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Archive for the ‘Creative Writing’ Category

Three Poems by Amy Susan Wilson

In Arts & Letters, Creative Writing, Humanities, Poetry, Writing on September 13, 2012 at 8:45 am

Amy Susan Wilson lives in Shawnee, Oklahoma and has recently published in Southern Women’s Review, Dead Mule, Red River Review, Cyber Soleil Journal, Red Dirt Review, Crosstimbers, Southern Literary Review,and in other similar journals. Amy is at work on a novel, The Fine Life of Mrs. Delbert L. Smith, which explores the first female attorney in Oklahoma to practice oil and gas law.  Non-fiction writing interests include Senior, over age fifty-five beauty pageants, and the pay day loan industry as it intersects with spirituality. Amy lives in Shawnee, Oklahoma with her family and three rescue dogs: Matthew, Pedro, and Snowball. She holds an MFA from Columbia University.

The following poem first appeared in Volume 11, Crosstimbers (Spring-Summer, 2011).

Doing the Hula

 

Don Ho, Hawaiian Breeze,

whisks her from this living room of green shag,

sensible sofa covers

to sandy white beaches with

girls swiveling hips, jiggling away

Just like Laki-Laki at Don Ho’s side.

 

Pall Mall clutched tight as a rosary,

sweet tea pressed into the other.

With each gulp and crank of vinyl

Eunice becomes Lead Hula Gal

her gray permed poodle hair

glossy-black; waist length.

All the men want her.

Don Ho blows a kiss

into her ear

as she hulas into the coffee table

laughs into the lamp

cry-giggles to the floor.

I will not forget the time

she brought out her ukulele

and Colt 45

held it to her left temple

then crown.

Grandma Eunice,

if you were to drive

by 3901 Windsor Way,

peek into the window at yourself

you’d see a woman

downing Diet Coke & rum

that only you call ice tea.

You’d see a woman

stumble through the fluorescent night,

your Maui Island faraway

as you dance into the dust

of volcanic ash.

 

 

The following poem first appeared in Volume 3, Red Dirt Review (Spring 2012).

Waiting in Line at the Pott. County Wal-Mart

 

 

If you live in the rural South and you are female and own a vehicle, or your cousin owns a vehicle, you can’t help but shop or just browse Wal-Mart at least once a week. In fact, Wal-Mart is not unlike attending the First Baptist Church; it is there and you must, you must participate in that weekly or more visit because it is how you were raised, and the urge to be a part of this world is coded into your Southern female DNA . If you are from the East or West coast you likely won’t understand, but anyone from here, the rural South, this South, well, ya’ll know what I mean.

                                                                        -Amy Susan Wilson

                                                                                                                                               

 

This dude runs some Morning Star corn dogs

down the conveyer,

there goes four Silk Soy Strawberry yogurts

but this guy, he’s no fruit

No Sir

tan biceps –Big–

but not too big

cute jogger’s butt

framed in Levis

he stands about 6’3–

oh, here goes some organic blueberries

wow, I am like marrying you

if you’d ever get off your phone

so I could say,

Blueberries, isn’t it nice they’re in season?

 

That’s what I’d say cuz I can’t think

of anything better;

How pathetic.

Wait, he’s going ninety an hour

on his cell:

So fight the cocks anyway

Just  fight’em ‘n place five, C.J.

 

What? He’s yacking about birds?

fighter birds?

How can you buy soy ‘n fight birds?

You know they attach razor blades to their ankles;

even Kris Steele, a Republican,

voted against cock-fighting.

 

Mmm, second thought,

Mister those Levi’s

just hang out on your bony ass

‘n your nose pug-like,

a girl nose

No a Michael Jackson nose.

Lord, now I have to get a divorce

cuz I married you

when Lynelle here rang up

teriyaki tofu, some three olive hummus–

I honeymooned with you at a green resort

in Tucson

as you sacked

with cloth reusable, recycled  bags

you brought from home.

 

Lord, I can’t help

but linger at Coin Star

as you drain the change

from your hemp wallet—

I thought you were tan from jogging

with a big black rescue dog

 

the kind no one wants to adopt

but no, I find out you’re tan from

raising rooster bulls to cock fight.

 

Gosh dang, cock fighting.

murdering the Lord’s creatures.

Are you the one

to attach the razors?

