Allen Porter Mendenhall

Archive for the ‘Emerson’ Category

El negocio sucio de la recogida pública de basuras

In Austrian Economics, Emerson, Essays, Libertarianism, Philosophy, Property on January 13, 2016 at 8:45 am

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Translated by and available here at Mises Mispano. Publicado originalmente el 14 de octubre de 2015. Traducido del inglés por Mariano Bas Uribe. El artículo original se encuentra aquí.

Han pasado casi diez años desde que el Wall Street Journal mostrara el Instituto Mises y afirmara que Auburn era un lugar ideal para estudiar las ideas libertarias y la tradición austriaca. No sé cuánto ha cambiado desde entonces, pero llegué a Auburn esperando un santuario del libre mercado, un verdadero refugio donde las ideas de Menger y Mises y Hayek estuvieran en el ambiente y estuvieran embebidas en la mayoría de la gente que no fuera miembro de la facultad de Auburn e incluso a algunos que lo fueran.

Una vez establecido en Auburn, me di cuenta de que había sido idealista e ingenuo. Incluso antes de que los medios nacionales publicaran la historia del policía que habló contra las cuotas de multas y arrestos de su departamento, incluso antes de que la ciudad de Auburn expulsara a Uber con duras regulaciones para su autorización, incluso antes de que Mark Thornton señalara la maldición del rascacielos en el pueblo, estaba el tema de mi cubo de basura.

Compre mi casa a una empresa de mudanzas, habiendo sido asignado el anterior propietario a un nuevo cargo en otra ciudad. Este propietario tenía prisa por mudarse. Antes de dejar el pueblo, llevó junto con su familia el cubo de basura al lado de la casa, lejos de la calle, donde el recogedor rechazaba tomarlo. Habían llenado el cubo con basura: comida, papel, cajas de cartón, pañales sucios y otros desperdicios. Había tanta basura en el cubo que la tapa no se cerraba del todo. Parecía una boca bostezando. La casa estuvo en el mercado durante unos ocho meses antes de que la comprara y supongo que el cubo se quedó ahí, junto a la casa, todo el tiempo. Naturalmente, había llovido durante los últimos ocho meses, así que, con su tapa medio abierta, estaba lleno de basura mojada y parásitos sin cuento. Y apestaba.

La ciudad disfruta de un virtual monopolio sobre la recogida de basuras: cobra sus tarifas con la factura del agua y alcantarillado de la ciudad. Las pocas empresas recogedoras de basuras en el pueblo atienden sobre todo a restaurantes y negocios: entidades que simplemente no pueden esperar una semana a la recogida y necesitan un proveedor de servicios capaz de vaciar contenedores enteros llenos de basura. La ciudad sí permite a los residentes renunciar a sus servicios de recogida, pero esto solo oculta su suave coacción con una ilusión de opción del consumidor.

Las cláusulas de salida son maliciosas precisamente debido a la impresión de que son inocuas, si no generosas. El derecho contractual se basa en los principios de asentimiento mutuo y acuerdo voluntario. Sin embargo, las cláusulas públicas de salida privan a los consumidores de volición y poder negociador. Distorsionan la relación contractual natural de una parte inversora, el gobierno, con un poder que la otra parte no puede disfrutar. No contratar los servicios no es una opción y el gobierno es el proveedor por defecto que establece las reglas de negociación: la baraja forma un mazo que va contra el consumidor antes de que la negociación pueda empezar.

La responsabilidad, además, recae en el consumidor para deshacer un contrato al que se ha visto obligado, en lugar de en el gobierno para proporcionar servicios de alta calidad a tipos competitivos para mantener el negocio del consumidor. Las cláusulas de salida hacen difícil al consumidor acabar su relación con el proveedor público y obligan a los competidores potenciales a operar en una situación de manifiesta desventaja.

Mi mujer y yo llamamos al ayuntamiento tratando de conseguir un cubo nuevo. Ninguna limpieza y esterilización podrían quitar su olor al cubo actual. No podíamos mantener el cubo dentro del garaje por ese olor opresivo. Dejamos mensajes de voz a diferentes personas en diferentes departamentos del ayuntamiento, pidiendo un nuevo cubo y explicando nuestra situación, pero nadie nos devolvió las llamadas. No había ninguna atención a clientes similar al que tendría una empresa privada. Después de todo había poco peligro de perdernos como clientes: el ayuntamiento era al proveedor del servicio para prácticamente todos los barrios de la ciudad, debido a la dificultad que tenían las empresas privadas para abrirse paso en un mercado controlado por el gobierno. Estábamos en ese momento atrapados por las ineficiencias y la falta de respuesta del ayuntamiento. Con mucha persistencia, mi mujer acabó consiguiendo hablar con un empleado del ayuntamiento. Sin embargo, se le informó que no podíamos conseguir un cubo nuevo si el nuestro no se rompía o robaba. Eso apestaba.

Con el tiempo descubrí otros inconvenientes de nuestro servicio público de basuras. Durante las vacaciones, cambiaban los calendarios de recogida. Cuando mi mujer y yo vivíamos en Atlanta y usábamos una empresa privada de recogida de basura, sus calendarios no cambiaban nunca. Nuestras recogidas eran siempre puntuales. Nuestros basureros eran amables y fiables porque, si no lo eran, podía contratar otros nuevos que aparecerían en mi calle a la mañana siguiente con sonrisas brillantes en sus caras.

Es bastante sencillo seguir un calendario alterado por vacaciones, así que eso hicimos en Auburn, pero los basureros rechazaron seguir dicho calendario. Después de Acción de Gracias, cuando la basura tiende a cumularse, pusimos nuestro cubo en la calle según el calendario. Lo mismo hicieron nuestros vecinos. Pero nadie recogió nuestra basura. Toda nuestra calle lo intentó la semana siguiente, el día indicado, y nadie se llevó la basura. Un vecino preocupado llamó al ayuntamiento y pudimos arreglar la embrollada situación, pero no sin dedicar tiempo y energías que podrían haberse dirigido a cosas mejores.

Cuando era niño, a mi hermano y a mí se nos encarga todos los años podar los árboles y arbustos y eliminar las malas hierbas que crecían junto al estanque de nuestro jardín. Podíamos  apilar ramas y troncos aserrados de árboles y otros desperdicios en el bordillo de nuestra calle, junto con bolsas de hierba cortada y nuestros basureros, que trabajaban para una empresa privada, siempre recogían estas cosas sin preguntas ni quejas. Se lo agradecíamos tanto que a veces les dejábamos sobres con dinero extra para expresar nuestro agradecimiento.

Sin embargo en Auburn una vez fui incapaz de añadir una bolsa de basura adicional en nuestro cubo, que estaba lleno, así que llevé el cubo a la calle y puse junto a él la bolsa adicional. Luego entré a hacerme el café matutino cuando de repente un camión de recogida aparcó junto a mi cubo. Miré por la ventana mientras el basurero descendía del camión, sacudía la cabeza, se subía de nuevo al camión, tomaba papel y bolígrafo y empezaba a escribir. Lo siguiente que supe es que estaba redactando una denuncia por una posible infracción. Resultó ser una mera advertencia, en  letras mayúsculas, de que la próxima vez que hiciera algo tan indignante como poner nuestra basura para la recogida sin usar el cubo, tendría ciertas repercusiones (he olvidado cuáles).

Cuando pienso en las cosas que los basureros recogían de nuestra calle en Atlanta (una puerta vieja, un lavabo roto, una segadora que no funcionaba) me maravillo de que el ayuntamiento te obligue a comprar etiquetas en la Oficina de Hacienda si quieres que recojan en la calle cosas como secadores, calentadores, neveras o microondas. Pero sigo siendo optimista y no solo porque Joseph Salerno venga al pueblo para ocupar la recién dotada cátedra John V. Denson en el Departamento de Economía de la Universidad de Auburn.

Soy optimista porque veo algún cambio positivo. Recientemente organizamos una venta de garaje y descubrimos, dos días antes del gran día, que el ayuntamiento obligaba a un permiso para esos eventos. Esta vez, cuando llamamos al ayuntamiento para solicitar el prmiso obligatorio para ventas de garaje, recibimos buenas noticias: esos permisos ya no eran necesarios siempre que realizáramos la venta en nuestro propio espacio de calle. Aunque sea pequeño, es un progreso. Tal vez se extienda a otros sectores de nuestra pequeña comunidad local. Hasta entonces, ¡al ataque!

1881: The Year Oliver Wendell Holmes Jr. Adapted Emerson to the Post-War Intellectual Climate

In American History, American Literature, Arts & Letters, Emerson, History, Humanities, Jurisprudence, Law, Literature, Oliver Wendell Holmes Jr., Philosophy, Pragmatism, Western Philosophy on October 14, 2015 at 8:45 am

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Oliver Wendell Holmes Jr. turned forty in 1881. The publication of The Common Law that year gave him a chance to express his jurisprudence to a wide audience. This marked a turning point in his career. Over the next year, he would become a professor at Harvard Law School and then, a few months later, an associate justice of the Massachusetts Supreme Judicial Court.

