In the following C-SPAN Booknotes interview, Mark Edmundson of the University of Virginia discusses books, readings, the liberal arts, and more.
Archive for the ‘Humanities’ Category
Why Read? An Interview With Mark Edmundson
In Academia, American Literature, Arts & Letters, Books, British Literature, Creativity, Fiction, Historicism, History, Humanities, liberal arts, Literary Theory & Criticism, Literature, Pedagogy, Philosophy, Rhetoric, Scholarship, Teaching, The Academy, The Novel, Western Civilization, Western Philosophy on October 5, 2016 at 6:45 amA Conversation Between Terry Eagleton and Roger Scruton
In Academia, Arts & Letters, Books, Britain, British Literature, Communication, Conservatism, Creativity, Fiction, History, Humanities, Liberalism, Literary Theory & Criticism, Literature, Pedagogy, Philosophy, Politics, Rhetoric, Rhetoric & Communication, Scholarship, The Academy, Western Civilization on September 21, 2016 at 6:45 amIn 2012, the Royal Institution of Great Britain hosted Terry Eagleton and Roger Scruton for an evening of conversation and debate. Here is the footage of that event:
Just for the Summer
In Arts & Letters, Creative Writing, Humanities, Poetry, Writing on September 14, 2016 at 6:45 amThe following poem first appeared in Images in Ink and, later as a reprint, in Red Truck Review.
“Just for the Summer”
They traveled from the cold forests and towns
of New England and Canada,
spent the night in hotels in Atlanta,
and did not consider
the family they did not have.
They rented Fords and Nissans
and loaded their luggage in the trunk.
They bought maps at gas stations
and ate breakfast in the car.
They sipped their coffee,
blared Bossa nova,
discussed congressmen,
and made faces at locals in rest stops.
They snapped photographs at the Florida border
and rolled their windows down in Crestview.
They pointed at the peaches, oranges, and cotton.
They opined about old black men, overhauls, and fieldwork,
pointed at tractors and trailers,
and prattled about pesticides.
They were many, but they were two in particular.
The two who arrived
and kicked off their shoes,
and filled their blenders with ice,
their cups with gin and rum,
and said, “to hell with sunscreen.”
They walked hand-in-hand down the shoreline,
these two, marveling
at the baby-powder sand,
he chasing crabs,
she waving off seagulls.
They watched the sun sink
until they mistook where they were,
and, thinking back,
embraced,
his arms around her once-little waste,
hers around his once-broad shoulders;
they became
one
in self-supplication, joined
in prayer to themselves.
It was not until the seventh hour
of the third day
of the second month
that the sadness broke in,
through the back window,
in the darkness,
and made off with joy.
He was told in his dream how he should awake,
she in hers how she should die.
On the day when the skies turned black,
and the waves pummeled the shoreline,
and the creatures stirred and scattered,
there they were, facing the darkness,
two people, vulnerable beneath the heavens,
remembering their future, forgetting their past,
knowing that they didn’t know
what cannot be named.
They stood nowhere
and for something not themselves.
When the winds swallowed them,
they could taste their souls in their mouths.
The Trial Scene in Shakespeare’s “Merchant of Venice”
In Arts & Letters, Books, British Literature, Fiction, History, Humanities, Jurisprudence, Justice, Law, Law-and-Literature, Literary Theory & Criticism, Literature, Shakespeare, Theatre, Western Civilization on August 31, 2016 at 6:45 amThe following excerpt is adapted from my essay “A Time for Bonding: Commerce, Love, and Law in The Merchant of Venice,” which may be downloaded at this link.
Act IV, Scene I of William Shakespeare’s Merchant of Venice involves the climactic court scene in which Shylock and Antonio confront one another, in person, before Portia, who will determine Antonio’s fate.
At this point Portia has already revealed to Nerissa, her lady-in-waiting, her plan to “wear my dagger with the braver grace / And speak between the change of man and boy / With a reed voice, and turn two mincing steps / Into a manly stride, and speak of frays / Like a fine bragging youth.” She and Nerissa will cross-dress, in other words, and once “accoutred like young men” will act as though Portia is a doctor of laws, or a law clerk, administering justice and adjudicating disputes in the Duke’s Venetian courtroom.
