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Review of Forensic Fictions by Jay Watson

In Arts & Letters, Book Reviews, Fiction, Georgia, Humanities, Jurisprudence, Justice, Law, Law-and-Literature, Literary Theory & Criticism, Literature, Novels, Rhetoric, Rhetoric & Communication, Southern History, Southern Literary Review, The South, Writing on December 5, 2011 at 10:56 pm

Allen Mendenhall

The following review originally appeared here at the Southern Literary Review.  If you enjoy this review, please consider subscribing to the Southern Literary Review.  I became the managing editor of the Southern Literary Review in November.

 

Kudos to the University of Georgia Press for this recent reprint of Jay Watson’s Forensic Fictions, which has become something of a classic among law-and-literature scholars.  A pioneering project, Forensic Fictions stands as the first critical work to interrogate the lawyer figure in Faulkner’s oeuvre.

Watson submits that law is vast and multidimensional, “at once a deeply normative cultural system, a vehicle of ideology (in its constructive and destructive manifestations), a force of social stability and control, an entrenched and often blindly self-interested institution, and not least of all a human vocation, a form of practice that in some instances achieves the status of a calling.” 

In Faulkner’s fiction, law helps to highlight the complexity, sometimes liberating and sometimes disorienting, of the “everyday” aspects of Southern culture, institutions, and traditions.  Law is more than bills, statutes, judge-made opinions, codes, and the like.  Law isn’t a monolithic animal but a multiplicity of people and institutions; a product of self-serving performances by lawyers, judges, and politicians; and an accumulation of arguments couched in topoi of guilt and innocence, right and wrong, justice and equality.  Law is, simply put, a network of human relations and a collection of stories. 

Watson’s book examines how lawyers and laws constitute and presuppose authority in the microcosm of Yoknapatawpha.  “Lawyers of course advocate by narrating,” Watson explains, “by telling their clients’ stories in the language of the law.”  Lawyers, then, are raconteurs, and laws are products of language, even as they institute language.

Watson suggests that Faulkner internalized the “conspicuous and complicated presence” of real-life lawyers—Dean R.J. Farley, Governor Lee M. Russell, General James Stone, Ben Wasson, Jim Kyle Hudson, and Lucy Somerville Howorth, to name just a few—and then expressed mixed feelings about lawyers and the legal community in his writings.  Although not a lawyer himself, Faulkner could boast of a legal pedigree, having been born into a family and a society overflowing with attorneys.  Faulkner’s multifaceted and often contradictory ideas about law reflect these cultural associations.

Watson uses the term “forensic fictions” to refer to Faulkner’s depictions “of the legal vocation and the practice of law, a practice that extends from the official space of the courtroom and the professional space of the law office to the farthest reaches of the community.”  Thus conceived, law is not only a communicative vehicle but also a way of life, as mundane as it is exciting. 

Watson works out of the paradigms of forensic discourse.  He treats law as a theater of differences and disparate perspectives and as a vast system of interrelated parts.  An “important subtext” for Faulkner’s forensic fictions, according to Watson, “is the conviction that the values and concerns of the storyteller can and must carry over from a limited, private, aesthetic realm into a public world outside, where verbal creations can reinforce, challenge, or otherwise inform social norms.”

Three novels—Intruder in the Dust, Knight’s Gambit, and Requiem for a Nun—make up what Watson dubs Faulkner’s “forensic trilogy.”  These novels portray the lawyer as citizen-spokesperson, able to appropriate the public sphere as a space for social celebration or critique. Read the rest of this entry »

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BOOK REVIEW: Laura F. Edwards. The People and Their Peace: Legal Culture and the Transformation of Inequality in the Post-Revolutionary South (Chapel Hill, North Carolina: University of North Carolina Press, 2009).

In Advocacy, American History, Arts & Letters, Book Reviews, Civil Procedure, History, Humanities, Jurisprudence, Law, Laws of Slavery, Nineteenth-Century America, Politics, Rhetoric, Slavery, Southern History, The South on September 28, 2011 at 10:41 am

Allen Mendenhall

Since Mark Tushnet revived the study of slave laws in the American South, several historians, most notably Paul Finkelman, Thomas D. Morris, and Ariela Gross, have followed in his footsteps.  Laura F. Edwards’s The People and Their Peace is a book that extends this trend in scholarship.  Focusing on North and South Carolina from roughly 1787 to 1840, and more specifically on three North Carolina counties and four South Carolina counties during that time, Edwards situates local law in contradistinction to state law, portraying the former as polycentric and heterogeneous and the latter as centralized and homogenous.  Edwards suggests that state law was more aspirational than practical in the early nineteenth-century Carolinas because it failed to inform ordinary legal practice at the local level in the same way that resident culture or custom did.

Pitting “reformers” (elite individuals who sought to create a uniform and consolidated body of rules that appellate courts could enforce at the state level) against locals, Edwards demonstrates that the legal system was bottom-up and not top-down and that law on paper or in statutes was different from law in practice.  On paper or in statutes, law subordinated lower courts to appellate courts and seemed, in keeping with the reformers’ ideals, systematized into a unitary, integrated order that reflected the supposedly natural and inevitable unfolding of history.  Reformers selectively compiled local laws and practices into lengthy works to forge the impression that law was a set of consistent, underlying principles.  In practice, however, law was variable, contingent, and contextual.  It emerged from the workaday and quotidian operations of individuals in towns and communities.  Law was therefore as messy as it was unpredictable, and it cannot be understood today without a deep knowledge of interpersonal relationships and cultural conditions in locales where courts sat.  Slave codes, for instance, did not reflect realities on the ground because they were handed down by state legislatures and could not account for the reputations and routines of people in local communities—people who cared less about consistency in the law or about fixed principles than about their personal stake in any given legal matter. 

This book is a corrective to histories interested principally in local legal sources but neglectful of the particularities that brought about these local sources.  It marshals evidence from legal documents—especially case decisions, including appellate opinions—while considering why and how those documents were produced.  The development of state law became increasingly important during the antebellum years, but the rise in state law—which privileged narratives of individual rights, standardized legal principles, and enabled southern distinctiveness—does not make sense apart from local data.  Local data reveals much about the processes (as opposed to philosophies) of law.  Put differently, local law remained discretionary because it was fluid and not subject to abstract and purely notional mantras about rights. Read the rest of this entry »