History, Southern Literature, Western Civilization, Western Philosophy, Writing on June 19, 2013 at 8:45 am

Allen Mendenhall

This review originally appeared here at The University Bookman.

John J. Langdale’s Superfluous Southerners paints a magnificent portrait of Southern conservatism and the Southern Agrarians, and it will become recognized as an outstanding contribution to the field of Southern Studies. It charts an accurate and compelling narrative regarding Southern, Agrarian conservatism during the twentieth century, but it erroneously conflates Northern liberalism with pragmatism, muddying an otherwise immaculate study.

Langdale sets up a false dichotomy as his foundational premise: progressive, Northern pragmatists versus traditionalist, Southern conservatives. From this premise, he draws several conclusions: that Southern conservatism offers a revealing context for examining the gradual demise of traditional humanism in America; that Northern pragmatism, which ushered in modernity in America, was an impediment to traditional humanism; that “pragmatic liberalism” (his term) was Gnostic insofar as it viewed humanity as perfectible; that the man of letters archetype finds support in Southern conservatism; that Southern conservatives eschewed ideology while Northern liberals used it to present society as constantly ameliorating; that Southern conservatives celebrated “superfluity” in order to preserve canons and traditions; that allegedly superfluous ways of living were, in the minds of Southern conservatives, essential to cultural stability; that Agrarianism arose as a response to the New Humanism; and that superfluous Southerners, so deemed, refined and revised established values for new generations.

In short, his argument is that Southern conservatives believed their errand was to defend and reanimate a disintegrating past. This belief is expressed in discussion of the work of six prominent Southern men of letters spanning two generations: John Crowe Ransom, Donald Davidson, Allen Tate, Cleanth Brooks, Richard Weaver, and M. E. Bradford.

Langdale ably demonstrates how the Southern Agrarians mounted an effective and tireless rhetorical battle against organized counterforces, worried that scientific and industrial progress would replace traditional faith in the unknown and mysterious, and fused poetry and politics to summon forth an ethos of Romanticism and chivalry. He sketches the lines of thought connecting the earliest Agrarians to such later Southerners as Weaver and Bradford. He is so meticulous in his treatment of Southern conservatives that it is surprising the degree to which he neglects the constructive and decent aspects of pragmatism.

Careful to show that “Agrarianism, far from a monolithic movement, had always been as varied as the men who devised it,” he does not exercise the same fastidiousness and impartiality towards the pragmatists, who are branded with derogatory labels throughout the book even though their ideas are never explained in detail. The result is a series of avoidable errors.

First, what Langdale treats as a monolithic antithesis to Southern conservatism is actually a multifaceted philosophy marked by only occasional agreement among its practitioners. C. S. Peirce was the founder of pragmatism, followed by William James, yet Peirce considered James’s pragmatism so distinct from his own that he renamed his philosophy “pragmaticism.” John Dewey reworked James’s pragmatism until his own version retained few similarities with James’s or Peirce’s. Oliver Wendell Holmes Jr. never identified himself as a pragmatist, and his jurisprudence is readily distinguishable from the philosophy of Peirce, James, and Dewey. Each of these men had nuanced interpretations of pragmatism that are difficult to harmonize with each other, let alone view as a bloc against Southern, traditionalist conservatism.

Second, the Southern Agrarians espoused ideas that were generally widespread among Southerners, embedded in Southern culture, and reflective of Southern attitudes. By contrast, pragmatism was an academic enterprise rejected by most Northern intellectuals and completely out of the purview of the average Northern citizen. Pragmatism was nowhere near representative of Northern thinking, especially not in the political or economic realm, and it is hyperbolic to suggest, as Langdale does, that pragmatism influenced the intellectual climate in the North to the extent that traditionalist conservatism influenced the intellectual climate in the South.

Third, the pragmatism of Peirce and James is not about sociopolitical or socioeconomic advancement. It is a methodology, a process of scientific inquiry. It does not address conservatism per se or liberalism per se. It can lead one to either conservative or liberal outcomes, although the earliest pragmatists rarely applied it to politics as such. It is, accordingly, a vehicle to an end, not an end itself. Peirce and James viewed it as a technique to ferret out the truth of an idea by subjecting concrete data to rigorous analysis based on statistical probability, sustained experimentation, and trial and error. Although James occasionally undertook to discuss political subjects, he did not treat pragmatism as the realization of political fantasy. Pragmatism, properly understood, can be used to validate a political idea, but does not comprise one.

The Southern Agrarians may have privileged poetic supernaturalism over scientific inquiry; it does not follow, however, that pragmatists like Peirce and James evinced theories with overt or intended political consequences aimed at Southerners or traditionalists or, for that matter, Northern liberals. Rather than regional conflict or identity, the pragmatists were concerned with fine-tuning what they believed to be loose methods of science and epistemology and metaphysics. They identified with epistemic traditions of Western philosophy but wanted to distill them to their core, knowing full well that humans could not perfect philosophy, only tweak it to become comprehensible and meaningful for a given moment. On the other hand, the Southern Agrarians were also concerned with epistemology and metaphysics, but their concern was invariably colored by regional associations, their rhetoric inflected with political overtones. Both Southern Agrarians and pragmatists attempted to conserve the most profitable and essential elements of Western philosophy; opinions about what those elements were differed from thinker to thinker.