Bassanio attempts to settle the case on Antonio’s behalf by tendering Shylock double and then triple the amount of the original loan, but Shylock unmercifully insists on exacting a pound of Antonio’s flesh. Portia appears to support Shylock, saying, “[T]here is no power in Venice / Can alter a decree established: ‘Twill be recorded for a precedent, / And many an error by the same example / Will rush into the state: it cannot be.” Although she says that Shylock’s “suit” is “[o]f a strange nature,” she submits that “in such rule that the Venetian law / Cannot impugn you as you do proceed.”
Praising Portia as a “Daniel come to judgment,” Shylock demands that a judgment be entered against Antonio immediately: “When [the bond] is paid according to the tenour. / It doth appear you are a worthy judge; / You know the law, your exposition / Hath been most sound: I charge you by the law, / Whereof you are a well-deserving pillar, / Proceed to judgment: by my soul I swear / There is no power in the tongue of man / To alter me: I stay here on my bond.” Antonio himself conveys a preference for swift judgment: “Make no more offers, use no farther means, / But with all brief and plain conveniency / Let me have judgment and the Jew his will.”
Portia readies the others for the judgment by telling Antonio to “prepare your bosom for [Shylock’s] knife.” That the bond calls for the pound of flesh to be exacted “nearest [Antonio’s] heart” draws attention to the metaphorical implications of the judgment and the plural meaning of the bond: it is not just the contractual relationship but the potential for friendship that is about to be carved apart.
Just before the judgment is to be perfected, Bassanio and Antonio profess their love for one another. Portia then explains to Shylock—turning his literalism against him—that the judgment calls for the removal of a pound of flesh but “no jot of blood.” If any blood should be drawn, then Shylock must forfeit his lands and goods to Venice. There being no way to cut a pound of flesh without drawing blood, Shylock finds himself in a precarious situation. Portia tells him that
The law hath yet another hold on you.
It is enacted in the laws of Venice,
If it be proved against an alien
That by direct or indirect attempts
He seek the life of any citizen,
The party ‘gainst the which he doth contrive
Shall seize one half his goods; the other half
Comes to the privy coffer of the state;
And the offender’s life lies in the mercy
Of the duke only, ‘gainst all other voice.
In which predicament, I say, though stand’st;
For it appears, by manifest proceeding,
That indirectly and directly too
Thou hast contrived against the very life
Of the defendant; and thou hast incurr’d
The danger formerly by me rehearsed.
With these words, Shylock is defeated. The Duke pronounces that, as a consequence of the legal proceeding, Shylock shall render half his wealth to Antonio and half to Venice, but Antonio pleads that he will forego his share if Shylock converts to Christianity. The Duke concedes; Shylock acquiesces. The litigation comes to a close.
“Sojourn,” Part Ten, A Serialized Story by Yasser El-Sayed
In Arts & Letters, Creative Writing, Fiction, Humanities, Literature, Writing on August 3, 2016 at 6:45 amYasser El-Sayed has recently published fiction in Natural Bridge, The New Orphic Review, The Marlboro Review, Red Truck Review, and elsewhere. His short stories have been nominated for the Pushcart Prize in 2014 and in 2008. Yasser’s prose focuses upon the intersections of Arab and American experience both in the Middle East and the United States, including the contemporary American South. He is at work on a short story collection, Casket and Other Stories. Yasser is a physician and professor at Stanford University where he specializes in high-risk obstetrics. He lives and writes in Northern California.
That evening, they had dinner on the veranda of Neena’s house overlooking the beach. They drove through the narrow, dirt streets to a small villa a few blocks from the restaurant.
