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Posts Tagged ‘Gerald Russello’

A Few of My Favorite Things, 2014

In Arts & Letters, Book Reviews, Books, Fiction, Film, Humanities, Literature, Novels, Poetry, Politics, Writing on December 12, 2014 at 7:45 am

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I sat down this week to consider my reading habits over the last year and to make reading goals for next year.  As I did so, I started making lists, and I thought I’d share three of them.  Here, in these lists, are fourteen of my favorite writers, magazines or journals, and books that I read in 2014.  I thought about adding a film category, but I grew disenchanted with films this year.

My favorite writers for popular magazines and journals:

I place these names in no particular order; this is not a ranking.

Gracy Olmstead

Brad Birzer

George Scialabba (not as prolific this year)

Gerald Russello

Mark Bauerlein

Stephen Cox (UC San Diego)

Justin Raimondo

Joseph Epstein

Micah Mattix

Julie Baldwin

Bruce Frohnen

Jeffrey Tucker

Paul Gottfried

William Deresiewicz

My favorite books:

This is an eclectic mix. Genre has not factored into my decision. I enjoyed these very different books for very different reasons. Some are new; some aren’t. They’ve made the list because I liked them more than the other books I read this year.

Washington Square by Henry James

Great Expectations by Charles Dickens

A Literary Education and Other Essays by Joseph Epstein

The Sun Also Rises by Ernest Hemingway

Inventing the Individual: The Origins of Western Liberalism by Larry Siedentop

Collected Poems: 1952-1993 by W.S. Merwin

Common-Law Liberty by James R. Stoner, Jr.

The Novel: A Biography by Michael Schmidt

The Morality of Pluralism by John Kekes

The Institutes of Biblical Law by R.S. Rushdoony

Thomas Jefferson: The Art of Power by Jon Meacham

Literary Criticism: From Plato to Postmodernism by James Seaton

Smiling Through the Cultural Catastrophe by Jeffrey Hart

The Meaning of Human Existence by Edward O. Wilson

My favorite popular magazines and journals:

This list was easy; I read every piece these publications run. I do not miss a single essay, article, or review in these outlets.

The American Conservative

The New York Times Book Review

Chronicles

The Freeman

Mises Daily

Pacific Standard

LewRockwell.com

The Imaginative Conservative

The University Bookman

Reason

The American Spectator

The New Criterion

First Things

The Front Porch Republic

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Are Lawyers Illiterate?

In Arts & Letters, Books, Essays, History, Humanities, Imagination, Law, Literature, Philosophy, Western Civilization, Western Philosophy on September 3, 2014 at 8:45 am

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This piece originally appeared here in The Imaginative Conservative.

Webster’s defines “intelligent” as “endowed with intelligence or intellect; possessed of, or exhibiting, a high or fitting degree of intelligence or understanding.” This modern understanding of “intelligence” as an innate disposition or propensity differs from earlier understandings of the word as meaning “versed” or “skilled.” Milton, for instance, in Paradise Lost, calls the eagle and the stork “intelligent of seasons,” by which he meant that these birds, because of their experience, were cognizant of the seasons.

The older meaning of “intelligent” has less to do with native endowment than it does with gradual understanding. The older meaning, in other words, is that intelligence is acquired by effort and exposure rather than fixed by biological inheritance or natural capacity: one may become intelligent and is not just born that way; intelligence is a cultivated faculty, not an intrinsic feature.

Because of the altered signification of “intelligent,” we use today different words to describe the older meaning: erudite, knowledgeable, informed, traveled, educated. These words seem to us more palatable than their once-favored predecessors: civilized, polished, cultured, genteel, refined. I myself prefer words like “lettered” or “versed” that imply a knowledge of important books and the humanities generally.

The most apt term in this regard is also the most butchered in the current lexicon: “literate.” Contrary to what appears to be the prevailing assumption, “literate” does not simply refer to an ability to read. According to Webster’s, “literate” means “instructed in letters, educated; pertaining to, or learned in, literature.”

Not just to read, but to read well and widely—that is how you become “literate.” Accepting this traditional meaning, I question how many lawyers are or can become literate.

In the 1980s, Ithiel de Sola Pool, a professor of communications and media, determined that the average American adult reads approximately 240 words per minute. At that rate, it would take a person around 2,268.36 minutes (or 37 hours, 48 minutes, and 21.6 seconds) to read War and Peace, which comes in at 544,406 words. If that sounds encouraging—ever wanted to read War and Peace in a day-and-a-half?—consider these offsetting variables: reading at one sitting slows over time; attention span and memory recall are limited; the mind can be exercised only so much before it requires rest; people cannot constantly read for 2,268.36 minutes without going to the restroom or eating or daydreaming, among other things; a healthy lifestyle entails seven to nine hours of sleep per day; large portions of the day are spent carrying out quotidian operations, including showering, cooking, brushing teeth, commuting to and from work, getting dressed and undressed, answering phone calls, reading emails, cleaning, filling out paperwork, paying bills, and so on. Pool, moreover, was not using a text like War and Peace to gather his data, and his subjects were not writing in the margins of their books, taking notes on their laptops, or pausing to engage others in critical conversations about some narrative.

The National Association for Legal Career Professionals has estimated that lawyers at large firms bill on average 1,859 hours per year and work 2,208 hours per year. These numbers are more troubling in view of the fact that large law firms require their attorneys to attend functions with clients and potential clients, time that is neither billable nor considered “working hours.”

If there are around 8,760 hours in a year, and if a healthy person spends about 2,920 of those sleeping, there remain only around 5,840 hours per year for everything else. If “everything else” consisted of nothing—nothing at all—except reading War and Peace, then a lawyer at a large law firm could read that book about 154 times a year. But of course this is not possible, because no person can function as a machine functions. Once the offsetting variables are accounted for—and I have listed only a few that immediately spring to mind, and these for people with no families—it becomes apparent that it is nearly impossible for a lawyer to read more than about four lengthy or difficult books each month, and only the most diligent and disciplined can accomplish that.

Numbers can lead us astray, so let us consider some anecdotal evidence—my own testimony—which suggests that most lawyers are illiterate, or perhaps that lawyers have to try really hard to become literate or to avoid losing their literacy.

I am a lawyer, one who considers himself literate but increasingly in danger of becoming illiterate the longer I remain in my chosen profession. My hope is that literacy stays with you, that if you “frontload,” as it were, you can build a wide enough base to allow for slack in later years.

In 2013, I made an effort to overcome the time restrictions of my job to read through several canonical texts of Western Civilization. For the most part I undertook a book a week, although, because of scheduling constraints, I read what I took to be the most important or most famous sections of the lengthier books and volumes such as Aquinas’s Summa Theologica, a work that would require years of study to fully appreciate. I found myself, on many Thursday evenings, reading so rapidly to finish the text at hand that I could not enjoy myself or absorb the nuances and complexities established by the author.

Reading only one book a week when you are intelligent enough to read more is shameful and disgraceful, the sacrifice of a gift. During graduate school, I could read five or six books a week and can recall more than one week when I read a book a day. But each day I spend working as a lawyer, I am less able to digest the books I consume and to consume the books necessary for intellectual nourishment.

Economists use the term “opportunity cost” to refer to a choice to forego options or to pursue the benefits of one course of action rather than another. The cost of becoming a lawyer is giving up literacy or making its attainment more difficult; the gain, in theory, is a higher salary and financial stability. Whether the gain neutralizes the loss depends on one’s preferences. I myself would not trade for a million dollars the opportunity to read Tolstoy or Shakespeare or Aristotle or Santayana.

To achieve the admiration enjoyed by lawyers, other professionals must do their jobs several times better. Happily, this is not a high bar. That is why people prefer the company of doctors. It is not that lawyers are incompetent or unskilled; it is that they do not put their faculties to good use. All people think, but it is only by degree and by the object of their thought that the literate are distinguished from the illiterate. To put their minds to humane use would improve lawyers’ reputations considerably and call into question that axiom popularized by one of Dickens’s characters: “If there were no bad people, there would be no good lawyers.”

The way I see it, you can spend all your life billing clients and pushing paper under great stress, by investing your talents and resources in prospects that yield no intellectual returns, or you can spend your life establishing high standards of reason, understanding, and creativity by studying the most important and influential works that humans have produced through the ages. You can spend all your time transacting business, prosecuting and defending lawsuits, and preparing briefs and memoranda, or you can cultivate discernment and understanding. The options are not mutually exclusive: I have overstated to draw a sharp contrast, but the point remains.

Do not misunderstand me: working hard and earning profits are not only good and healthy activities but personally fulfilling. Yet they must be supplemented with humane contemplation and the private study of important ideas. Industry and innovation are requisite to a high quality of life, a robust economy, and human flourishing—and they make possible the time and leisure that enable some people to create great art and literature. Not everyone can be literate, and that is a good thing.

It is just that many lawyers never learn to live well and wisely, to place their seemingly urgent matters into perspective, or to appreciate, as Aristotle did, the virtues of moderation. This failure is directly related to lawyers’ neglect of history and philosophy and to their suppression of the moral imagination that works of good literature can awaken. This failure, as well, puts lawyers at a distinct disadvantage when it comes to spiritual, moral, and intellectual pursuits. As Mark Twain quipped, “The man who does not read good books has no advantage over the man who cannot read them.”

Lawyers are illiterate, most of them anyway. Trust them to handle your real estate closings or to manage your negligence claims, to finalize your divorce or to dash off angry letters to your competitors, but do not trust them to instruct you on plain living and high thinking. There are exceptions—Gerald Russello and Daniel Kornstein are two—but generally lawyers are not to be consulted on matters of importance to the soul. For those, we have good books, and with luck, the people who write and read them.

Outposts of Culture: Gerald Russello Reviews Jason Harding’s The Criterion

In Academia, Arts & Letters, Book Reviews, Books, Britain, British Literature, Communication, Essays, History, Humanities, Literary Theory & Criticism, Literature, Scholarship, Writing on April 2, 2014 at 8:45 am
Gerald Russello
 
Gerald Russello practices law in New York and edits The University Bookman. He is the author of The Postmodern Imagination of Russell Kirk (University of Missouri Press, 2007).  His articles, essays, and reviews have appeared in The National Review, The New CriterionCrisis Magazine, The American Conservative, Chronicles, The Imaginative Conservative, The American Spectator, City Journal, The Intercollegiate Review, Modern Age, First Things, and many other publications.
 
This review originally appeared here in The University Bookman in 2003.  It is republished here with the express permission of The University Bookman.  The book under review is Jason Harding’s The Criterion: Cultural Politics and Periodical Networks in Inter-War Britain (New York, New York: Oxford University Press, 2002).

 

In the final issue of the Criterion, which appeared in January 1939, T. S. Eliot wrote that “continuity of culture” was the primary responsibility of “the small and obscure papers and reviews.” It was they that would “keep critical thought alive” amidst troubled times. And so it has been, for a century and more. The vitality of the “little magazines” is one of the strongest indicators of a culture’s intellectual level. These journals, typically of small circulation and little revenue, serve a crucial function as the medium for the transmission of ideas among scholars, elites, and the larger population. it is perhaps a sign of our times that so many of our Masters of the Universe choose to endow business schools or fund independent films rather than to support the written word. Many of the journals themselves, unfortunately, have become so obscure and inward-minded that they may no longer be worth the trouble.

The British aptitude for starting small associations of like-minded folk was well expressed by the profusion of little magazines, especially in the nineteenth and early twentieth centuries. This proclivity was to bear further fruit across the Atlantic, where Americans followed the British model. Up until the Second World War, America had a thriving culture of little magazines that tradition survives, in a somewhat anemic form, in the independent so-called “zines” that clutter the bookshops of progressive enclaves like Manhattan or Berkeley. There have been two recent examples of the differing fates of such journals here in the United States. Lingua Franca was an energetic journal devoted to academic life, which it chronicled in a sharp, intelligent style. After less than four years of publication it went bankrupt and ceased publication, only to be partially revived in an Internet incarnation after being acquired by the Chronicle of Higher Education. On the other end of the scale is Poetry, which recently received a gift of $100 million from a philanthropist whose own poems it had rejected. The gift instantly made the small journal one of the best-endowed cultural institutions in the country.

The Criterion was perhaps the most important of the journals of the last century. The first issue, which appeared in October 1922 and contained (without epigraph or notes) Eliot’s poem The Waste Land, changed Western intellectual life, and it continues to define what an intellectual journal should be. However, study of the Criterion has been subsumed by the focus on Eliot’s development as a poet and thinker. The larger cultural importance of the journal has received insufficient attention. That has now changed. From such an improbable place as the department of foreign languages and literature in Feng Chia University in Taiwan, where Jason Harding is assistant director, comes The Criterion: Cultural Politics and Periodical Networks in Inter-War Britain. It is a work of polished scholarship on the role of the Criterion in British intellectual life.

Harding divides his analysis into three parts. Part I, “Cultural Networks,” deals with the Criterion as one of a number of small intellectual periodicals, such as the Adelphi and New Verse, which appeared in this period. The second section, titled “The Politics of Book Reviewing,” focuses on a number of regular Criterion contributors, and their relationship with, and treatment by, Eliot as their editor. The chapters include studies of almost forgotten figures like Bonamy Dobrée and Montgomery Belgion as well as more well-known figures such as John Maynard Keynes and the difficult but brilliant Ezra Pound. Harding shows that, while Eliot directed and organized every aspect of the journal, each of the contributors played their own part in establishing the Criterion’s preeminent position.

The final section, “Cultural Politics,” focuses on the purpose of the Criterion as Eliot came to see it in the dark days of the 1930s. As the influence of the journal increased, it became known not only as a showcase of modernism but also as a conduit for what Eliot called “the mind of all Europe” and a defense of the West. The author discusses Eliot’s attempts to persuade major Continental intellectual figures such as Ernst Robert Curtius to contribute to the journal, and his efforts consistently to review foreign periodicals for his British readership.

Harding presents a complex cultural picture in service of his goal of establishing the Criterion as part of “an ongoing cultural conversation, most immediately a dialogue with a shifting set of interlocking periodical structures and networks.” Eliot, as an editor, had to deal not only with his rival journals, but also with his sensitive patron, Lady Rothermere. There were also those occasionally truculent contributors, such as Wyndham Lewis or D. H. Lawrence, who sometimes abandoned the Criterion for other, better-paying reviews.

Among a number of fascinating episodes, Harding recounts here the controversy over classicism and romanticism between Eliot and John Middleton Murry, founder of the Adelphi. Murry launched the first salvo in 1923, claiming that there was no tradition of classicism in England. Although not the subject of the attack, Eliot felt obliged to respond and published in the Criterion the following month his famous defense of classicism, “The Function of Criticism.” Murry and Eliot were to have a limited rematch at the end of the decade over the humanism of Irving Babbitt. Other scholars have examined the substantive merits of their respective positions. Harding’s purpose is rather to show that the literary rivalries among serious journals spurred Eliot, as a writer and editor, to set out his critical and literary vision. They necessarily shaped the kind of journal Eliot was creating.

In his final sections, Harding examines the evidence for Eliot’s supposed anti-Semitic or fascist sympathies and finds them wanting. Under Eliot’s editorship, several writers documented the rise of Nazism in Germany, and the final issue contained a condemnation of Nazi racial theories. Harding concludes that: “Given the Criterion’s record on these matters, it is remarkable that recent critics have stigmatized the journal by suggesting that Eliot was sympathetic to the aims and methods of Nazism.” Harding realizes that Eliot’s conversion to Anglicanism and his efforts to “stitch together into some kind of unity the Latin-Christian elements of the otherwise diverse cultures of Western Europe” meant his rejection of the Nazi regime. And even though Eliot was somewhat sympathetic to fascism, that sympathy, as Harding demonstrates, was attenuated and did not cause him to suppress other viewpoints in the Criterion.

Drawing on a wealth of previously unexamined materials and private collections, Harding expands upon our knowledge of Eliot as a major twentieth-century figure. His careful research adds a new dimension not only to Eliot as a thinker and editor, but also to the entire period of British literary journalism.

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