Fourth, Langdale’s caricature (for that is what it is) of pragmatism at times resembles a mode of thought that is alien to pragmatism. For instance, he claims that “pragmatism is a distinctly American incarnation of the historical compulsion to the utopian and of what philosopher Eric Voegelin described as the ancient tradition of ‘gnosticism.’” Nothing, however, is more fundamental to pragmatism than the rejection of utopianism or Gnosticism. That rejection is so widely recognized that even Merriam-Webster lists “pragmatism” as an antonym for “utopian.”

Pragmatism is against teleology and dogma; it takes as its starting point observable realities rather than intangible, impractical abstractions and ideals. What Langdale describes is more like Marxism: a messianic ideology with a sprawling, utopian teleology regarding the supposedly inevitable progress of humankind.

Given that pragmatism is central to his thesis, it is telling that Langdale never takes the time to define it, explain the numerous differences between leading pragmatists, or analyze any landmark pragmatist texts. The effect is disappointing.

Landgale’s approach to “superfluity” makes Superfluous Southerners the inverse of Richard Poirier’s 1992 Poetry and Pragmatism: whereas Langdale relates “superfluity” to Southern men of letters who conserve what the modern era has ticketed as superfluous, Poirier relates “superfluity” to Emerson and his literary posterity in Robert Frost, Gertrude Stein, Wallace Stevens, T. S. Eliot, William Carlos Williams, and Ezra Pound. Both notions of superfluity contemplate the preservation of perennial virtues and literary forms; one, however, condemns pragmatism while the other applauds it.

For both Langdale and Poirier, “superfluity” is good. It is not a term of denunciation as it is usually taken to be. Langdale cites Hungarian sociologist Karl Mannheim to link “superfluity” to traditionalists who transform and adapt ideas to “the new stage of social and mental development,” thus keeping “alive a ‘strand’ of social development which would otherwise have become extinct.”

Poirier also links superfluity to an effort to maintain past ideas. His notion of “superfluity,” though, refers to the rhetorical excesses and exaggerated style that Emerson flaunted to draw attention to precedents that have proven wise and important. By reenergizing old ideas with creative and exhilarating language, Emerson secured their significance for a new era. In this respect, Emerson is, in Poirier’s words, “radically conservative.”

Who is right? Langdale or Poirier? Langdale seeks to reserve superfluity for the province of Southern, traditionalist conservatives. Does this mean that Poirier is wrong? And if Poirier is right, does not Langdale’s binary opposition collapse into itself?

These questions notwithstanding, it is strange that Langdale would accuse the Emersonian pragmatic tradition of opposing that which, according to Poirier, it represents. Although it would be wrong to call Emerson a political conservative, he cannot be said to lack a reverence for history. A better, more conservative criticism of Emerson—which Langdale mentions in his introduction—would involve Emerson’s transcendentalism that promoted a belief in innate human goodness. Such idealism flies in the face of Southern traditionalism, which generally abides by the Augustinian doctrine of innate human depravity and the political postures appertaining thereto.

What Langdale attributes to pragmatism is in fact a bane to most pragmatists. A basic tenet of pragmatism, for instance, is human fallibilism, which is in keeping with the doctrine of innate human depravity and which Peirce numbers as among his reasons for supporting the scientific method. Peirce’s position is that one human mind is imperfect and cannot by itself reach trustworthy conclusions; therefore, all ideas must be filtered through the logic and experimentation of a community of thinkers; a lasting and uniform consensus is necessary to verify the validity of any given hypothesis. This is, of course, anathema to the transcendentalist’s conviction that society corrupts the inherent power and goodness of the individual genius.

Langdale’s restricted view of pragmatism might have to do with unreliable secondary sources. He cites, of all people, Herbert Croly for the proposition that, in Croly’s words, “democracy cannot be disentangled from an aspiration toward human perfectibility.” The connection between Croly and pragmatism seems to be that Croly was a student of James, but so was the politically and methodologically conservative C. I. Lewis. And let us not forget that the inimitable Jacques Barzun, who excoriated James’s disciples for exploiting and misreading pragmatism, wrote an entire book—A Stroll with William James—which he tagged as “the record of an intellectual debt.”

Pragmatism is a chronic target for conservatives who haven’t read much pragmatism. Frank Purcell has written in Taki’s Magazine about “conservatives who break into hives at the mere mention of pragmatism.” Classical pragmatists are denominated as forerunners of progressivism despite having little in common with progressives. The chief reason for this is the legacy of John Dewey and Richard Rorty, both proud progressives and, nominally at least, pragmatists.

Dewey, behind James, is arguably the most recognizable pragmatist, and it is his reputation, as championed by Rorty, that has done the most to generate negative stereotypes and misplaced generalizations about pragmatism. Conservatives are right to disapprove of Dewey’s theories of educational reform and social democracy, yet he is just one pragmatist among many, and there are important differences between his ideas and the ideas of other pragmatists.

In fact, the classical pragmatists have much to offer conservatives, and conservatives—even the Southern Agrarians—have supported ideas that are compatible with pragmatism, if not outright pragmatic. Burkean instrumentalism, committed to gradualism and wary of ideological extremes, is itself a precursor to social forms of pragmatism, although it bears repeating that social theories do not necessarily entail political action.