The front of Neena’s house was hidden behind high limestone walls; the back opened to the sea. A stray dog poked around near a rubbish pile on the edge of the road, chased the car, barking furiously as they passed. A sulfurous odor of sewer wafted their way and dissipated. Neena unlocked the gate, then her front door, and showed them in. The small living room was crowded with overstuffed furniture, spilling over with a haphazard array of trinkets, figurines, ornaments, and the air of something bygone. The carpet was threadbare and the curtains frayed at the edges. Neena sighed, straightened her shoulders, suddenly relaxed.
“Come,” she said and led them out onto the veranda to a table already set for dinner. “A traditional Egyptian meal!” she declared. “Even if Maman was French, I am as Egyptian as they come! And I have prepared the meal myself! Green peppers and zucchini stuffed with rice, ground beef. And even moulokhiyah!” The traditional Egyptian soup, Nabil knew, in a colorful ceramic bowel, and of course other smaller bowls of steaming rice on which to pour it, fresh pita bread cut in quarters, a rack of lamb, a bottle of wine, then another, this one red, and yet another, white.
“Local wine,” said Neena. “Not especially memorable, but at least our very own.”
She poured Joanne mineral water, didn’t stop talking, directing her words mostly to Joanne, who remained attentive.
“So quiet?” Neena said to Nabil finally.
“He’s often quiet,” Joanne said.
He said, “I’m still thinking about my reaction at the cemetery. I’m embarrassed about it. Everything here is so alien to me.”
Neena laughed and threw up her hands. “A man you don’t know holding a gun – even if he is just the night watchman and the gun a toy. Très compréhensible.”
Joanne nodded.
Nabil shrugged and said, “The driver mentioned to me there’s word the president will step down tonight. Rumor is, he’s already left Cairo.”
“Maybe he’s in his beautiful palace in Alexandria,” suggested Neena. “Or the other one in Sharm el Sheikh. Never enough, darlings. Same goes for all his cronies and lackeys—palaces, cars, fancy clothes. A gang of thieves.” Abruptly, she rushed to the railing, peered out onto the darkened beachfront. “Well, speak of the devil!” she said with a laugh. “Out for a stroll are you?”
Abu-Bakr emerged out of the shadows. “Beautiful evening, no?” He said, leaning his bulk forward against the railing, smiling broadly.
“It certainly was,” said Joanne.
Nabil caught Joanne’s eye, an admonishing glance. Joanne leaned back in her seat, looked over her shoulder at the stretch of beach behind her and the few darkened homes that lined it.
“Such a coincidence,” said Nabil. He wondered how long Abu-Bakr had been lurking in the shadows. He pushed his seat closer to Joanne, threw an arm around her shoulders.
“Please. I do not mean to intrude. Just an evening stroll.”
“A beautiful evening!” declared Neena. “We spent the afternoon at the mausoleum.”
Abu-Bakr nodded and followed Joanne’s gaze across the beach front. “A beautiful country,” said Abu-Bakr wistfully to no one in particular. “I imagine you will be leaving us soon.”
“Too soon!” said Neena. “I don’t know what I will do without my new friends.”
“Zerouni kul-i-sana mara,” said Abu-Bakr.
Neena laughed. “It is a famous song,” she said by way of explanation to Nabil and Joanne. “She is begging her dear friends to visit her even if just once a year.”
“I know the song,” said Nabil.
“Abu-Bakr, I would invite you to join us, but I’m afraid my friends might object.”
Joanne said, “No objection here. It is the very least we should accommodate for all this security.”
Abu-Bakr smiled again. “How considerate of you. Well, only if you insist.”
“Of course we insist,” said Joanne coolly.
Abu-Bakr gave a half bow before settling himself in an open chair across the table. He reached to accept a bowl of the moulikhaya from Neena, tore off half a loaf of the pita bread, dipped it into the soup and bit off a large chunk.
“Bil hana wa el shifa,” said Nabil.
“Thank you,” said Abu-Bakr. He smacked his lips and wiped them vigorously on a napkin. “You know more Arabic than I would have thought, for one gone so long. And the song, how did you know that?”
“My father used to play it,” said Nabil.