The trauma of the Civil War affected his thinking and would eventually impact his jurisprudence. Leading up to the War, he had been an Emersonian idealist who associated with such abolitionists as Wendell Phillips. As a student at Harvard, he had served as Phillips’s bodyguard. He later enlisted in the infantry before joining the Twentieth Massachusetts, a regiment that lost five eighths of its men. He was wounded at the Battle of Ball’s Bluff in October of 1861, when he took a bullet to his chest; the bullet passed through his body without touching his heart or lungs. In September of 1862, he was wounded at the Battle of Antietam, a bullet having passed through his neck. In May of 1863, at Marye’s Hill, close to where the battle of Fredericksburg had taken place six months earlier, Holmes was shot and wounded a third time. This time the bullet struck him in the heel, splintered his bone, and tore his ligaments; his doctors were convinced that he would lose his leg. He did not, but he limped for the rest of his life.

He emerged from the War a different man. He was colder now, and more soberminded. “Holmes believed,” Louis Menand says, “that it was no longer possible to think the way he had as a young man before the war, that the world was more resistant than he had imagined. But he did not forget what it felt like to be a young man before the war.” And he learned that forms of resistance were necessary and natural in the constant struggle of humans to organize their societies and to discover what practices and activities ought to govern their conduct. The War, accordingly, made him both wiser and more disillusioned. In light of his disillusionment, he reflected the general attitudes of many men his age.

But not all men his age shared his penetrating intellect or his exhilarating facility with words; nor did they have his wartime experience, for most men who experienced what he had during the war did not live to tell about it. Certainly no one besides Holmes could claim to have enjoyed such intimate and privileged access to the Brahmin, Emersonian culture of New England before the War, and he more than anyone was equipped to see the continued relevance of that culture to the present. He knew there were things the War could not destroy and varieties of thought that could endure.

The above text is an excerpt from my essay “Pragmatism on the Shoulders of Emerson: Oliver Wendell Holmes Jr.’s Jurisprudence as a Synthesis of Emerson, Peirce, James, and Dewey,” published in The South Carolina Review, Vol. 48, No. 1 (2015). To view the full essay, you may download it here at SSRN or visit the website of The South Carolina Review.

 

Harold Bloom’s American Sublime

In Academia, America, American Literature, Art, Artist, Arts & Letters, Book Reviews, Books, Creativity, Emerson, Fiction, History, Humanities, Literary Theory & Criticism, Literature, Nineteenth-Century America, Novels, Philosophy, Poetry, Rhetoric, Scholarship, The Novel, Western Civilization, Western Philosophy, Writing on August 12, 2015 at 8:45 am

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This review originally appeared here in the American Conservative.

What can be said about Harold Bloom that hasn’t been said already? The Yale professor is a controversial visionary, a polarizing seer who has been recycling and reformulating parallel theories of creativity and influence, with slightly different foci and inflections, for his entire career, never seeming tiresome or repetitive. He demonstrates what is manifestly true about the best literary critics: they are as much artists as the subjects they undertake.

Bloom’s criticism is characterized by sonorous, cadenced, almost haunting prose, by an exacting judgment and expansive imagination, and by a painful, sagacious sensitivity to the complexities of human behavior and psychology. He is a discerning Romantic in an age of banality and distraction, in a culture of proud illiteracy and historical unawareness. Bloom reminds us that to be faithful to tradition is to rework it, to keep it alive, and that tradition and innovation are yoked pairs, necessarily dependent on one another.

Bloom has been cultivating the image and reputation of a prophet or mystic for decades. His stalwart defense of the Western canon is well known but widely misunderstood. His descriptive account is that the canon is fluid, not fixed—open, not closed. It might be stable, but it’s not unchangeable. The literary canon is the product of evolution, a collection of the fittest works that have been selectively retained, surviving the onslaught of relentless competition.

Bloom’s prescriptive position is that, because human agency is a controllable factor in this agnostic filtering process, serious readers can and should ensure that masterpieces, those stirring products of original, even genius minds, are retained, and that the latest works are held to the highest aesthetic standards, which are themselves established and proven by revisionary struggle. The merit of a work is not found in the identity of its author—his or her race, gender, or sexuality—but in the text proper, in the forms and qualities of the work itself.

Bloom’s latest book, The Daemon Knows: Literary Greatness and the American Sublime, examines ambitious and representative American authors, its chapters organized by curious pairings: Whitman with Melville (the “Giant Forms” of American literature), Emerson with Dickinson (the Sage of Concord is Dickinson’s “closest imaginative father”), Hawthorne with Henry James (a relation “of direct influence”), Twain with Frost (“our only great masters with popular audiences”), Stevens with Eliot (“an intricate interlocking” developed through antithetical competition), and Faulkner with Crane (“each forces the American language to its limits”). This mostly male cast, a dozen progenitors of the American sublime, is not meant to constitute a national canon. For that, Bloom avers in his introduction, he envisions alternative selections, including more women: Edith Wharton, Willa Cather, Marianne Moore, and Flannery O’Connor. Bloom’s chosen 12 represent, instead, “our incessant effort to transcend the human without forsaking humanism.” These writers have in common a “receptivity to daemonic influx.” “What lies beyond the human for nearly all of these writers,” Bloom explains, “is the daemon.”

What is this daemon, you ask. As always, Bloom is short on definition, embracing the constructive obscurity—the aesthetic vagueness—that Richard Poirier celebrated in Emerson and William James and Robert Frost, Bloom’s predecessors. Bloom implies that calling the “daemon” an idea is too limiting; the word defies ready explanation or summation.

The daemon, as I read it, is an amorphous and spiritual source of quasi-divine inspiration and influence, the spark of transitional creative powers; it’s akin to shamanism, and endeavors to transcend, move beyond, and surpass. Its opposite is stasis, repose. “Daemons divide up divine power and are in perpetual movement from their supernal heights to us,” Bloom remarks in one of his more superlative moments. “They bring down messages,” he intones, “each day’s news of the metamorphic meanings of the division between our mundane shell and the upper world.”

What, you might ask in follow up, is the American sublime that it should stand in marked contrast to the European tradition, rupturing the great chain of influence, revealing troublesome textual discontinuities and making gaps of influence that even two poets can pass abreast? “Simplistically,” Bloom submits, “the sublime in literature has been associated with peak experiences that render a secular version of a theophany: a sense of something interfused that transforms a natural moment, landscape, action, or countenance.” This isn’t quite Edmund Burke’s definition, but it does evoke the numinous, what Bloom calls, following Burke, “an excursion into the psychological origins of aesthetic magnificence.”

The Daemon Knows is part memoir, a recounting of a lifetime spent with books. There are accounts of Robert Penn Warren, Leslie Fiedler, and Cleanth Brooks. Bloom’s former students and mentors also make brief appearances: Kenneth Burke, for instance, and Camille Paglia. And Bloom doesn’t just analyze, say, Moby Dick—he narrates about his first encounter with that book back in the summer of 1940. He later asserts, “I began reading Hart Crane in the library on my tenth birthday.” That he remembers these experiences at all speaks volumes to Melville’s and Crane’s bewitching facility and to Bloom’s remarkable receptivity.

Bloom has not shied away from his signature and grandiose ahistorical pronouncements, perhaps because they’re right. Melville, for instance, is “the most Shakespearean of our authors,” an “American High Romantic, a Shelleyan divided between head and heart, who held against Emerson the sage’s supposed deficiency in the region of the heart.” Or, “Emersonian idealism was rejected by Whitman in favor of Lucretian materialism, itself not compatible with Indian speculations.” Or, “Stevens received from Whitman the Emersonian conviction that poetry imparts wisdom as well as pleasure.” These generalizations would seem to service hagiography, but even if they’re overstatement, are they wrong?

My professors in graduate school, many of them anyway, chastised Bloom and dubbed him variously a reactionary, a racist, a misogynist, a bigot, or a simpleton; they discouraged his presence in my essays and papers, laughing him out of classroom conversation and dismissing his theories out-of-hand. Or else, stubbornly refusing to assess his theories on their own terms, they judged the theories in the light of their results: the theories were bad because certain authors, the allegedly privileged ones, came out on top, as they always have. This left little room for newcomers, for egalitarian fads and fashions, and discredited (or at least undermined) the supposedly noble project of literary affirmative action.

They will be forgotten, these dismissive pedants of the academy, having contributed nothing of lasting value to the economy of letters, while Bloom will live on, continuing to shock and upset his readers, forcing them to second-guess their judgments and tastes, their criteria for aesthetic value, challenging their received assumptions and thumping them over the head with inconvenient facts and radical common sense. The school of resentment and amateurish cultural studies, appropriate targets of Bloom’s learned animus, will die an inglorious death, as dogmatic political hermeneutics cannot withstand the test of time.

Bloom, on the other hand, like his subjects, taps his inner daemon, invokes it and rides it where it travels, struggles against the anxiety of influence and displays all of the rhetorical power and play of the strong poets he worships. Dr. Samuel Johnson and Northrop Frye reverberate throughout his capacious tome, and for that matter his entire oeuvre. Bloom’s psychic brooding becomes our own, if we read him pensively, and we are better off for it.

Those who view literary study as a profession requiring specialized and technical training, who chase tenure and peer approval, publishing in academic journals and gaining no wider audience than groveling colleagues, do not possess the originality, the foresight, or the brute imagination necessary to achieve enduring appeal. Reading, done right, is a profoundly personal activity, an exercise in solitary contemplation and possible revelation; writing, done right, is transference: the redirection of complex states of consciousness and knowing from one person to another. A few sentences of Bloom’s contemplative questioning, such as the following, are worth the weight of whole academic articles: “At eighty-four I wonder why poems in particular obsessed me from childhood onward. Because I had an overemotional sensibility, I tended to need more affection from my parents and sisters than even they could sustain. From the age of ten on, I sought from Moyshe-Leyb Halpern and Hart Crane, from Shakespeare and Shelley, the strong affect I seemed to need from answering voices.” Here Bloom invites Freudian investigation of himself, summoning the psychoanalytic models he uses on others.

Bloom is now 85. He claims to have another book left in him, making this one his penultimate. His awesome and dedicated engagement with the best that has been thought and known in the world appears to have left him unafraid of the finish, of what comes next, as though literary intimacy and understanding have prepared him, equipped him, for the ultimate. It seems fitting, then, to quote him on this score and to end with a musing on the end: “We are at least bequeathed to an earthly shore and seek memorial inscriptions, fragments heaped against our ruins: an interval and then we are gone. High literature endeavors to augment that span: My twelve authors center, for me, that proliferation of consciousness by which we go on living and finding our own sense of being.”

The Classical Liberalism of Ralph Waldo Emerson

In America, American History, American Literature, Arts & Letters, Austrian Economics, Books, Economics, Emerson, Essays, Ethics, Historicism, History, Humane Economy, Humanities, Liberalism, Libertarianism, Literary Theory & Criticism, Literature, Nineteenth-Century America, Philosophy, Poetry, Politics, Property, Western Philosophy on January 7, 2015 at 8:45 am

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“The less government we have, the better.”[1] So declared Ralph Waldo Emerson, a man not usually treated as a classical liberal. Yet this man—the Sage of Concord—held views that cannot be described as anything but classical liberal or libertarian. His is a pastoral libertarianism that glorifies nature as a source of insight and inspiration for those with a poetical sense and a prophetic vision.

None other than Cornel West, no friend of the free market, has said that “Emerson is neither a liberal nor a conservative and certainly not a socialist or even a civic republican. Rather he is a petit bourgeois libertarian, with at times anarchist tendencies and limited yet genuine democratic sentiments.”[2] “Throughout his career,” Neal Dolan adds, “Emerson remained fully committed to the Scottish-inflected Lockean-libertarian liberalism whose influence we have traced to his earliest notebooks.”[3] An abundance of evidence supports this view. Dolan himself has written an entire book on the subject: Emerson’s Liberalism (University of Wisconsin Press, 2009). Emerson extolled the “infinitude of the private man”[4] and projected a “strong libertarian-liberal emphasis”[5] in his essays and speeches. He was not an anarchist: he believed that “[p]ersonal rights, universally the same, demand a government framed on the ratio of the census” because “property demands a government framed on the ratio of owners and of owning.”[6] Nevertheless, he opined that “[e]very actual State is corrupt”[7] and that, if the people in a given territory were wise, no government would be necessary: “[W]ith the appearance of the wise man, the State expires. The appearance of character makes the State unnecessary.”[8] One need only look to one of Emerson’s most famous essays, “Self Reliance,” for proof of his libertarianism.

“Self‑Reliance” is perhaps the most exhilarating expression of individualism ever written, premised as it is on the idea that each of us possesses a degree of genius that can be realized through confidence, intuition, and nonconformity. “To believe your own thought, to believe that what is true for you in your private heart is true for all men,” Emerson proclaims, “that is genius.”[9]

Genius, then, is a belief in the awesome power of the human mind and in its ability to divine truths that, although comprehended differently by each individual, are common to everyone. Not all genius, on this view, is necessarily or universally right, since genius is, by definition, a belief only, not a definite reality. Yet it is a belief that leads individuals to “trust thyself”[10] and thereby to realize their fullest potential and to energize their most creative faculties. Such self‑realization has a spiritual component insofar as “nothing is at last sacred but the integrity of your own mind”[11] and “no law can be sacred to me but that of my nature.”[12]

According to Emerson, genius precedes society and the State, which corrupt rather than clarify reasoning and which thwart rather than generate productivity. “Wild liberty develops iron conscience” whereas a “[w]ant of liberty […] stupefies conscience.”[13] History shows that great minds have challenged the conventions and authority of society and the State and that “great works of art have no more affecting lesson for us than this. They teach us to abide by our spontaneous impression with good‑humored inflexibility then most when the whole cry of voices is on the other side.”[14] Accordingly, we ought to refuse to “capitulate to badges and names, to large societies and dead institutions.”[15] We ought, that is, to be deliberate, nonconformist pursuers of truth rather than of mere apprehensions of truth prescribed for us by others. “Whoso would be a man,” Emerson says, “must be a noncomformist.”[16]

Self‑Interest and Conviction

For Emerson as for Ayn Rand, rational agents act morally by pursuing their self‑interests, including self‑interests in the well‑being of family, friends, and neighbors, who are known and tangible companions rather than abstract political concepts. In Emerson’s words, “The only right is what is after my constitution, the only wrong what is against it.”[17] Or: “Few and mean as my gifts may be, I actually am, and do not need for my own assurance or the assurance of my fellows any secondary testimony.”[18] It is in everyone’s best interest that each individual resides in his own truth without selling off his liberty.[19] “It is,” in other words, “easy to see that a greater self-reliance must work a revolution in all the offices and relations of men.”[20]

It is not that self‑assurance equates with rightness or that stubbornness is a virtue; it is that confidence in what one knows and believes is a condition precedent to achieving one’s goals. Failures are inevitable, as are setbacks; only by exerting one’s will may one overcome the failures and setbacks that are needed to achieve success. Because “man’s nature is a sufficient advertisement to him of the character of his fellows,”[21] self-reliance enables cooperative enterprise: “Whilst I do what is fit for me, and abstain from what is unfit, my neighbor and I shall often agree in our means, and work together for a time to one end.”[22] Counterintuitively, only in total isolation and autonomy does “all mean egotism vanish.”[23]

If, as Emerson suggests, a “man is to carry himself in the presence of all opposition, as if everything were titular and ephemeral but he,”[24] how should he treat the poor? Emerson supplies this answer:

Do not tell me, as a good man did to‑day, of my obligation to put all poor men in good situations. Are they my poor? I tell thee, thou foolish philanthropist, that I grudge the dollar, the dime, the cent, I give to such men as do not belong to me and to whom I do not belong. There is a class of persons to whom by all spiritual affinity I am bought and sold; for them I will go to prison, if need be; but your miscellaneous popular charities; the education at college of fools; the building of meeting‑houses to the vain end to which many now stand; alms to sots; and the thousandfold Relief Societies;—though I confess with shame I sometimes succumb and give the dollar, it is a wicked dollar which by and by I shall have the manhood to withhold.[25]

These lines require qualification. Emerson is not damning philanthropy or charity categorically or unconditionally; after all, he will, he says, go to prison for certain individuals with whom he shares a special relationship. “I shall endeavor to nourish my parents, to support my family, to be the chaste husband of one wife,” he elaborates.[26] Emerson is, instead, pointing out, with much exhibition, that one does not act morally simply by giving away money without conviction or to subsidize irresponsible, unsustainable, or exploitative business activities.

It is not moral to give away a little money that you do not care to part with or to fund an abstract cause when you lack knowledge of, and have no stake in, its outcome. Only when you give money to people or causes with which you are familiar,[27] and with whom or which you have something at stake, is your gift meaningful; and it is never moral to give for show or merely to please society. To give morally, you must mean to give morally—and have something to lose. The best thing one can do for the poor is to help them to empower themselves to achieve their own ends and to utilize their own skills—to put “them once more in communication with their own reason.”[28] “A man is fed,” Emerson says, not that he may be fed, but that he may work.”[29] Emerson’s work ethic does not demean the poor; it builds up the poor. It is good and right to enable a poor man to overcome his conditions and to elevate his station in life, but there is no point in trying to establish absolute equality among people, for only the “foolish […] suppose every man is as every other man.”[30] The wise man, by contrast, “shows his wisdom in separation, in gradation, and his scale of creatures and of merits as wide as nature.”[31] Such separation and gradation are elements of the beautiful variety and complexity of the natural, phenomenal world in which man pursues his aims and accomplishes what he wills.

Dissent

Emerson famously remarks that a “foolish consistency is the hobgoblin of little minds, adored by little statesmen and philosophers and divines.”[32] Much ink has been spilled to explain (or explain away) these lines. I take them to mean, in context, that although servile flattery and showy sycophancy may gain a person recognition and popularity, they will not make that person moral or great but, instead, weak and dependent. There is no goodness or greatness in a consistency imposed from the outside and against one’s better judgment; many ideas and practices have been consistently bad and made worse by their very consistency. “With consistency,” therefore, as Emerson warns, “a great soul has simply nothing to do.”[33]

Ludwig von Mises seems to have adopted the animating, affirming individualism of Emerson, and even, perhaps, Emerson’s dictum of nonconformity. Troping Emerson, Mises remarks that “literature is not conformism, but dissent.”[34] “Those authors,” he adds, “who merely repeat what everybody approves and wants to hear are of no importance. What counts alone is the innovator, the dissenter, the harbinger of things unheard of, the man who rejects the traditional standards and aims at substituting new values and ideas for old ones.”[35] This man does not mindlessly stand for society and the State and their compulsive institutions; he is “by necessity anti‑authoritarian and anti‑governmental, irreconcilably opposed to the immense majority of his contemporaries. He is precisely the author whose books the greater part of the public does not buy.”[36] He is, in short, an Emersonian, as Mises himself was.