Russell Kirk’s The Conservative Mind traces philosophical continuities and thus provides clarifying substance to the pragmatist notion that ideas evolve over time and in response to changing technologies and social circumstances, while always retaining what is focal or fundamental to their composition. The original subtitle of that book was “From Burke to Santayana,” and it is remarkable, is it not, that both Burke and Santayana are pragmatists in their own way? Santayana was plugged into the pragmatist network, having worked alongside James and Josiah Royce, and he authored one of the liveliest expressions of pragmatism ever written: The Life of Reason. Although Santayana snubbed the label, general consensus maintains that he was a pragmatist. It is also striking that Kirk places John Randolph of Roanoke and John C. Calhoun, both Southern conservatives, between these pragmatists on his map of conservative thought. There is, in that respect, an implication that pragmatism complements traditionalism.

Langdale relies on Menand’s outline of pragmatism and appears to mimic Menand’s approach to intellectual history. It is as though Langdale had hoped to write the conservative, Southern companion to The Metaphysical Club. He does not succeed because his representation of pragmatism is indelibly stamped by the ideas of Rorty, who repackaged pragmatism in postmodern lexica. Moreover, Langdale’s failure or refusal to describe standing differences between the classical pragmatists and neo-pragmatists means that his book is subject to the same critique that Susan Haack brought against Menand.

Haack lambasted Menand for sullying the reputation of the classical pragmatists by associating pragmatism with nascent Rortyianism—“vulgar Rortyianism,” in her words. Langdale seems guilty of this same supposition. By pitting pragmatism against Southern conservatism, he implies that Southern conservatism rejects, among other features, the application of mathematics to the scientific method, the analysis of probabilities derived from data sampling and experimentation, and the prediction of outcomes in light of statistical inferences. The problem is that the Agrarians did not oppose these things, although their focus on preserving the literary and cultural traditions of the South led them to express their views through poetry and story rather than as philosophy. But there is nothing in these methods of pragmatism (as opposed to the uses some later pragmatists may have put to them) that is antithetical to Southern Agrarianism.

Superfluous Southerners is at its best when it sticks to its Southern subjects and does not undertake comparative analyses of intellectual schools. It is at its worst when it resorts to incorrect and provocative phrases about “the gnostic hubris of pragmatists” or “the gnostic spirit of American pragmatic liberalism.” Most of its chapters do a remarkable job teasing out distinctions between its Southern conservative subjects and narrating history about the Southern Agrarians’ relationship to modernity, commitment to language and literature, and role as custodians of a fading heritage. Unfortunately, his book confounds the already ramified philosophy known as pragmatism, and at the expense of the Southern traditionalism that he and I admire.

Glory and Indignity

In America, American History, Arts & Letters, Book Reviews, Books, Conservatism, Historicism, History, Humanities, Politics, Southern History, The South on February 20, 2013 at 8:45 am

Allen Mendenhall

The following review first appeared here at The University Bookman.

John Randolph of Roanoke
by David Johnson.
Baton Rouge: Louisiana State University Press, 2012

“I am an aristocrat. I love liberty, I hate equality.” Thus spoke John Randolph of Roanoke (1773–1833), one of the most curious, animated figures ever to grace American soil. That David Johnson’s biography of Randolph is the first of its kind since Russell Kirk published John Randolph of Roanoke in 1951 suggests how deteriorated American memory and education have become. Randolph ought to be studied by all American schoolchildren, if not for his politics then for the vital role he played in shaping the nation’s polity. Dr. Kirk declared that in writing about Randolph, he was summoning him from the shades. If so, Johnson has gone a step farther and brought Randolph into the sunshine to reveal just how spectacular a man he really was.

Kirk’s biography of Randolph was in fact his first book. Kirk dubbed the colorful Virginian a “genius,” “the prophet of Southern nationalism,” and the “architect of Southern conservatism.” In The Conservative Mind, Kirk treats Randolph as a necessary link between George Mason and John C. Calhoun and proclaims that Randolph should be remembered for “the quality of his imagination.” Randolph enabled the proliferation and preservation of the conservative tradition in America. He became an icon for decentralization and localism.

Why would a scandalous, sickly, go-it-alone, riotous rabble-rouser appeal to the mild-mannered Dr. Kirk? The answer, in short, is that Randolph was as conservative a politician as America has ever produced, and he was, despite himself, a gentleman and a scholar. Eccentric though he appeared and often acted, Randolph celebrated and defended tradition, championed small government and agrarianism, sacrificed careerism and opportunism for unwavering standards, professed self-reliance and individualism, took pains to preserve the rights of the states against the federal government, delighted in aristocratic tastes and manners, read voraciously the great works of Western civilization, cultivated the image of a statesman even as he attended to the wants and needs of his yeomen constituents, discoursed on weighty topics with wit and vigor, and adhered to firm principles rather than to partisan pandering. Admired by many, friend to few, he made a prominent display of his wild personality and unconditional love for liberty, and he devoted himself, sometimes at great cost, to the ideals of the American Revolution, which had, he claimed, marked him since childhood.

Remembered chiefly (and, in the minds of some progressives, unfortunately) for his contributions to states’ rights doctrines and to the judicial hermeneutics of strict constructionism, Randolph was responsible for so much more. The son of a wealthy planter who died too young, Randolph became the stepson of St. George Tucker, a prominent lawyer who taught at the College of William and Mary and served as a judge on the Virginia General District Court and, eventually, on the Virginia Court of Appeals, the United States District Court for the District of Virginia, and the United States District Court for the Eastern District of Virginia. A cousin to Thomas Jefferson, Randolph studied under George Wythe and his cousin Edmond Randolph. A boy who was forced to flee his home from the army of Benedict Arnold, Randolph later played hooky from college to watch the orations of Fisher Ames, the stout Federalist from New York, and Madison. He served in the U.S. House of Representatives as well as the U.S. Senate, and was, for a brief time, Minister to Russia. A supporter of Jefferson before he became Jefferson’s tireless adversary, he criticized such individuals as Patrick Henry, Washington, Madison, Monroe, John Adams, Henry Clay, and Daniel Webster. He was sickened by the Yazoo Land Scandal, opposed the War of 1812 in addition to the Missouri Compromise, and promoted nullification.