Or does your buddy C.J.

do your dirty work?

 

How do I find men like you?

 

Now you’re climbing into a hybrid Escape,

a bumper sticker:

 “Support the N.R.A.”

Oh shit!

I need an annulment

and fast.

 

You catch my eye and grin.

Listen, this three minute marriage

it’s over

I’m glad to be single again

and whew,

start my new life over

totally without you.

 

 

Slut Butt Miller: A Barber’s Daughter

Whale-O-Suds Tunnel Wash,

Jimmy Maloney unfastens

midnight-blue push-up

one hand.

White wife beater

daisy duke shorts

litter John Deere

floor mats

along with

Jack Daniels

Pall Mall pack.

That gush

of green soap,

creamy mint frosting

you’d see on top

a cupcake.

Turtle Wax

complimentary,

3:00 in the a.m.

Tonight

Blaine Sawder

football keg

Haunted Hill.

Pink thong

unwraps

Jolly Rancher easy,

watermelon kind.

After

the after party

Slut Butt

squeals donuts alone

Shawnee Bowl.

Neon pin

oil derrick tall

winks egg-white.

All the boys

gone home

texting from bed

their real

sweethearts.

 

Keystone glued

to cup holder,

Slut Butt

circles her Father’s

‘95 beige Impala

round and round

that empty lot,

swears to FM

and humidity

her Daddy visits

like in a movie

but a dream,

Recall your tire swing

            Salt Fork River?

                        I cut from old tread

            roped to oak—

                        You was my

            Little Angel,

                        Baby-Girl.

 

Her Mama

irons shirts

seventy-five cents

a pop,

Benny Lee

            Yacking to you 4:00 a.m.—

            And I won $500 million

            Oklahoma Lottery.

Asphalt and sky

pitch-black

as the inside

of a beer can,

the backseat

of some boy’s truck

waiting.

Hunting: A Poem

In Arts & Letters, Creative Writing, Humanities, Poetry, Writing on September 5, 2012 at 8:45 am

Allen Mendenhall

The following poem first appeared here in Arator.

Hunting

The deer, leaned over, frightens

at the sound of the crack,

the broken stick beneath his  hoofs

or the hunter’s feet.

Wagging his tongue in the  moonlight,

shaking his fist at the sky,

the hunter loses choice and  chance.

A moment later

it would have been gunfire:

the sound

either unreal or untrue

that cannot be heard

except by the living.

A crisp cool tug of air,

like the long drag of a  cigarette,

wisps across the earth,

slaps him  in his face,

reminds him

of the coming cancer.

He looks through the sights, down  the barrel,

and fires at the nothing that’s there

to kill the something that is,

the sum of his existence,

and ours:

hope and truth.

“The Glass Eye,” A Poem by Amy Susan Wilson

In Arts & Letters, Creative Writing, Creativity, Poetry, Writing on August 22, 2012 at 8:45 am

Amy Susan Wilson is a writer living in Shawnee, Oklahoma. She holds an M.F.A. from Columbia University and her work has appeared in the Southern Literary Review, Southern Women’s Review, Red River Review, and other journals.

The Glass Eye

Acting like you come

to pet my dog Bullet

No Sir Little Missy

you come to lookit

the quarter-sized hole

in my head

where my glass eye lives.

 

‘Jack in the Box Joe’

I call him.

Pops just like Jack

out of his tin box,

or dentures

From my mouth.

Hold out your hand

I’ll drop him to your palm

go on

he won’t bite.

 

Girl, slow your jabbering down.

Did Jack in the Box Joe

ever fall out my head

when he wasn’t supposed to?

 

Three springs back

Tornado Juanita

drove trucks, trailers

Big Lots!

ten counties over;

that wind a noodler’s arm

yanking Joe out my socket,

Joe a catfish

bunkered deep the nest

of my skull.

 

Campground Twelve,

Lake Shawnee,

Jack in the Box Joe plunked

Right smack that

memory foam posture pedic queen

lodged the top

an old oak.

 

Last June

International Youth Rodeo Finals,

lost my eyeball

Expo building.

 

Youth barrel racing

starting up–

old Joe roll behind a saddle stall,

a miracle that loudspeaker,

            Rodeo fans

            we got us one navy purse

            an eyeball turned in

            Anyone missing an eye

            Or lady’s purse

            Go left of Roy’s Funnel Cakes

            Right of Connie’s Chicken Gizzard Wagon;

            Again, anyone lost an eyeball

            Assert to Rodeo lost and found.

 

Jack in the Box Joe

plopped back in

that empty space

in my head

Joe all grateful,

sputters a little

            Thanks Man,

Joe going hippie

on me

sometimes.

 

Do I have to clean him

since he’s made of glass?

Windex, a paper towel

spit-shines Joe

clear as a prize blue marble

or show Corvette.

 

How did I get the nickname

“Eyeball-Satellite?”

Joe and me

we spot rain

good as a NASA satellite.

Rain, sleet twenty counties away,

the glass eye twitches.

 

If Jack in the Box Joe

knew stocks like he knows rain

I’d be rich  

as Wal-Mart clan,

Bentonville area.

 

Did you know Alice Walton

got herself a DUI

Christmas 2012?

Forth Worth ranch,

I-35.

Miss Alice

coulda splatted

like a water bug,

liquor a respecter

of no one.

 

Watch Little Miss Amy Susan;

My eye’s gonna twitch.

Rain our way come this hour.

Best to scoot on home

eat your Mama’s

corndog, okra supper.

 

Oh foo and poo

fiddle stickers to boot,

you think I could make this up?

Joe and me

got to feed Bullet his Purina

I mix with a little Swanson’s

scoot home girl–

beat the rain,

don’t forget

to count your blessings

for all you have.   

“Bottle Tree,” A Poem by Amy Susan Wilson

In Arts & Letters, Creative Writing, Humanities, Poetry, Writing on August 15, 2012 at 8:45 am

Amy Susan Wilson is a writer living in Shawnee, Oklahoma. She holds an M.F.A. from Columbia University and her work has appeared in the Southern Literary Review, Southern Women’s Review, Red River Review, and other journals.

Bottle Tree

My Nanna’s backyard elm

outfitted with blue, red

green glass bottles

tied with chicken wire the width

of a hen’s beak

to each branch.

 

            Scarin’ crows away,

Gram’s explained.

Wind chimes hung like gaudy ear bobs

from lobes of lower branches:

a lady bug with silver spoons,

that copper kettle adorned with

aqua beads, a faded red tin cup,

the kind hobos carry

while riding the rail.

 

Each sunset

those Blue Nun bottles

soft purple

like a mood ring

or Goddess moon from Jupiter.

          Mama back at Griffin,

I’d sigh,

run my palm

down the spine

of charcoal bark.

 

I never told Nanna,

kids at school

just Ruby-Lucille

me winning

a big red Escalade

Firelake Casino

someday I would—

 

Mama and me

we’d chomp green M&Ms

all the way to California,

big blue ice chest

the kind with wheels

loaded with biscuits

Pepsi, Paydays

strawberry ice cream bars galore.

 

Grams calls Griffin

          A  nerve hospital

           A mini-vacation from life.

 

Church ladies whisk

meatloaf

salisbury steak

Sunday afternoons,

          Grams too old to handle a child

          This stage of life

          All by herself.

 

Always,

Mrs. Harlan Dodge Simpson

presses a green bean casserole,

Old Testament

coloring book

to my palms

 

lambs, cows

slaughtered on an altar,

carnation red crayon

for blood

twelve pack Crayola.

           

Ruby Lucille always waits,

backyard,

those bottles

clink like diamond bracelets

TV stars load their arms with.

          “Well Lady Bug,

          A fine plan

          You and your Mama,

          Heading to L.A.

          Someday,”     

Ruby Lucille whispers

in her bottle tree language,

Ruby Lucille

never laughing

never  letting on.

Unraveling

In Arts & Letters, Creative Writing, Creativity, Law, Literature, Writing on July 27, 2012 at 8:45 am

Rose Auslander is a partner at a Wall Street law firm and Poetry Editor of Folded Word Press. Co-editor of the Twitter anthology On A Narrow Windowsill, Rose has read her poems on NPR; her poem “For You Mothers” received a Pushcart nomination; “Oh My” received a Best of the Net nomination. She is a Regular Contributor to Referential Magazine, and her work appears in cur-ren-cy, Right Hand Pointing, Cyclamens and Swords, The Dead Mule, and Red Dirt Review. And she blogs!

The following excerpt, which first appeared here in The Mom Egg, is part of Rose’s upcoming memoir, A Pencil on the Ceiling, about surviving as a pregnant first-year law student nursing her way through her diploma

My infant, my daughter, my beautiful red-blond, blue-eyed child, lies in my arms, in my bed.  An unseasonably cold September afternoon, raining, chill, the chill that seeps into a person’s veins like formaldehyde.  My three-month-old daughter sleeps in my arms; my poor, embalmed arms feel nothing.

I wrap up in the afghan I crocheted for her, the yarn I worked into granny square by square, month after pregnant month, obsessively, mathematically, finding new permutations of pastel blue, pink, yellow and green to draw through into white, infinite borders of white.  I sit wrapped in yarn, unraveling.

How did I ever think I could start with yarn and crochet a garden of colors for a baby?

If only I could sleep, sleep . . .

No, study first. 

Law school.  How did I ever think I could get through law school with a baby at home?

A pile of case books rests on the pillow next to my infant daughter, next to markers of neon blue, pink, yellow and green, and pencils for thoughts, all for my numb hands to try to draw through into white, infinite pages of white.

Come on, just study. 

Or at least color:  Blue for facts (what happened in the world to cause the dispute), pink for procedural history (what happened with the case in the courts), yellow for the holding (what the court decided), green for what I can’t understand.

I drift off into National Business Lists, Inc. v. Dun & Bradstreet, Inc., 552 F. Supp. 89 (N.D. Ill. 1982), sleepily coloring in facts like:  “The customer does not itself receive much of the information contained in the computer data base.”  Feeling much like that customer, it takes me forever to get to the holding, and by that time, I’ve forgotten what the case was about.  I’m stranded somewhere in endless fields of green.

Hoping somehow to get through the hundreds of assigned pages, I try to read cases while holding baby Freddie, nursing her, even changing her.  But I swear, each time she nurses herself to sleep, she sucks more of my brain cells out with the milk.  And the milk/ammonia scent?  A knockout drug for those of us who’ve been staying up until 2 a.m. each night reading cases, and getting up again at 5 a.m. to nurse a baby-who-will-not-sleep.

Why won’t she let me sleep?

By 3 a.m., I put down the books, and close my eyes.  There are still endless unread pages of unintelligible heretofores, theretofores, therefors, and wherefores in every subject.  If I can’t get my brain back from wherever it has gone, I’ll never get to  my environmental law reading, where I’m already dangerously behind.

How did I ever think marking up cases in colors would somehow turn me into a lawyer?

Joyce Corrington Publishes You Trust Your Mother

In Arts & Letters, Creative Writing, Fiction, Humanities, News and Current Events, News Release, Novels, Writing on July 23, 2012 at 8:45 am

Allen Mendenhall

Joyce Corrington, a friend and supporter of this site (see here, here, and here), has just released the final installment of the New Orleans mystery series begun by her and her late husband John William Corrington.  Learn more about this book, You Trust Your Mother, at Joyce’s website.

What They Left, Part Two

In Arts & Letters, Creative Writing, Fiction, Humanities, Short Story, Writing on July 6, 2012 at 8:45 am

A.G. Harmon is a professor at The Catholic University of America Columbus School of Law.  He received his J.D. from The University of Tennessee, his M.A. from The University of New Hampshire, and his Ph.D. in English from The Catholic University of America.  A nominee for The Pushcart Prize in the essay, he was a 1998-1999 Richard Weaver Graduate Fellow and winner of the 1995 Glen Writers Fellowship.  He received the 1994 Milton Center Postgraduate Writing Fellowship and was a Walter E. Dakin Fellow at the Sewanee Writers’ Conference in 2003. His novel A House All Stilled (The University of Tennessee Press, 2002) was awarded The Peter Taylor Prize for the Novel in 2002 and was nominated for the Virginia Literary Prize and the Pen-Hemingway Award. His novel Fortnight was the runner-up for The William Faulkner Prize for the Novel in 2007. His book on the law in Shakespeare, Eternal Bonds, True Contracts: Law and Nature in Shakespeare’s Problem Plays, was published by State University of New York Press in 2004.

The following story first appeared in The Bellingham Review, Volume XXIX, no. 1, Issue 57 (2006) and is reprinted with express permission from the author.

…continued from part one….

“You sell car parts—and shit like that?” the policeman had asked. He leaned against the iron post that held up the front porch.

“That’s right.”

“You own that junk stand? Up there on the road?

He was fat and sweaty and smelled of green after-shave. He chewed stick after stick of gum. Another policeman, bony, with a mustache as thin as a boy’s, sat on the front step. He dug dog shit from the soles of his patent leather shoes with a piece of tree bark.

“I sell parts,” he had answered.

“Must be doing pretty good, if you’re this busy,” the fat one said.

“It’s never too good.”

“Well, must be. You were there instead of here.”

He unwrapped the foil from a white stick of gum—spearmint—and shoved it into his full mouth. “Why’d you leave him, in the state he was in?”

“I have to work.”

The fat man frowned, squinted. “He stays—stayed—here while you were at work?”

“Yes.”

“You couldn’t get nobody to stay with him? In the state he’s in?”

“No.”

The man popped his gum. “How long did he stay alone?”

“‘Til I got done.” Read the rest of this entry »

What They Left, Part One

In Arts & Letters, Creative Writing, Fiction, Humanities, Short Story, Writing on July 5, 2012 at 8:45 am

A.G. Harmon is a professor at The Catholic University of America Columbus School of Law.  He received his J.D. from The University of Tennessee, his M.A. from The University of New Hampshire, and his Ph.D. in English from The Catholic University of America.  A nominee for The Pushcart Prize in the essay, he was a 1998-1999 Richard Weaver Graduate Fellow and winner of the 1995 Glen Writers Fellowship.  He received the 1994 Milton Center Postgraduate Writing Fellowship and was a Walter E. Dakin Fellow at the Sewanee Writers’ Conference in 2003. His novel A House All Stilled (The University of Tennessee Press, 2002) was awarded The Peter Taylor Prize for the Novel in 2002 and was nominated for the Virginia Literary Prize and the Pen-Hemingway Award. His novel Fortnight was the runner-up for The William Faulkner Prize for the Novel in 2007. His book on the law in Shakespeare, Eternal Bonds, True Contracts: Law and Nature in Shakespeare’s Problem Plays, was published by State University of New York Press in 2004.

The following story first appeared in The Bellingham Review, Volume XXIX, no. 1, Issue 57 (2006) and is reprinted with express permission from the author. 

What They Left

Each call stood out from the next: a soft moan, a low horn, rising. The man’s head lifted an inch. His eyes wrinkled at the corners. His tongue touched the top of his palate, as if he smelled fire.

There was nothing to keep him from his work except these sounds, and even they only made him pause for a moment—turn small, keen eyes toward the line of hills, colored black in the last orange light, from which the sounds seemed to come. Then he returned to his labor.

A pen-light hung from the raised hood of the car’s engine, where his hands—the knuckles scabbed and some bleeding—toiled inside the motor. His flesh was raw and cracked and chapped from too much wind, too much weather without gloves, too little idleness.

He had lived past his middle age at the end of this tree-lined road. He had cut the way himself, a narrow alley leading from his back door, through the rear of his property, and ending at his store on the highway. There he sold old things, used things, gathered together by function, then by size, then by cost. Besides him, the only people that used the road were those who abandoned things alongside it. He did not know when it had become a castaway point, but it had happened slowly, and he had noticed it, slowly. After a time, as he made his way home, he began to find iceboxes, dishwashers, gates, air conditioners, lengths of fence, rolls of barbed wire. In the end, weeds took them.

Sometimes he would stop to see if he wanted any of the discarded things for himself—to salvage, reclaim, sell. If anything could be saved, he would slip back at night with a pulley and tackle, winch it against a tree, then slide what he wanted up from the ditch. Sometimes people got there before him though, so he had to work fast. Other times people took back what they had left. Once, at his store, a man claimed a tiller that had taken three days to fix:

“This is mine,” the man had said, his eyes bright, sharp. “I can tell.”

He shook his head, widened his stance so that his body stood at an angle to the other.

“I found it on the road.”

“It’s mine.”

“Not now.”

The other had placed his hand on the plastic grip, leaned over the top of the thing, glared: “You stole it. Prove you didn’t.”

So he had learned. He had to be careful of what he touched. He had to change things, just enough.

This time, though, they had worked too quickly, had been interrupted. He himself might have surprised them, coming down the road. He was thin, but tall, so his feet hit the earth hard and loud as he walked, grinding in the chert. They could have heard him a long way off. Nothing else accounted for how much they had left. The stereo had been slipped out, and some of the engine broken free, but he could work with what remained. It lay, piece by piece, cupped inside his hands; cold and slick and greasy; with his tools, it could be made to tick and turn warm.

It was only a day or so there; not even that. It had come to his notice that morning, as he walked to work. He might have overlooked it, had not the first of the sun picked out lights in the black paint. The car had been left off the shoulder, down a bank and beside a stand of pines.

His wrench slid over a bolt deep beneath the battery plate. It was a tight fit, but it caught the bolt’s angles. After several yanks, the wrench fell into the familiar release and give of loosening. If all went well, the engine would start soon, with new plugs and a new fan for the radiator. He would have to decide what to do with it then, though. The law would come into play. He could not say how, but he would have to decide.

His cap made his head hot. He pulled his hands out of the body and pushed his hat’s bill back from his brow. He thought for a moment and ran his fingers over whiskers, three days grown. He raked them back and forth. The bite warmed his face.

There was more to do, but not now. In the morning, then.

It was a small climb up from the stash of trees back to the road. He picked up a bucket of greasy tools, held the light between his teeth, and clawed at the grass with his free hand to keep his purchase. Once there, he took the light from his mouth and shined it in the direction he would take. The beam bobbed before him as he walked—a soft, collapsing tunnel through the dark. The tools jangled in the bucket.

The sounds returned: Two. Three. Silence.

He marched on through three more calls, and rests, and calls, before he stopped and spun toward them, swiveling on his down heel. He stared into the woods for a moment—a gray, ashen blue—then commenced to walk. He kept up the same stride as before, but with the hills facing.

There was no point going on until his mind was free. They might have come back—keys in hand. And he would not surrender his work to theirs. It was no more theirs than his.

He stopped to glance back at the car, then slowly ran his light down its length, fender to bumper, marking the body.

It was almost lost in the dark, now. It would take a man with a light, now.

To find the sounds he would have to crawl down the opposite bank, which fell off at a stiff grade. The light and the bucket together would be too much to carry. He would need a free hand to compensate, so he set the bucket down and drew out a hammer by its claw. He hefted it twice, then once more—once for each sound he had heard—and sat himself on the bank’s edge. He went belly first, sliding, the damp ground pressing through his clothes, kissing at his skin. Read the rest of this entry »

Matthew Simmons Reviews J. Mark Hart’s “Fielder’s Choice”

In Arts & Letters, Creative Writing, Fiction, Humanities, Literary Theory & Criticism, Literature, Novels, Southern Literary Review, Writing on June 26, 2012 at 8:00 am

Matthew Simmons was born and raised in Whiteville, North Carolina.  He lived in Raleigh for eight years, where he went to college at North Carolina State University, roasted coffee for a living, and developed a taste for single-malt Scotch.  Currently a Ph.D. student in English at the University of South Carolina, Matt lives in Columbia, South Carolina, where he tries to garden and regularly rides his bicycle in coat and tie.

The following review appeared here at the Southern Literary Review.

Years ago, after reading Richard Russo’s Mohawk, I decided I needed more flexibility in labeling fiction.  Obviously, there was pulp, there was genre fiction, and there was the rarified air of “lit-tra-ture.”  But what I’d found in Mohawk seemed to somehow occupy parts of all of those labels simultaneously and effortlessly.  I needed a name for this effortless occupation of different registers, and it came to me halfway through another, similar book.  What I was reading was, in fact, the Great American Middlebrow Novel.  Such is a book that tries to be more than an afternoon or a weekend’s entertainment; nevertheless, its writing is highly readable.  It does not set out to explore the eternal complexities of the human experience, but rather tries to show the suppleness and myriad realities that make up an individual or a group’s experience of a specific place, at a particular time.  That last bit is incredibly important.  The GAMN is a book of specificities, of particularities, and it plumbs these specificities and particularities to give us some access to the localized truths of a moment.  J. Mark Hart’s forthcoming debut novel, Fielder’s Choice, tries its damnedest to show itself as worthy of the title, and succeeds, with varying degrees of success, at achieving this goal.

Hart’s locale and moment are Birmingham, 1969.  Brad Williams, our narrator, wants to avoid the hellish fires of the steel mills.  But there is a fate worse than the mills also possibly awaiting him:  the jungles of Vietnam.  Working class, his only hopes at escape are for his athletic prowess on the baseball diamond to win him a college scholarship, as well as drawing a high draft number.  The first of these hopes is immediately compromised—a lifetime shortstop, senior year finds Brad moved over to second to accommodate Robbie, a black student transferred to West Lake High via integration, who is a superior shortstop to Brad in every way.

And thus are the specifics of Hart’s novel—a Birmingham trying to live down the specter of Bull Connor’s hoses and dogs, and a young man trying to find his place in this uncertain newness.  At its best, Fielder’s Choice does a truly wonderful job of presenting a city struggling to understand itself and an 18-year-old boy trying both to fit into this city and get out of it.  Hart’s presentation of Brad is, in many ways, wonderfully well-done.  Similarly, the city’s tensions are admirably sketched, and Birmingham, as a character itself, feels incredibly alive and compelling.  Hart’s debut novel thus promises to join the august company of the Great American Middlebrow novel, an achievement to be lauded—especially when the author, an attorney by day, is only moonlighting as a novelist.

Promising though it may be, Fielder’s Choice is also, at times, deeply problematic.  The prose can be clunky and wooden:  explaining his friend’s father’s drinking habits, Brad speaks of “[the father’s] customary can of Pabst Blue Ribbon beer, or, in his vernacular, a ‘PBR.’”  Contrast that passage with any number of gorgeous moments from Brad’s courtship of Susie and you’ll find yourself frustrated—Hart can, at times, be an immensely lyrical and even beautiful writer, and you’ll wish he always was.  But significantly more troubling than some hiccups with the prose is the novel’s reliance on flat, stereotypical characters.  Of course the hippie would be a Yankee, and of course he would drive a VW with a day-glo peace sign on the back window.  Of course the main antagonist would be named Bubba, and would be a violent, reactionary, bigoted redneck.  Robbie, the African-American shortstop who forces Brad to move positions, often seems like little more than a plot device and a means for developing Brad’s character—a shame and even an error, as Robbie begins as one of the most promising characters in the novel.

And while Paxton, the Yankee hippie, becomes more sympathetic as the novel progresses, it is not because his character deepens, but because Brad becomes more involved in the anti-war movement.  Meanwhile, the Bubbas of the novel are never any more than boogeymen, “hicks,” to use Brad’s distressingly frequent verbiage, who wave the Confederate flag and stand in the way of progress.  Near the novel’s end, Brad glowing speaks of Birmingham moving into the “New South,” and we understand that Brad understands Bubba and his ilk not so much as people as impediments to the birth of this “New South.”  Brad’s voice thus carries a nascent sense of cosmopolitan elitism.  And while I see this as a legitimate and even necessary act of characterization, I’m nevertheless troubled that Brad gets off scot-free in this regard.  The Bubbas of the novel, and of Southern history, are of course inexcusably wrong in their racial attitudes and certainly on the wrong side of history.  But this does not make them any less complexly human, something that Brad never recognizes, and something Hart never calls him to task for.  We cannot present a fully nuanced picture of the South at this time—which is, again, what I think Hart wants to do—if we merely write off the Bubbas of the world, wrong-headed and misguided as they may be, as merely villainous “hicks” resembling Snively Whiplash more than flawed human beings.

This not to denigrate how fine the novel is on the whole.  Brad himself is a deeply compelling and well-realized hero.  Susie, Brad’s love interest and female counterpart, helps to Hart’s exploration of 1969 Birmingham in sophisticated ways, and Susie and Brad’s relationship is at turns soaring, titillating, crushingly painful, and immensely familiar to us all.  Hart presents the changing relationships between Brad and his childhood best friend BJ, as well as between Brad and his father, powerfully and complexly.  Brad, and those characters closest to him, are wonderfully rendered, strongly presented, and, at times, heart-wrenchingly achieved.

This is all to say that Fielder’s Choice is a novel of real promise, despite some significant problems.  Mr. Hart has given us a very fine representation of a boy becoming a man in a place and time that are immensely complicated, and we are moved to joy and frustration alongside Brad.  It is a deeply enjoyable novel, one I found myself tearing through in three days—no short task for a nearly 500-page book.  And while it has its problems—the writing is sometimes too flat, the characters often too stock, the ending perhaps too neat—I am amazed, again, that this is a first novel by a man whose vocation is not fiction.  And while the problems may keep Mr. Hart’s first novel from being a Great American Middlebrow Novel, it comes mighty close.  Ultimately, Fielder’s Choice is a very good book about a very complex time.  I’m a fan.

“Fairy Tale Mail,” Poems by Margery Hauser

In Arts & Letters, Creative Writing, Humanities, Law, Law-and-Literature, Poetry, Writing on May 29, 2012 at 8:59 am
Margery Hauser is  a New york City poet whose work has appeared in Poetica Magazine, Möbius, The Jewish Women’s Literary Annual, Umbrella and other journals, both print and online.  Excerpts from “Fairy Tale Mail” (which she published here at The Literary Lawyer) have appeared or will soon appear in Ides of March and The First Literary Review. When she is not writing poetry, she can often be found dancing, knitting,  practicing yoga or working out with her tai chi broadsword.  She is a member of the Parkside Poetry Collective, for whose encouragement and support she ever grateful.
 
 
 
Subject: Civil suit
 
We’ve read the facts pursuant to the case
regarding your late husband’s sad demise.
Regretfully, a lawsuit has no trace
of merit and therefore we do advise
that evidence a-plenty proves his fall
occurred while in commission of a crime.
No fault accrues to Pig and Pig, et al.
No damages are due you at this time.
        His huffing and his puffing further show
        a pre-existing illness and although
        this wasn’t cause of death it surely must
        support that bringing suit would be unjust. 
        Your husband died attempting a break-in
         and so this suit is one you cannot win.
 
 
 
To: NRimer@mere_l’oye.net
Subject: Pumpkineater v. Pumpkineater
 
My client in an affidavit swears
that he confined his faithless wife because
she had indulged in numerous affairs –
he didn’t think he’d broken any laws.
Her infidelities made him so sad
and left him feeling helpless, in disgrace;
in fact, you might say that she drove him mad
by throwing her amours smack in his face.
These acts diminished his capacity
        to tell right from wrong. Her audacity
        impelled him to this deed.  He does regret
        his rashness and hopes she can just forget,
        forgive and drop the charges that she brought.
        He simply was distressed and overwrought.
 
 
 
Subject: re: Pumpkineater v. Pumpkineater
From: NRimer@mere_l’oye.net
 
Mrs. Pumpkineater’s life was hell
when Peter, in a fit of jealous rage,
confined her in a fetid pumpkin shell
no better than a jail cell or a cage.
She swears that she was faithful, always true
and kept her marriage vows although her mate
treated her most harshly in our view.
He threatened violence if she came home late.
        She’s willing to drop charges and agree
        to just divorce the beast, let him go free.
        She wishes he would suffer as she did
        but asks for nothing more than to be rid
        of this abusive, cruel and jealous spouse.
        Oh, by the way, she wants the car and house.
 
 
 
Subject: State v. Farmer’s Wife
 
Regarding claims by Mouse and Mouse and Mouse:
details of their de-tailing do support
the charge against the farmer’s vicious spouse.
We demand this case be tried in court.
The victims all are visually impaired
and wandered by pure chance across her path.
Under oath they all have so declared, 
but she responded with unbridled wrath!
        It’s clear she meant to take each Mouse’s life,
        her WMD a carving knife.
        We know that rodents often are maligned.
        We know society neglects the blind. 
        The only way the Mice will be requited
        is if their assailant is indicted.
 
 
 
Subject: Name Change
 
The miller’s daughter to my great surprise
has ruined my business plan – a sort of game
that asked contestants to vie for a prize
by guessing my most strange and secret name.
How that was managed she would never tell –
it’s not as if I bandied it about.
But she’s the queen and my plan’s shot to hell.
It looks as if my luck has just run out.
        I had ideas – big ones – they’re all a bust.
        She found me out so I must now adjust.
        I’ve given it much thought and I’ve assessed
        the possibilities that won’t be guessed. 
        Please amend the records; let them show
        that my last name is Stiltskin, first name Joe.