The Marketplace of Ideas

To be truly Emersonian you may not accept the endorsements and propositions here as unconditional truth, but must, instead, read Emerson and Mises and Rand for yourself to see whether their individualism is alike in its affirmation of human agency resulting from inspirational nonconformity. If you do so with an inquiring seriousness, while trusting the integrity of your own impressions, you will, I suspect, arrive at the same conclusion I have reached.

There is an understandable and powerful tendency among libertarians to consider themselves part of a unit, a movement, a party, or a coalition, and of course it is fine and necessary to celebrate the ways in which economic freedom facilitates cooperation and harmony among groups or communities; nevertheless, there is also a danger in shutting down debate and in eliminating competition among different ideas, which is to say, a danger in groupthink or compromise, in treating the market as an undifferentiated mass divorced from the innumerable transactions of voluntarily acting agents. There is, too, the tendency to become what Emerson called a “retained attorney”[37] who is able to recite talking points and to argue the predictable “airs of the bench”[38] without engaging the opposition in a meaningful debate.

Emerson teaches not only to follow your convictions but to engage and interact with others lest your convictions be kept to yourself and deprived of any utility. It is the free play of competing ideas that filters the good from the bad; your ideas aren’t worth a lick until you’ve submitted them to the test of the marketplace.

“It is easy in the world,” Emerson reminds us, “to live after the world’s opinion; it is easy in solitude to live after our own; but the great man is he who in the midst of the crowd keeps with perfect sweetness the independence of solitude.”[39] We can stand together only by first standing alone. Thus, “[w]e must go alone.”[40] You must “[i]nsist on yourself”[41] and “[s]peak the truth.”[42] You must channel your knowledge and originality to enable others to empower themselves. All collectives are made up of constituent parts; the unit benefits from the aggregate constructive action of motivated individuals. Emerson teaches us that if we all, each one of us, endeavor to excel at our favorite preoccupations and to expand the reach of our talent and industry, we will better the lives of those around us and pass along our prosperity to our posterity.

[1] Ralph Waldo Emerson, “Politics,” in Emerson: Essays & Poems (The Library of America, 1996), p. 567.

[2] Cornel West, The American Evasion of Philosophy (University of Wisconsin Press, 1989), p. 40.

[3] Neal Dolan, “Property in Being,” in A Political Companion to Ralph Waldo Emerson, edited by Alan M. Levine and Daniel S. Malachuk (The University Press of Kentucky, 2011), p. 371.

[4] Ralph Waldo Emerson, correspondence in The Journals and Miscellaneous Notebooks of Ralph Waldo Emerson, 16 vols., ed. William H. Gilman, Ralph H. Orth, et al. (Cambridge: Harvard University Press, 1960-1982). This quote comes from Vol. 7, p. 342.

[5] Neal Dolan, Emerson’s Liberalism (University of Wisconsin Press, 2009), p. 182.

[6] Emerson, “Politics,” at 560.

[7] Emerson, “Politics,” at 563.

[8] Emerson, “Politics,” at 568.

[9] Ralph Waldo Emerson, “Self-Reliance,” in Emerson: Essays & Poems (The Library of America, 1996), p. 259.

[10] Emerson, “Self-Reliance,” at 260.

[11] Emerson, “Self-Reliance,” at 261.

[12] Emerson, “Self-Reliance,” at 262.

[13] Emerson, “Politics” at 565-566.

[14] Emerson, “Self-Reliance,” at 259.

[15] Emerson, “Self-Reliance,” at 262.

[16] Emerson, “Self-Reliance,” at 261.

[17] Emerson, “Self-Reliance,” at 262.

[18] Emerson, “Self-Reliance,” at 263.

[19] Emerson, “Self-Reliance,” at 274.

[20] Emerson, “Self-Reliance,” at 275.

[21] Emerson, “Politics,” at 566.

[22] Emerson, “Politics,” at 567.

[23] Emerson, “Nature,” in Emerson: Essays and Poems, p. 10. The original reads “all mean egotism vanishes” rather than “vanish.”

[24] Emerson, “Self-Reliance,” at 262.

[25] Emerson, “Self-Reliance,” at 262-63.

[26] Emerson, “Self-Reliance,” at 273.

