See Disclaimer Below.

Posts Tagged ‘Process Pedagogy’

Writing, Workshopping, Emulation

In Arts & Letters, Communication, Legal Education & Pedagogy, Legal Research & Writing, Pedagogy, Rhetoric, Rhetoric & Communication, Teaching, Writing on May 13, 2011 at 9:49 am

Allen Mendenhall

I remember trying to write a paper for my high school English class and sitting in the library for what seemed like hours, looking at my blank sheet—we didn’t use laptops in those days—and thinking, “How am I going to write six pages about this book.”

The book was Wuthering Heights, and I was, I think, sixteen.  I had written papers before, but never one this long.  I was stuck.  I had writers’ block.  All I could think about was thinking about finishing the paper as soon as possible.

Eventually, I jotted down something that led to something else that led, in turn, to something else, which became the bulk of my paper.  I don’t remember what my paper was about, or the grade I received for my efforts.  All I remember was the panicked moment in the library when that blank-white paper stared back at me and seemed to demand that I fill it with words.

I was angry because I felt helpless.  My high school “not-gonna-do-it” attitude was much like the attitudes I sense in my college students.  Frustrated, I convinced myself that I didn’t need to write about Wuthering Heights because the book was old or for girls or whatever.  The problem was, I liked the book and wanted to write about it.  I just couldn’t.

“If we are going to teach our students to need to write,” remarks James A. Reither, “we will have to know much more than we do about the kinds of contexts that conduce—sometimes even force, certainly enable—the impulse to write.”

Reither is spot on.

Today, I can hardly restrain my impulses to write.  I write all the time.  I feel that I’m always learning how to write—and to write better.

What happened between my junior year of high school and today?  I can’t reduce the explanation to a single cause.

The best answer is probably that many things happened between then and now, each of them influencing me in some way.

As Reither claims, “writing processes and written products are elements of the same social process,” by which he means the social process of immersing ourselves in discourse communities and becoming fluent in the language and cultures of our audience.  Writing is not easy.  It involves repetition, experiment, experience, and mimesis.

Reither submits that “[m]ost of us learned to do what we do on our own—perhaps in spite of the courses we took—and some students continue to do the same.”

In college, I read unassigned essays just to get a feel for how authors conveyed their thoughts and feelings, for how they punctuated their sentences and toyed with syntax.  I underlined vocabulary that I wanted to use in my own papers.  I suppose this method of learning could be called emulationRead the rest of this entry »

On My Teaching

In Arts & Letters, Communication, Information Design, Pedagogy, Rhetoric, Rhetoric & Communication, Writing on January 10, 2011 at 8:05 am

Allen Mendenhall

Everything is an argument.  I say that not because I’m a lawyer, but because all writing has a rhetorical purpose.  Poets have reasons for writing what they write, just as technical writers have reasons for writing what they write.  Poets have audiences; technical writers have audiences.  What distinguishes poetry from technical writing, or from any kind of writing for that matter, is audience expectation, or, in a word, genre.  Students in my classroom quickly learn that all writing has a purpose that usually, though not always, has to do with audience.  They learn to anticipate audience by contextualizing writing.  A brief for a judge, for example, serves a different purpose than an expository essay, and thus a “good” brief will look different from a “good” creative narrative.  A short story by Toni Morrison may be good writing, but it does not fit the needs of a peer-reviewed academic journal because the audience and genre do not match.  A crucial process of writing therefore involves understanding cultural and social interaction and their relation to discourse communities.  Communication, after all, is participatory and not unilateral.  It is the transmission of information from one source to another through particular media such as language.  The receiver or reader is as important to writing as the sender or writer.          Read the rest of this entry »

Being John Hagerty

In Arts & Letters, Communication, Creative Writing, Legal Education & Pedagogy, Legal Research & Writing, Pedagogy, Rhetoric, Rhetoric & Communication on November 18, 2010 at 8:08 pm

It’s early on a Tuesday morning when I walk into John’s classroom, a cup of coffee in my hand, my too-heavy bag draped over my shoulder.  I gain the nearest desk and sit down.

Outside the leaves are beginning to change, and a cool air whistles through a crack in the window.  “Smells like football season,” I think, even though the room is choked with chalk and dust.  Inside the classroom the students stare at me, the new guy, the stranger, and they look away when I acknowledge their glances with my own.

I probably look funny in this desk on which I’ve arranged various papers: John’s syllabus, his assignments, his pop-quiz for the day.  I’ve been up since 5:00 a.m., reading and rereading my students’ essays, so I’m not a little fatigued when class begins and John introduces me as “a new teacher” and “a lawyer.”  I smile and mutter “hi.”  I even manage half a wave.

John passes out the pop-quizzes, and the students, slightly panicked, seem to forget that I’m in the room.  How nice it is to be sitting here watching students take a quiz rather than taking one myself.   Read the rest of this entry »

%d bloggers like this: