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Archive for March, 2015|Monthly archive page

Paul H. Fry on “Influence”

In Academia, American Literature, Arts & Letters, Books, British Literature, Conservatism, Creativity, Fiction, History, Humanities, Literary Theory & Criticism, Literature, Pedagogy, Philosophy, Scholarship, Teaching, The Academy on March 25, 2015 at 8:45 am

Below is the next installment in the lecture series on literary theory and criticism by Paul H. Fry.  The previous lectures are here, here, here, here, here, here, here, here, here, here, here, here, and here.

Of Bees and Boys

In Arts & Letters, Essays, Humanities on March 18, 2015 at 8:45 am

Allen 2

The following essay appeared here in Front Porch Republic.

My brother Brett and I were polite but rambunctious children who made a game of killing bees and dumping their carcasses into buckets of rainwater.  Having heard that bees, like bulls, stirred at the sight of red, we brandished red plastic shovels, sported red t-shirts, and scribbled our faces in red marker.  They were small, these shovels, not longer than arm’s length.  And light, too.  So light, in fact, that we wielded them with ease: as John Henry wielded a hammer or Paul Bunyan an axe.

The bees had a nest somewhere within the rotting wood of our swing set.  Monkey bars made of metal triangles, much like hand percussion instruments, dangled from the wooden frame above; when struck or rattled with a stick, these replied in sharp, loud tones, infuriating the bees, a feisty frontline of which launched from unseen dugouts.

These deployments, though annoying, were easily outmaneuvered: Brett and I swatted them to the ground with our shovelheads.  Mortally wounded, they twitched and convulsed, moving frantically but going nowhere; all except one bee, valiant as he was pathetic, wriggling toward his nearest companion, his maimed posterior dragging in the dirt.  Not much for voyeurism, I relieved him of his misery.  Then Brett and I whacked the littered lot into tiny bee pancakes.

Meanwhile, the defeated community, convening somewhere in the wood, commissioned its combat medics: fat, steady-flying drones that hovered airborne over the dead and then descended, slow and sinking, like flying saucers.  The medics would, when we let them, carry off their dead to an undisclosed location.  I couldn’t watch this disturbingly human ritual, so instead I annihilated the medics, too.  They were easy targets, defenseless.  And they kept coming in battalions of ten or eleven.  As soon as I’d destroy one battalion, another materialized to attend to the new dead.  Unlike the frontliners, the medics didn’t try to sting.  They just came to collect.  But I wouldn’t let them.  Neither would Brett.  Eventually, they quit coming.  That, or we killed them all.

Bees are funny creatures.  Unlike birds, they have two sets of wings.  Most female bees, unlike most female humans Iknow, grow their leg hairs long and their bellies plump—this in order to carry nectar or pollen.  Bee pollination accounts for one-third of the human food supply.  Without bees, then, we might not have our Big Macs or Whoppers—nor, for that matter, honey or flowers.

When I lived in Japan, I had a friend who fancied himself an entomologist.  When he and I tired of talking politics, books, or women, we spoke of insects: I told him weird insect stories, and he explained away the weirdness.  He informed me, for instance, that the bees living in my swing set were probably solitary bees: a gregarious species that stung only in self-defense.  This, you might imagine, was sobering news for an insect murderer.

I asked about the medics that carried away the dead.  Honey bees, he said, discarded their dead for hygienic reasons—to prevent the spread of infection—and they coated their dead in antibacterial waxes.  As for the behavior of my bees, however, he wasn’t sure: maybe they, like honey bees, discarded remains where germs wouldn’t spread.  Or maybe—and he said this facetiously—they conducted funerals.

It wasn’t long before Jared, the boy next door, got in on our bee brutality.  Pregnant with mischief—more so than me or Brett—he decided one day to show us something; shepherding us through the woods, lifting a disarming smile as if to say, “Trust me,” he paused at last, indicated a hole in the ground, and declared, “Thisis it!”

A steady stream of yellow jackets purred in and out of the hole.  He waved his hand to signify the totality of our surroundings and said, “Ours.  All ours.  None for the bees.”

Or something to that effect.

Brett and I nodded in agreement, awaiting instruction.  If we were confused by Jared’s deranged sense of prerogative, we didn’t show it.  Brett found a heavy rock, which I helped him to carry.  We dropped it at Jared’s feet.

Jared summoned forth a mouthful of mucus and hacked it into the hole.  Unfazed, the yellow jackets buzzed in acknowledgment but otherwise ignored the assault.  “These guys are in for hell,” Jared said of the bees, offended at the ineffectuality of his first strike.  He anchored his feet and bent over the rock, which he heaved to his chest and, leaning backwards, rested on his belly; then he staggered a few steps, stopped, and—his face registering another thought—dropped the rock to the ground.

“Spit on it!” he ordered.

Brett and I, obedient friends that we were, doctored the rock in spit.

Then Jared undertook to finish the job he’d begun:  he bent down, lifted the rock, waddled to the hole, straddled the hole, and dropped the rock.  The ground thumped.  A small swirl of dust spiraled into miniature tornadoes that eventually outgrew themselves and became one with the general order of things.

“That’ll do it,” Jared said, clapping his hands together to dry the spit.  The colony, its passage blocked, was trapped both inside and out.  Those un-entombed bees, rather than attack, simply disappeared.

We rejoiced in our victory.  Jared pantomimed conquest, pretending to hold an immense, invisible world Atlas-like over his shoulders.  Brett danced.  I was so busy watching Jared and Brett that I can’t remember what I did.

We didn’t know that yellow jackets engineered nests, tunneled hidden passages and backup exits; nor did we appreciate what the tiny zealots were capable of.

It started with trifling harassment: a slight, circling buzz—reconnaissance probably.  Then I felt the first sting; looking down, I saw a yellow jacket, curled like a question-mark, bearing into my leg.  I spanked it dead.  It looked angry—something in the way it moved.

I heard Brett scream.  Then Jared.  Then saw the ubiquitous cloud of yellow jackets rising in the air, moving as one unit, enveloping us with fatalistic purpose.  My ears filled with the steady drone of thrumming wings.

Then, as happens in moments like this, moments of panic, moments when one feels he’s lost control, feels some other faculty taking over, I submitted to a greater power, which stiffened the muscles of my neck and arms, sent contractions through my calves and thighs, like spasms moving me forward, making me to run, the house, my house, once far away, a small square, growing larger and larger until at last it became a complete, reachable form, the door, my safety, announcing its presence, telling me to hurry, hurry.  Ahead was a fence.  I’d have to jump it.  I measured my strides for the leap, which, miraculously, I achieved with the slight assistance of my palms upon the fence-top.  I found the doorknob, dove into the kitchen, flung off my clothes.  The drone wouldn’t go away.

But where was Brett?  Not here.  Where was he?  Just then came a voice—“Allen!  What in God’s name?!”—and then mom was beside me, horrified, her eyes growing three-times their normal size; and then she was gone again; somehow I was back at the door, looking outside, at the yard, at mom battling the fleet of yellow jackets, at Brett stuck on the fence top, screaming, his face flushed red—red!—his arms leaking blood.  Was that blood?  Or a sore?  I couldn’t tell.

Mom deposited Brett in the kitchen, stripped him naked, called the doctor.  Tweezers.  I remember tweezers.  Yellow jackets were in his ears and mouth.  They were everywhere.  Outside, they continued ramming their bodies into the window.  I looked out.  One hovered there.  It looked at me.  I looked at it.  Insect and Man.  Sizing each other up.

In light of these memories, I can’t help but sense that, no, on account of their characteristics and functions, bees are not the affirmative, happy creatures of some Wordsworthian lyric; that they are too much like us for armistice or reconciliation; that, in fact, we will never see the last of them, as they will never see the last of us.  They will live on, as will we.

Let the boys at them, and they at the boys.  That’s how it ought to be.  So alike are the two that it’s hard to tell who has the advantage of intelligence.  I learned, those many years ago, before the profundity of it all struck me,that wounds can teach the tragic lessons of ignored similarities.  There’s something to be said for that.

If nothing else, I have come to admire bees for their tenacity and courage in the face of insurmountable power.  Theirs is a world of flux,disorder, and death.  Their body is a weapon, one that, once used, terminates everything.

Boys war with bees.  Bees war with boys.  Just another kind of outdoor game, one on a side, except no one can say “Elves.”  Not in this game.

In this game, there is only one ending.  Even in victory, the bees lose.  It takes a man to understand; it might just take bees, or something like them, to make a man.

“Excerpt from the last scene of the Mortal Lopez, part two,” by F L Light

In Arts & Letters, Creative Writing, Humanities, Literature, Shakespeare on March 11, 2015 at 8:45 am

F L Light

A Shakespearean proficiency in meter and rhetoric may to F L Light be ascribed. Nearly forty of his dramas are now available on Amazon, and twenty have been produced for Audible. His Gouldium is a series of twenty four dramas on the life and times of Jay Gould which he followed with six plays on Henry Clay Frick. The whole first book of his translation of The Iliad was published serially in Sonnetto Poesia. He has also appeared in Classical Outlook and The Raintown Review. Most of his thirty five books of couplets are on economics, such as Shakespeare Versus Keynes and Upwards to Emptiness the State Expands.

Excerpt from the last scene of the Mortal Lopez, part two.

Hampton Court. The Queen, Essex and Francis Bacon.

Essex: On matrimonial fortune he’s composed
An essay, which your Majesty may wish
To hear.

The Queen:     How married happenings could mar
My house in horror I have known. O what
A procreant consequence my sire pursued!
Now your unmarried rumination I
Will hear, comparing what I’ve learned so long.

Bacon: In costly hostage, captive usage, are
One’s wife and children all by fortune held,
Being clogs to our contentions for success.
The vigor of attainment is avowed
Without them, and the manliest hunt for fame
Is found in childless hunters for the chance
Of quests. The brightest consummations, sought
With brains, and labored greatnesses, fulfilled
Protractedly with grief, have been pursued
By the unmarried. But no dim incitement,
Concerning readiness for all the cares
Of growth, constrains a house of parents, who
Of future requisites would not be short.
Yet there are some, though for expedience
All unespoused, who hold all future causes as
But futile thoughts. And in unwedded thrift
Some hold that wife and children are at length
Too chargeable. And some immodest opulence
In household ostentation manifest,
Who’d seem most rich without the charge of children.
But motive freedom is the cause for most
Unmarried, who’d for expeditiousness
Be free, remaining self-productively
Resolved, apt to accomplish thoughts of wealth
Or wit. Such fellows think their ruffs and girdles
No less than yokes and subjugative ropes.
No better friends than those unmarried will
You find. As masters, servants or advisers
I see them best, but not as subjects, being
From burdens of the crown inclined to shift
In paced escapes, incumbencies eschewing.
But single days befit a churchman, who,
To no parental charity obliged,
May play the father to his faithful pews.
Yet soldiers matrimonial loyalty
Should have, whose generals, addressing them,
Exhorting furtherance in courage, will
Adduce their wives and children as the troops
Come forth. And Turkish soldiers to extremes
Of baseness run who marriage cruelly scorn.
But to compel humanity what else
But families should be first? And single men,
Though with the means for charity unused,
Are oft unsparing in their spurns of love
Because no wife or child has ever moved
Their mercy. I’ve known women, chastely single,
Who prideful, wrathful, and pretentious were,
As if their chastity permitted them
To chastise all. And wives are likelier apt
For loyalty who know their spouses trust them.
But jealous men incite disloyal wrath.
Wives are concubines in youth, companions
For intact maturity and nurses when
Debilitated weariness declines.
No dubious protest thus a man might bring
To marry at whatever age. But one
Of philosophic name believed there was
No timeliness in marriage for the young
Or old. And all observers have averred
That kindly wives have often churlish men
Of faultiest cruelty, waiting on their spite
Either to savor patience or to raise
In long probation the true worth of kindness.
But of all husbands none was kinder than
Odysseus who preferred his homely crone
To the insatiate immortality
Provided on the island of Calypso.

The Queen: Pangs of unwedded disappointment it
Bestirs in us who’d never grief admit.

Excerpts from “The Trial of Lopez,” by F L Light

In Arts & Letters, Creative Writing, Humanities, Law, Literature, Poetry, Shakespeare, Writing on March 4, 2015 at 8:45 am

F L Light

A Shakespearean proficiency in meter and rhetoric may to F L Light be ascribed. Nearly forty of his dramas are now available on Amazon, and twenty have been produced for Audible. His Gouldium is a series of twenty four dramas on the life and times of Jay Gould which he followed with six plays on Henry Clay Frick. The whole first book of his translation of The Iliad was published serially in Sonnetto Poesia. He has also appeared in Classical Outlook and The Raintown Review. Most of his thirty five books of couplets are on economics, such as Shakespeare Versus Keynes and Upwards to Emptiness the State Expands.

Excerpt from the trial of Lopez in the Guildhall, London. Behind Lopez and Sir Edward Coke sits a commission of fifteen jurors, including Sir Robert Cecil.

Lopez:      A tortured oneness you demand
In all your towns. This nation’s consonance
Upon tormented uniformity
Depends. Invariable ignorance,
As constant as oblivion, is coerced
Forever, as incarcerated shocks
For all dissenters you account deserved.
Whoever is untortured will be tamed
Erelong. Minacious penalties, immense
In deprivation, mean no differers
Are free. What sanctimonious calumnies
You cast at them, for blank monotony
Suppressing faces.

Coke:                    Lopez, what pertains
To this? Vociferating mutiny
Condemns you, so against the crown you seem.

Lopez: I in the Tower was a tamed attester.
The threatful rack my truthfulness repressed.
I saw my menacers decisive. What
Lord Burghley wished he meant to wrench, as did
Sir Robert Cecil and the Earl of Essex
And William Wade. To them I lied of guilt.
Not striving with their threat, no torture I’d
Endure, too haplessly exposed to speak
My mind.

Cecil:      Thou Hebrew, vilest impotence
Befall you! Liar, be hapless on the block!

Lopez: Cecil, you deceitful statuette,
What can you state but a resentful threat?

Cecil: Asseveration soulful I believe
That says thou liest, in this assemblage blurting.

Lopez: Your crooking of my cause befits a crossed
Deformity whose manliness is lost.

Cecil: Corrupted pest! As deathful as your care
A traitor is with all the tricks you bear!

Lopez: You queenish midget, whom gigantic mocks
Should judge, be found a proditory fox!

Coke: Leave insultation, losel! Who are you
To counter Robert Cecil with contempt?
Now you commissioners, your votes in sums
Of guilt or innocence discover here.
Either of treason to her Majesty
Or for acquittal in this case hold forth.