Abu-Bakr shook his head. Smiling almost to himself, he looked up at Neena. “Amazing, no? The way the world works. The father leaves only to have the son return, speaking the language, knowing the songs. Hah!”
“What’s so strange about that?’ said Nabil.
“Not strange. Not strange. Just fate. Fate. You try to get away. You get away. You move half way across the world, maybe you never return. Then years later, there is a return. The circle complete.” He spooned up the moulikhaya rapidly, inhaling it.
“My father immigrated to America,” said Nabil. “Not so unusual an occurrence.”
“Yes. Yes. I understand. It is a figure of speech only. Get away from Egypt, one’s past, a fresh start. It is an old story.”
He paused and regarded Nabil. “Please understand, the present is even more unsettled than the past, no? So many troubles.” He shook his head as if in distress. “Alas. The police can’t be everywhere.”
“From what I hear the police aren’t anywhere,” quipped Neena.
“Some would blame the police for anything, of course,” replied Abu-Bakr, unfazed. He took in Joanne and then Nabil. “Listen. You are the last remaining foreigners here.”
“We will be leaving soon,” said Nabil stiffly.
“Of course. That is expected. But all else, so unpredictable. As for your safety, I do what I can.”
“What does that mean, exactly?” said Joanne.
Abu-Bakr shrugged. “My dear, there is chaos in the cities. People shot dead in the street in Cairo. Even in Alexandria. Alexandria – just a short drive from here!”
He stood up abruptly and turned to Neena. “Your food is as delicious as ever, Madam Neena.”
Neena nodded an acknowledgement.
He trotted energetically down the steps. “Safe travels to both of you,” he said to Nabil and Joanne from the bottom of the veranda. “Maybe we will see you here again next year. A regular pilgrimage to one’s past, one’s home, I hope.”
They watched him as he moved past them down the beach.
“What a creep,” muttered Joanne.
Neena sighed and shook her head. “The poor fool. He’s been stationed here for years, keeping an eye on all of us and the tourists. Entirely forgotten by his paymasters. But still such a hopeless chien fidèle.”
“You sound deeply sympathetic, Neena,” said Joanne.
Neena smiled and shook her head. “How can I not be just a little? In the past he has proclaimed himself my protector. I think he is a small bit in love with poor old Neena.”
Joanne shook her head. “You deserve so much better than that.”
Neena looked at Joanne with mock deliberation. “Perhaps I could see it as my penance. A punishment of sorts. Tolerate his heaving and sweating and pawing in that way.” She threw her head back and laughed. “The dog image again!” She put her face in her hands, laughing even more, Nabil and Joanne with her.
After that, for a few minutes, they all sat quietly, a moment of tranquility settling in with the sound of the waves lapping the shore. Eventually, Neena stood and started to clear the dinner table. Nabil got to his feet to assist her, but she waved him down. “My guests don’t do my work,” she said, scolding. “Anyway, let’s go inside for coffee.
Neena emerged from the kitchen carrying a tray laden with tiny cups and a brass kanaka with the Turkish coffee. She set the tray down on the living room table by the couch and poured the coffee, thick, black, an aroma of cardamom.
“You are too alone here, Neena,” Joanne proclaimed, resting her head on Nabil’s shoulder.
“That is why you must not leave. Ever!”
“What about your friend. The woman who used to come by the restaurant. Someone you grew close to. Whatever happened to her?”
Neena started to hand Joanne her cup but paused for a moment. “Will this be too strong for you, darling?”
Joanne shook her head. “It’s fine.”
“It was such a long time ago. But I have never forgotten. She was killed. A tragic accident.”
“An accident?” said Nabil.
Neena passed Nabil his coffee. She paused a moment and then settled herself in a chair across from them.
“Her husband said he was teaching her to swim. He said they got caught in the undertow.” She sighed. “I never met her husband. She talked about him. She was unhappy. And of course I had grown to love her madly. It is my way, no. The desert always seemed like the safest place for secrets, but this town, this town…” Her voice drifted off. “And my love always too loud.” Neena stopped and shook her head. “I knew she wanted to get away. She told me and so we devised crazy, desperate plans. Impossible plans – we would leave together for Alexandria, disappear there for a while, and then catch a ship across the waters to France or Italy or Spain.”