Many conservatives, Kirk among them, have tended to overlook the more unpalatable aspects of Randolph’s life, whether personal or political. For instance, Randolph was, more than Jefferson, enthralled by the French Revolution and supportive of its cause. He manufactured a French accent, used a French calendar, and called his friends “Citizens.” In his twenties, he referred to himself as a deist “and by consequence an atheist,” and he acquired, in his own words, “a prejudice in favor of Mahomedanism,” going so far as to proclaim that he “rejoiced in all its [Islam’s] triumphs over the cross.” One might excuse these infelicities as symptoms of youthful indiscretion and impetuosity, but they do give one pause.

Not for lack of trying, Randolph could not grow a beard, and although he spoke well, his voice was, by most accounts, awkward, piping, off-putting, and high-pitched. His critics have painted him as a villain of the likes of Shakespeare’s Richard III: resentful, obstinate, loudmouthed, and as deformed in the mind as he was in the body. Yet Randolph cannot be made into a monster. More than others of his station in that time and place, Randolph was sensitive to the problems of slavery, which had only intensified rather than diminished since the Founding. He freed his slaves in his will, granted them landholdings in Ohio, and provided for their heirs. Slavery was incompatible with liberty, and Randolph, despite being a product of his time, appears to have worried much about the paradox of a nation conceived in liberty but protective of institutional bondage. Randolph asserted, in some way or another, over and over again, that his politics were based on a presumption of liberty, which was (and is) the opposite of slavery and governmental tyranny. Read the rest of this entry »

Žižek’s Real Desert

In America, Arts & Letters, Book Reviews, Books, Humanities, Literary Theory & Criticism, Philosophy, Politics, Postmodernism, Western Civilization, Western Philosophy on February 13, 2013 at 8:45 am

Allen Mendenhall

In short, America should learn humbly to accept its own vulnerability as part of this world, enacting the punishment of those responsible as a sad duty, not as an exhilarating retaliation—what we are getting instead is the forceful reassertion of the exceptional role of the USA as a global policeman, as if what causes resentment against the USA is not its excess of power, but its lack of it. 

                             —Slavoj Žižek, Welcome to the Desert of the Real

Žižek does not overload his writing with normative statements.  Here, however, he clearly puts forth an “ought.”  He recommends that America accept its vulnerability.  What is not said in this sentence, but what is abundantly clear throughout the second chapter of Welcome to the Desert of the Real, is that accepting vulnerability represents, for Žižek, an alternate way between “the dialectical category of totality.”

Against the prevailing rhetoric that deludes Americans and other Western peoples into thinking that they have two choices—between “Them” or “Us,” “Capitalism” or “The Other,” “Inside” or “Outside,” “First World” or “Third World”—Žižek attempts more than merely to reveal a third-way between competing totalities.  He seeks instead to interrogate the competing totalities and to show how they are narrativized to mask the symptoms of our own desires.  He demonstrates that “We” have constructed our own fundamentalisms that oppose—yet mirror—the fundamentalisms of “The Other.”  There is an evil to both sides of whatever lies beneath constructed dualities; only by searching for that evil can we place 9/11 in its proper context.  The totalities of “Them” versus “Us,” for example, can be redefined such that Bush and Bin Laden “are both ‘Them’ against Us.”  The point of this recasting is to suggest that 9/11 and its aftermath do not represent grand moral narratives leading inexorably to a clear choice: for or against terrorism.  Rather, 9/11 and its aftermath are what upset America’s perception of itself as “an island exempt from this kind of violence, witnessing it only from the safe distance of the TV screen.”  9/11 was a wake-up to reality, not to morality.

For this reason, 9/11 and its aftermath ought to blur any simple claims to moral superiority as well as any ideological interpretation of the deaths of the victims.  9/11 did not bring about ethical or ideological clarity.  “Far from offering a case apropos of which we can adopt a clear ethical stance,” Žižek asserts, “we encounter here the limit of moral reasoning: from the moral standpoint, the victims are innocent, the act was an abominable crime.”

But few people are innocent, at least if innocence means completely removed from any system that is complicit in the rise of violence and extremism; nearly everyone is implicated in some system or another that contributed (and contributes) to the rise of fundamentalism.  To construct a crude “good guy” versus “bad guy” narrative is to create a false abstraction that validates the very behavior that generated the hostility motivating the crimes to begin with.  To construct that narrative is to placate personal guilt and to shield “Us” from identification with “The Problem.”

Because of these arguments, Welcome to the Desert of the Real disrupts the apparent unity of the dialectical categories that Americans and other Western peoples accept uncritically.  It challenges the images and stories that seem to have as their goal the legitimation of violence.  Whatever one thinks of Žižek—I am, for the record, not a fan—his arguments in this book deserve careful consideration.

Review of John Shelton Reed’s Dixie Bohemia

In American History, Arts & Letters, Book Reviews, History, Humanities, Literary Theory & Criticism, Literature, Southern History, Southern Literary Review, The South, Writing on October 31, 2012 at 8:45 am

Allen Mendenhall

The following review first appeared here in Southern Literary Review.

John Shelton Reed’s Dixie Bohemia is difficult to classify. It’s easier to say what it isn’t than to say what it is.

It isn’t biography.  It isn’t documentary.  It isn’t quite history, although it does organize and present information about a distinct class of past individuals interacting and sometimes living together in a unique, definable space.

It isn’t quite sociology either, although Reed is, by training and profession, a sociologist, and sociology does, every now and then, sneak its way into the pages.

Maybe it’s best to suggest that the book is a bit of all of these, but it’s also an annotated edition of Sherwood Anderson and Other Famous Creoles: A Gallery of Contemporary New Orleans.

Written and compiled by William Spratling and William Faulkner, whom Reed affectionately dubs the “Two Bills,” Sherwood Anderson and Other Famous Creoles, first published in 1926,was something of a joke: its oft-rambunctious subjects weren’t really creoles, but simply friends of the authors, and most weren’t, by most measurable standards, famous.

Reed’s stated goal, one of them at least, is to provide an “introduction to a Bohemian crowd of artists, writers, journalists, musicians, poseurs, and hangers-on found in the French Quarter in the mid-1920s.”  This eclectic and creative crowd comprises what Reed calls a social circle, or, in more academic parlance, a “loose network of relationships linked by friends in common,” “by association with the same institutions,” and “by common interests.”

Reed explains that social circles, by nature, “have no formal leaders, but they may have their notables,” and they have their cores, too.  The leader of the so-called “famous Creoles” is Sherwood Anderson, and the core, as you might have guessed, is the French Quarter.

Tulane University, with all of its energy, entertainers, and eccentrics, enabled and sustained the circle that produced the local arts, literature, and culture.  The area and its residents gained a national, indeed international, reputation.  As Meigs Frost, a reporter who made the cut as a famous creole, put it, “So many of us here are internationally famous locally.”

Reed’s subtly sociological introductory chapters place his subjects, which were also the two Bills’ subjects, into their historical context—and what a wild, exotic, and at times erotic context it is.  His comprehensive research is delivered with such wit and enthusiasm that one can forget this work is scholarship written by a former professor and published by a university press.

His occasional use of the first person and confessional, qualifying asides—“as far as I know,” “Some may find it easier than I do,” “to my mind artists should not be judged on what prejudiced observers see in their work,” “It is difficult to discuss this,” “I have mentioned,” “I know of someone,” “it’s fair to say,” “It’s hard to imagine”—will let you know, or let you guess at, where he stands on an issue or acknowledges an assumption on his part.  Such delicate humility—or is it just honest colloquialism?—is rare for a person who made his career in the university, and it would be a shame if readers neglected to notice it.

Peopled with absinthe-drinking, music-loving debauchers, 1920s New Orleans was a place where madams and brothels were as common as jambalaya and gumbo; where music poured into the streets, which smelled of spices, sex, and booze; where bootleggers (this was the Prohibition Era, remember) set up shop next to cops (who were customers of the brothels and the bootleggers); where the only limit on free love, it seemed, was the stultifying effect of alcohol; where parties—especially costume balls—were considered failures if nobody got naked; and where vivacious theater, daily newspapers, and edgy literary periodicals flourished.

If this milieu seemed excessive, radical, intemperate, even libertine, it was also in a way conservative: there was among its dwellers a ubiquitous impulse to preserve and maintain.  History, both that being made and that made already, was important to the artists and writers.  The districts, the streets, the homes, the buildings, the sidewalks—all of them required and received care and protection, and all of them underwent systematic revitalization.  The literati, as conservationists, were afraid that the world they had inherited, and to some extent made, was endangered.

Fans of Reed have come to expect certain things: the informal idioms and plain speech he uses while dissecting, with surgeon-like precision, complex people and institutions; the surprising clarity he brings to understudied topics; and the delightful, conversational prose with which he arrests your attention, transports you into another world, and then releases you back into your own world.

In this, his latest, he does not disappoint.  As always, he delivers—and in so doing provides telling insights into a minor renaissance in American literary history.  His discussions of race and sexuality will inspire (or provoke) future study, but more importantly he has addressed some of the least known phases of some of the most known American litterateurs.

Reed doesn’t need my endorsement.  But he’s got it.

Book Note: Twentieth-Century English Literature, edited by Laura Marcus and Peter Nicholls (Cambridge University Press, 2004)

In Arts & Letters, Book Reviews, Britain, British Literature, Fiction, History, Humanities, Literary Theory & Criticism, Literature, Modernism, The Novel, Western Civilization, Writing on October 24, 2012 at 8:45 am

Allen Mendenhall

The following excerpt first appeared as part of the Routledge Annotated Bibliography of English Studies series.

This history of twentieth-century English literature addresses a wide variety of texts produced in England, Scotland, Wales, and Ireland.  Made up of 44 critical essays, this book is divided into four parts: 1) Writing Modernity, 2) The Emerging Avant-Garde, 3) Modernism and its Aftermath, 1918-1945, and 4) Post-War Cultures, 1945-1970.  This division is meant to read like a history and not like a companion, anthology, or compilation of essays. 