“Did you?” said Joanne.
“We didn’t get very far. Not very far at all. Not even out of town. He stripped her, shackled her to the bed. Left her like that the whole night. She called me after that. She said she loved me.”
Joanne leaned forward towards Neena. “Did you ever see her again?”
Neena shook her head. “No. Never.” She stopped, gazed blankly at the space in front of her. “There was a young boy,” she said finally. “One time she brought him with her to the restaurant. We sat in the dining room talking and the boy slipped into the kitchen, made friends with the chef, stuffed himself full of desserts and sweets. She was so upset when she realized what had happened. Then she was furious at me when I couldn’t stop laughing.”
Nabil stood up. He was suddenly tired of Neena’s company, claustrophobic in her cramped living room.
Will I see you again?” Neena cried. There was something wild in her eyes. “Will I see you? I must see you before you go.”
*
Nabil dreamed of a head of thick, black hair gripped forcibly under water. A sudden frenzy, a burst of movement, in a choppy ocean on a sunny day. He woke gasping for breath, got out of bed and dressed hastily. The house was silent, in darkness. He called out for Joanne but got no response. Outside on the patio the beach stretched before him, a crescent of silver merging with the blackness of the sea. In the moonlight, he could see fleeting white caps in the distance, an illusion of still life rolling in the small waves that breached the shoreline. He peered again into the water, called her name as he rushed out onto the sand, searched for a shadow in the waves, and then scoured the moonlit dunes in the distance. Abu-Bakr’s words preyed on his mind.
“Joanne!” He was shouting now, his voice hollow, toneless, an echo.
“I’m here,” she called finally from somewhere on the stretch of dark shore.
“Where?”
“Here,” she called again. “Are you afraid? Don’t you recognize me? The faded cotton dress. Miles of nothing. I won’t move until you can see me.”
The End
“Sojourn,” Part Nine, A Serialized Story by Yasser El-Sayed
In Arts & Letters, Creative Writing, Fiction, Humanities, Literature, Writing on July 27, 2016 at 6:45 amYasser El-Sayed has recently published fiction in Natural Bridge, The New Orphic Review, The Marlboro Review, Red Truck Review, and elsewhere. His short stories have been nominated for the Pushcart Prize in 2014 and in 2008. Yasser’s prose focuses upon the intersections of Arab and American experience both in the Middle East and the United States, including the contemporary American South. He is at work on a short story collection, Casket and Other Stories. Yasser is a physician and professor at Stanford University where he specializes in high-risk obstetrics. He lives and writes in Northern California.
On the third evening they received a note from Neena by way of the front office. Nabil tore open the envelope – a smell of lavender, the writing in fountain pen, sloping unevenly in a loose cursive down the single page.
“Mes chers, il est inimaginable to leave without seeing the cemetery. It is where worlds collided. What is left,” said Nabil reading out loud. He stopped. Shook his head. “I don’t trust her,” he said.
“She’s just a lonely old woman,” Joanne said. “How can we refuse?”
They were sitting on the patio, a simple dinner of a green salad, a large bowl of spaghetti bolognese, half consumed, the sea a black vastness before them, a bite to the late evening air.
“We just say no.”
“One day that could be me. Alone on my father’s ranch. Chasing chickens across a dirt yard. Staring out onto miles of nothing.”
“Barefoot,” added Nabil.
“Of course, barefoot.”
“Faded cotton dress.”
“Yes and still pregnant,” said Joanne. “A very, very long pregnancy. A fossil.”
She paused for a moment. “What do you want to do Nabil?”
“I don’t know. I’ve not wanted to think about it.” He stood and started picking up their plates.
“It’s not a decision I will make alone Nabil. I could but I won’t.”