The book attempts to avoid treating “Englishness” or “English literature” as fixed or essentialized categories and, instead, to use those loaded terms as illustrative of multiple and differing conceptions of place and identity.  As with any historical account of modernism, this book explores the tensions between continuity and change, but unlike many historical accounts of modernism, this book focuses largely upon transnationalism, diaspora, postcolonialism, and dispersal. 

In an effort to complicate simplistic characterizations of time and place, this book acknowledges overlapping chronologies even as it maps out a quasi-linear study of English literature in the twentieth-century.  As an example of the editors’ resistance against oversimplified periodization, the book begins not with a set date (say, 1900) but with a section of essays exploring the lives and works of authors both before and after the close of the nineteenth-century. 

This first section of the book (“Writing Modernism”) incorporates works about major themes in literature and the role those themes play in the gradual replacement and displacement of the literature of the so-called older generation.  The second section of the book also addresses the fledgling stages of modernism, considering as it does the divide between Edwardian and Georgian writers and literature.  This section closes with an account about how the Great War influenced literary production in Britain. 

Part three is, unlike the earlier sections, rooted in a particular time frame (1918-45), and it focuses on how authors such as Joyce, Woolf, Ford, Conrad, Lawrence, and Lewis experiment with forms while investigating their and their countries’ recent (and in some cases not-so-recent) past.  This section closes with World War Two and the literary productions emanating from that event. 

The fourth section, dealing chiefly with issues of continuity and change, also deals with issues of class, education, nationalism, and internationalism, and the fifth and final section, “Towards the Millennium,” examines literature and literary culture from the last 30 years.  This final section focuses on new opportunities for writing, publication, genre, performance, and experimentation.  It undertakes to explore the vexed “postmodern” signifier while refusing reductive conclusions about that term.   

In general, the book pays particular attention to genre and the construction and representation of literary culture during eras of new technology and shifting social circumstances.  When addressing more recent phenomena of literature and literary criticism, such as anxiety over the term “postmodern,” the book’s closing essays are careful not to “take sides,” so to speak, but to register the complexity of issues and insist that all claims about the contemporary or near-contemporary are provisional and not summative, speculative and not conclusive. 

This ambitious project leaves certain loose ends, as any project of this magnitude must, but it is nevertheless an impressive and meticulous contribution to ongoing and unsettled conversations about twentieth-century British literature.  The sheer number and variety of authors contributing to and represented by this text are so bold and interesting that definitive or comprehensive statements about them are difficult to make.  Suffice it to say that the complexity of this book, and of all of the authors and essays appearing in this book, is in keeping with the complexity of a subject as expansive as twentieth-century British literature.             

 

The Law is Above the Lawyers

In Arts & Letters, Book Reviews, Conservatism, Humanities, Jurisprudence, Law, Legal Research & Writing, Literary Theory & Criticism, The Supreme Court, Writing on October 3, 2012 at 8:45 am

Allen Mendenhall

This review appeared here in The American Spectator.

Antonin Scalia and Bryan A. Garner, Reading Law: The Interpretation of Legal Texts (Thomson West, 2012)

Do not let its girth fool you: Reading Law by U.S. Supreme Court Justice Antonin Scalia and legal writing guru Bryan A. Garner is an accessible and straightforward clarification of originalism and textualism.* A guide for the perplexed and a manual of sorts for judges, this book presents 57 canons of construction. Each canon is formatted as a rule — e.g., “When the syntax involves something other than a parallel series of nouns or verbs, a prepositive or postpositive modifier normally applies only to the nearest reasonable referent” — followed by a short explanation of the rule.

Frank H. Easterbrook, who provided the foreword to the book, submits that originalism is not about determining legislative intent, but construing legislative enactment. In other words, originalists interpret as strictly as possible the words of the particular text and do not look to the earlier maze of political compromises, equivocations, and platitudes that brought about the text. Each legislator has unique intent; projecting one person’s intent onto the whole legislative body generates a fiction of vast proportion.

That the process of enacting a law is so rigorous and convoluted suggests the importance of adhering closely to the express language of the law; legislators, after all, have taken into account the views of their constituents and advisors and have struggled with other legislators to reach a settlement that will please enough people to obtain a majority. A judge should trust that painstaking process and not overturn or disregard it.

Originalism involves what Stanley Fish, the eminent Milton scholar and literary critic turned law professor, has called “interpretive communities.” That is the very term Easterbrook employs to describe how judges should account for cultural and communal conventions at the time a text is produced: “Words don’t have intrinsic meanings; the significance of an expression depends on how the interpretive community alive at the time of the text’s adoption understood those words.”

To be sure, the original meaning of a text — what reasonable people living at the time and place of its adoption ordinarily would have understood it to mean — is never fully accessible. The meanings of old laws are particularly elusive. When a judge can no longer identify the context of a law by referring to dictionaries or legal treatises available when it was promulgated, then he should defer to the legislature to make the law clearer.

Judges should not impose their interpretative guesses onto the law and, hence, onto the people; nor should judges make new law on the mere supposition, however reasonable, that a text means something that it might not have meant when it was written. “Meaning” is itself a slippery signifier, and it is in some measure the aim of this book to simplify what is meant by “meaning.”

The book is not all about grammar, syntax, and punctuation. It has philosophical and political urgency. The authors propose that the legal system is in decline because of its infidelity to textual precision and scrupulous hermeneutics. A general neglect for interpretive exactitude and consistency has “impaired the predictability of legal dispositions, has led to unequal treatment of similarly situated litigants, has weakened our democratic processes, and has distorted our system of governmental checks and balances.” All of this has undermined public faith in lawyers and judges.

Scalia and Garner, who recently teamed up to write Making Your Case: The Art of Persuading Judges (Thomson West, 2009), proclaim themselves “textualists,” because they “look for meaning in the governing text, ascribe to that text the meaning that it has borne from its inception, and reject judicial speculation about both the drafters’ extratextually derived purposes and the desirability of the fair reading’s anticipated consequences.” Most of us, they say, are textualists in the broadest sense; the purest textualists, however, are those who commit themselves to finding accurate meanings for words and phrases without regard for the practical results.

Consequences are the province of legislators. A judge ought to be a linguist and lexicographer rather than a legislator; he or she must be faithful to texts, not accountable to the people as are elected officials. (Leaving aside the issue of elected judges at the state level.) The authors seem to be suggesting that their approach needn’t be controversial. Originalism and textualism are simply names for meticulous interpretive schemes that could lead judges to decisions reflecting either conservative orliberal outcomes. One doesn’t need to be a fan of Scalia to appreciate the hermeneutics in this treatise.

Never have we seen a plainer, more complete expression of originalism or textualism. Reading Law could become a landmark of American jurisprudence, numbered among such tomes as James Kent’s Commentaries on American Law, Oliver Wendell Holmes Jr.’s The Common Law, H.L.A. Hart’s The Concept of Law, and Lon L. Fuller’s The Morality of Law. Although different from these works in important ways, Reading Law is equally ambitious and perhaps even more useful for the legal community, especially on account of its sizable glossary of terms, extensive table of cases, impressive bibliography, and thorough index.

Every judge should read this book; every lawyer who cares about law in the grand sense — who takes the time to consider the nature of law, its purpose and role as a social institution, and its historical development — should read this book as well. If Scalia and Garner are correct that the general public no longer respects the institutions of law, then this book is valuable not only for revealing the root causes, but also for recommending realistic and systematic solutions.


* Originalism and textualism are not the same thing; this review treats them as interchangeable only because Judge Easterbrook’s forward uses the term “originalism” whereas Scalia and Garner use the term “textualism,” but each author appears to refer to the same interpretive approach.

Book Note: Poetic Justice and Legal Fictions, by Jonathan Kertzer

In Arts & Letters, Book Reviews, Humanities, Jurisprudence, Justice, Law, Law-and-Literature, Literary Theory & Criticism, Literature, Writing on September 28, 2012 at 8:45 am

Allen Mendenhall

The following excerpt first appeared as part of the Routledge Annotated Bibliography of English Studies series.

This book is a compilation of literary essays that at first blush seem to have no through line save for an attention to law in the abstract.  Nevertheless, each chapter is connected by the theme of justice and the relation of language to both law and literature.

Á la Flaubert, the book treats justice as the supreme literary value, and it distinguishes between the justice of literature and the literariness of justice.  Language has its own jurisdiction and can be used judiciously, and the author seems to believe that signifiers can represent the phenomenal world in ways that have a practical bearing in law.  By the same token, language itself is regulated by laws even as it enacts laws.  The author discusses literary justice as a poetic expression of the material world.

The phrase “poetic justice” refers to the possibility that poetry might offer something better than truth in order to bring about justice; the truly poetic is just.  Genre and jurisdiction resemble one another in their conceptual claims to authority or law.

Beginning with judicial discourse in comedies, more specifically with the operas of Gilbert and Sullivan, the book moves through Nietzsche, Baudrillard, Disgrace, Huckleberry Finn, The African Queen, Billy Budd, the poetry of Wallace Stevens, Anil’s Ghost, and other works.  The book therefore does not limit itself to discussion of a particular historical period, a fixed geography, or a specific genre.  Rather, it weaves together a wide range of novelists, theorists, and historical figures, many of whom are unlikely to be categorized together were it not for their interests (some longstanding, some fleeting) in law.

What allows the book to read as a unified whole is its analysis at the intersections of justice, law, and literary forms.

Book Note: Machinic Modernism, by Beatrice Monaco

In Arts & Letters, Book Reviews, Fiction, Humanities, Literary Theory & Criticism, Literature, Modernism, Philosophy, Pragmatism, Rhetoric, Rhetoric & Communication, Western Philosophy, Writing on September 20, 2012 at 8:45 am

Allen Mendenhall

The following excerpt first appeared as part of the Routledge Annotated Bibliography of English Studies series.

Machinic Modernism: The Deleuzian Literary Machines of Woolf, Lawrence and Joyce

This book investigates several modernist novels in light of the theories of Gilles Deleuze and, to a slightly lesser degree, Felix Guattari.  The author is interested in how the “machine-like” work and style of Deleuze and Guattari facilitate pragmatic readings of texts.  These pragmatic readings suggest that textual activity in several modernist novels reflects broader cultural activities, that the metaphysical movement of text corresponds to various social movements, and that text reproduces historical circumstances in signs and syntax.

The book seeks to depart from conventional forms of scholarship and to resist Deleuze-Guattarian paradigms that overemphasize pragmatism and empiricism at the expense of radical innovation.  In a way this book is a Deleuze-Guattarian treatment of Deleuze and Guattarian with a focus on key modernist novels such as Virginia Woolf’s To the Lighthouse, D.H. Lawrence’s The Rainbow, and James Joyce’s Ulysses.  Just as Deleuze and Guattari reframe seminal issues of philosophy in terms of pragmatism, so these modernist novels negotiate cultural and discursive phenomena with a bearing on then-current philosophy.