*
“Chérie, I have missed you so,” Neena said. Joanne climbed into the car next to her. They embraced as Nabil climbed in on the other side. Neena hugged him tightly. Suddenly she groaned and said, “It’s only been two days, but it feels like an eternity. How quickly I have grown in need of your company. It is truly frightening. Mon Dieu!”
“Frightening,” Nabil said.
“Be nice,” Joanne said lightly.
The driver, oblivious, guided the gray Fiat down the long road to the highway.
Neena slipped on her dark sunglasses and said, “When you didn’t show the other night, I thought, oh dear, I have scared them away. I can do that you know. I get so involved in the moment I forget how uncomfortable I can make people. That’s why the desert suits me—fleeting contact—no chance for the crazy Neena to be too crazy. But then I got so sad. I thought, “But I may never see them again, never set eyes on their sweet faces again.” She laughed and squeezed Joanne’s arm. “Or in Nabil’s case, never see those moody, black eyes.”
Nabil smiled briefly at her.
The driver, a withdrawn, gaunt man in his mid-thirties whom Nabil recognized as one of the restaurant workers, drove faster, speeding down the deserted highway, west towards Alexandria.
Nabil gazed out the window as they passed a desolate tract of land beyond the edge the town, a few limestone brick homes dotting the arid terrain, a man in a donkey cart urging the emaciated animal forward with a stick. On the side of the road, a child ran past an empty school ground, propelling a bicycle wheel ahead of him with a metal rod. Nabil leaned back slightly and tried to catch Joanne’s eye, but she was peering out her window as the driver slowed abruptly and edged past a parked row of military vehicles on the side of the road. A cluster of soldiers in green fatigues stood idly by, one of them waving them forward with his rifle.
Shortly they turned off the highway onto an older dusty road for about a quarter mile to the cemetery and came to a stop at the edge of an empty gravel parking lot. Joanne stepped out of the car and stretched in the sunlight. Nabil helped Neena climb out of the backseat.
“Thank you, darling,” she said, pulling at her black dress. “I always wear black when I come to this place.”
The driver stayed behind smoking a cigarette by the car while they walked together down a gravel path to the front court of the cemetery. They climbed a broad flight of steps to the limestone mausoleum, some 200 feet wide, and then passed through three arches into the marble interior. There they were shielded from the sunlight and could look out at an unimpeded view of the immense cemetery and beyond that the desert. Their footsteps echoed on the Travertine marble floor. Neena pointed out the bronze words memorializing the dead. And on the walls more names on Portland stone.
Below them lay the dead; row upon row of neatly spaced headstones, over 7,000 in all. From England and France, Poland, Greece and Australia. At the far end of the cemetery, Neena pointed out the towering Cross of Sacrifice.
They descended the steps into the cemetery proper. There was little vegetation around them, nothing but desert between the rows of headstones. A breeze off the coast brought with it the sudden scent of eucalyptus and jasmine. Neena led them past the white-washed headstones. “There are other, smaller memorials,” she explained, “the Italian and German sites are a few miles down the highway. But this place is like no other. Le plus grand, le plus dévastateur.”
“All these young men!” she shouted over the wind. “Could they have ever dreamed they would end up here, miles and miles and miles from anything that resembles home?” She put her hands to her face, shook her head in expressive despair, the breeze tugging her simple black dress. She wore a scarf over her hair to protect it from the sand and wind.
Nabil noticed her sandals, noticed how pale her feet and calves were, fragile blue veins traversing the sides and back of the exposed skin, as if she had never been in sunlight. She stooped to pick up random litter blown there off the road, and he saw her suddenly as a homeless woman, one of the small army wandering the streets of San Francisco.
Joanne took Neena’s arm and they strolled back through the deserted, sprawling cemetery, bending to read the inscriptions, conversing in private, hushed tones.
Nabil noticed that the driver watched them from the top of the steps, leaning as if casually against the back wall of the mausoleum. The driver lit a cigarette and blew smoke into the golden light. He caught Nabil’s eye and gave a half salute. “Natural enough,” thought Nabil, but it made him uneasy. The sprawling cemetery was deserted. The hot wind kicked up dust devils in the paths between the maze of headstones. Nabil shielded his eyes. A second man had joined the driver, this one dressed in a brown galabeya, a rifle strapped over his shoulder. The two of them were chatting comfortably. The driver offered the other man a cigarette, struck a match for him, cupped his hands to protect the flame.