This book seeks to build a critical “machine” with which to interpret the machine in texts as well as to negotiate the so-called machine age; it also interrogates the organic-mechanic duality already interrogated by Deleuze.  In so doing, it considers differences in literature in light of Deleuzian pragmatics to show that the philosophical moves taking place in Deleuze reflect similar moves taking place in modernist literature generally.  The book argues that To the Lighthouse and The Rainbow implicate metaphysical structures in interesting ways but also in ways that are not entirely satisfactory without an understanding of Ulysses.  In Ulysses the theories and mechanic imperatives of Deleuzian modernism find their fullest expression.

Review of Coleman Hutchinson’s Apples and Ashes

In America, American History, Arts & Letters, Book Reviews, Fiction, Historicism, History, Humanities, Literary Theory & Criticism, Literature, Nineteenth-Century America, Novels, Southern History, Southern Literary Review on June 20, 2012 at 8:00 am

Allen Mendenhall

The following review first appeared here at the Southern Literary Review.

Confederate literature and literary culture have not received the critical consideration that they warrant.  Not only that, but they have been dismissed as scant and mediocre.  Scholars of the South and of the Civil War—even those whose work has reached wide audiences—have paid more attention to other humanistic fields than to literature, particularly to Confederate literature and particularly during the so-called “fighting” years of 1861-1865.  This neglect, argues Coleman Hutchison in Apples and Ashes, is regrettable because “the Confederacy gave rise to a robust literary culture.”

Several factors account for the dearth of scholarship on Confederate literature, not least of which is the fact that the Confederacy existed for only a short time, during which Confederate writers had to overcome, among other things, ink and paper shortages; many of these men and women struggled to see their work reach print in cities occupied by Union troops.  Accordingly, much of what might have become Confederate literature was lost or unpublished, yet the relative shortage of Confederate literature was not due to lack of talent, but to printing paralysis.

Another reason Confederate literature has failed to become a common subject of study is the presumption that this topic is not worthwhile, largely because Confederate cultural values have been discredited.  There is, today, the tendency to demonize or denounce any person who would take seriously the claims and writings of Confederate partisans, politicians, and highbrows.  Yet to take something seriously is not to endorse it, and to proclaim certain intellectual matters off-limits—even if those matters are highly complex and, when studied carefully, telling about contingencies and urgencies of our own day—is dangerous and foolish indeed.  Hutchison is just as aware of the importance of Confederate literature as he is of the importance of disclaiming it.  “To write about the Confederate nation,” he says, “is to risk being seen as endorsing its right to exist.”  He adds, emphatically, that his book “is by no means an apology for the Confederacy or Confederate nationalism,” and that he “finds almost nothing that is admirable in the politics and culture of the Civil War South.”  That Hutchison feels compelled to disassociate himself from Confederate ideology at all suggests how strangely anxious the impulsive, opportunistic, or lazy readers will be to either condemn or celebrate (depending on their perspective) this book as pro-Confederate.

Mostly uninterested in matters of taste and judgment regarding the literary quality of his subjects, Hutchison submits that Confederate literature teaches literary scholars not only about the nuances and cultures of nationalism, but also about nineteenth century American (read: non-Confederate) letters generally, since Confederate literature was in conversation with—and in contradistinction to—American literary nationalism.  Among the distinguishing features of Confederate literature were its aspirational impulses and its focus upon an imagined and impossible future.  In some respects, the South’s belles lettres recognized the poignancy of a lost cause narrative before the cause was actually lost. Read the rest of this entry »

Lack of Intellectual Preparation?

In American History, Arts & Letters, Book Reviews, Historicism, History, Humanities, Law on May 25, 2012 at 9:03 am

Allen Mendenhall

Last week I was reading several old reviews of Lawrence Friedman’s landmark work, A History of American Law.  I came across a 1974 review by David J. Rothman in Reviews in American History.  Rothman made the following point, which, despite being made 34 years ago, is bound to offend some readers of this site, especially those who are lawyers or law professors:

I have attended conferences of law professors doggedly determined to be interdisciplinary, and I have been appalled at the lack of intellectual preparation that many of them had for such work. They would talk blithely about bringing the insights of, say, game theory to the law-with only the vaguest idea of what game theory was all about. (Indeed, how could they have had more than a vague idea? After a general undergraduate training, they went to the law schools, then to the courts as clerks, then back to the law schools.) So one must, perforce, have a lurking fear that some of the new interdisciplinary efforts will be so inadequate as to prompt law professors to decide to do well what they can do, rather than to do badly what they should do. And law schools may well continue to perpetuate half-knowledge. They remain torn between serving as trade schools to the profession and graduate schools to the scholars. This compromise may turn out to be less and less tenable over the next years.
 
Does Rothman’s claim remain true when the “new interdisciplinary efforts” aren’t so new anymore?  Today many law professors hold Ph.D.s in various disciplines, and these professors use their unique, specialized training to enhance legal scholarship in their respective sub-disciplines.  But does “extra” graduate work or a specialized degree necessarily signal a superior skill set, or is Rothman’s view elitist?   These questions will be the subject of a future post on this site, and potentially of a future article, so I would like to hear back from readers.  Please email your responses to me or, if you’d prefer, post them in the comment box below.