Beyond the cemetery, Nabil could see a thin, blue strip of coastline. Everywhere else was the vast, brooding desert, impenetrable. He knew how they all must appear—foreigners in a foreigner’s cemetery.
Joanne and Neena laughed, far away. They’d walked as far as the Cross of Sacrifice.
Joanne waved.
Nabil glanced back up towards the mausoleum. The driver was not in sight. The man in the galabeya with the gun was alone, watching them.
“Let’s go,” Nabil cried out to Joanne and Neena. He started to run towards them. “We should go. We should leave now.”
To be continued….
“Sojourn,” Part Eight, A Serialized Story by Yasser El-Sayed
In Arts & Letters, Creative Writing, Fiction, Humanities, Literature, Writing on July 13, 2016 at 8:45 amYasser El-Sayed has recently published fiction in Natural Bridge, The New Orphic Review, The Marlboro Review, Red Truck Review, and elsewhere. His short stories have been nominated for the Pushcart Prize in 2014 and in 2008. Yasser’s prose focuses upon the intersections of Arab and American experience both in the Middle East and the United States, including the contemporary American South. He is at work on a short story collection, Casket and Other Stories. Yasser is a physician and professor at Stanford University where he specializes in high-risk obstetrics. He lives and writes in Northern California.
For the next two days they stayed in the hotel compound, cooked their meals in the beach house and ate there. In the late afternoon as the heat abated they made love before dinner and then again after, the windows to their bedroom pulled open, the smell and sounds of the sea wafting through.
“I showed you my past,” she said, propping herself up against the headboard. “I figured that gave me the right to barge into yours.”
“You were a little relentless,” said Nabil with a smile. From the beginning Joanne had pursued him with a self-confidence that at first alarmed him, but which eventually he accepted as emblematic of her. “You know, I had people vouch for your sanity.”
“Of course I knew that!” She laughed. “But I was sworn to secrecy; the Flemmings, the Castillos, Steve Pullman and his ridiculous fiancée who kept looking at me with this awful expression dripping with fake sympathy. Well, I honestly didn’t care what you thought. So polite. Reticent. Please. I grew up with a bunch of tobacco chewing rednecks. You think I was going to be so easily turned away?”
One Thanksgiving, he’d driven with her into that very epicenter of her childhood memory: Hooker, Oklahoma. They’d flown into Oklahoma City and then driven their rented car across miles of flat land, then rolling hills, plenty of scrub grass and red dirt, and finally funneling into the narrow strip of panhandle to her father’s ranch. The John Lee Casey homestead was announced with its own towering wood archway emblazoned with the letters JLC, and then Nabil was in front of John Lee Casey himself, all 6 foot 3 inches of him, Wrangler jeans and checkered western shirt and, of course, alligator boots and a silver belt buckle that looked like a weapon.
“Your father sized me up as if I was some exotic life form.”
“Well, you are. And so’s my mother, because she’s from Tulsa. Anyway, he’d never seen an Ayrab before.”
“Imagine that!” Nabil laughed.
“Now he asks after you all the time.”
“You got laid under his moose heads and embalmed squirrels.”
“You got laid too, towel-head.”
Nabil had been given his own bedroom, graciously adorned with various hunting trophies and other memorabilia of formerly living creatures. Joanne had climbed into his bed and mounted him, and he had willingly bucked and heaved and groaned and came and yippeed his way into the early morning light, ascending on the glorious town of Hooker.
Far away Nabil thought he heard a muted thud. A faint boom.
“You had a home, a place to show me, my hillbilly,” Nabil said trying not to sound too serious. But he was. He was very serious: “That’s the difference. There is no such place for me.”
“This is that place,” she said emphatically.
To be continued….