[27] “Consider whether you have satisfied your relations to father, mother, cousin, neighbor, town, cat, and dog,” Emerson says. Emerson, “Self Reliance,” at 274.

[28] Emerson, “Self-Reliance,” at 276.

[29] Emerson, “Nature,” at 13.

[30] Emerson, “Nature,” at 27.

[31] Emerson, “Nature,” at 27.

[32] Emerson, “Self-Reliance,” at 265.

[33] Emerson, “Self-Reliance,” at 265.

[34] Ludwig von Mises, The Anti-Capitalistic Mentality (Auburn: The Ludwig von Mises Institute, 2008), p. 51.

[35] Mises, The Anti-Capitalistic Mentality, at 51.

[36] Mises, The Anti-Capitalistic Mentality, at 51.

[37] Emerson, “Self-Reliance,” at 264.

[38] Emerson, “Self-Reliance,” at 264.

[39] Emerson, “Self-Reliance,” at 263.

[40] Emerson, “Self-Reliance,” at 272.

[41] Emerson, “Self-Reliance,” at 278.

[42] Ralph Waldo Emerson, “The Divinity School Address,” in Emerson: Essays & Poems (The Library of America, 1996), p. 77.

Oliver Wendell Holmes, Jr., and the Literary Quality of his Prose

In America, American History, American Literature, Arts & Letters, Emerson, History, Humanities, Jurisprudence, Law, Law-and-Literature, Literary Theory & Criticism, Literature, Modernism, Oliver Wendell Holmes Jr., Poetry, Rhetoric, Writing on June 11, 2014 at 8:45 am

Allen 2

Oliver Wendell Holmes Jr.’s writings are known for their literary qualities.  The Class Poet at Harvard, the son of a famous poet, and a lifelong devotee of Emerson, Holmes often rendered his judicial writings in poetic prose.  Consider the following lines from Gitlow v. New York, which I have reformulated as a poem:

 

                 Gitlow v. New York[i]

                 A Poem[ii] (1925)

Every idea

is an incitement.

It offers itself for belief

and if believed

it is acted on

unless some other belief

outweighs it

or some failure of energy

stifles the movement

at its birth.

The only difference

between the expression

of an opinion and an incitement

in the narrower sense

is the speaker’s enthusiasm

for the result.

Eloquence may set fire

to reason.

But whatever may be thought

of the redundant discourse

before us

it had no chance of starting

a present conflagration.

 

The plain, raw idioms and variable feet in these lines resemble those characteristically employed by Stevens and William Carlos Williams. Holmes’s language here is similar in tone and rhythm to Williams’s in “The Red Wheelbarrow,” which was published just two years before this dissent. Holmes’s alliterative use of the letter “n” emphasizes mobility, momentum, and ignition: “incitement,” “energy,” “movement,” “incitement,” “enthusiasm,” “conflagration.” These nouns suggest provocation, stimulus, instigation; they are tied to ideas themselves, as in the line “every idea is an incitement,” hence the correspondingly alliterative “n” sounds in the words “expression” and “reason.” The metrical regularity of “Every,” “offers it…,” “for belief,” “failure of,” “energy,” “stifles the,” “at its birth,” “difference,” “narrower,” “Eloquence,” and “had no chance” accents the activity associated with thinking insofar as these dactylic words and phrases pertain to ideas or beliefs. Holmes follows a series of dactyls with spondaic feet just as he describes the possibility of combustion: “Eloquence [stress / slack / slack] may set fire [stress / stress / stress / slack] to reason [stress / stress / slack].” It is as though he wishes to create the sense of building pressure and then of sudden release or combustion. Two unstressed lines abruptly interrupt the heightened tension; the first appears with the transitional conjunction “But,” which signals a change in the tone. Holmes appears to reverse the intensity and calm his diction as he assures us that the “redundant discourse,” a phrase made cacophonous by the alliterative “d” and “s” sounds, has “no chance of starting a present conflagration.” A sudden move to iambic feet and hence to a lightened tone rounds out these lines and suggests that Holmes has smothered or extinguished whatever energy had been building with the three-syllable feet. These lines have become some of the most famous in American constitutional history most likely because of their memorable qualities, which contributed to the eventual vindication of the dissent.

Be that as it may, feet and meter are basic to English speech and writing and may be displayed in many other legal writings by less able judges and justices. It would be difficult to prove that Holmes deliberately set out to invest these lines with literary features, at least those pertaining to alliteration and feet. Holmes no doubt had an ear for language and probably intended to employ alliteration, rhythm, and rhyme in his writings, but how far does his intent extend?  Does the scanning exercise above give Holmes too much credit and attribute to his writings undeserved praise?  There is no empirical way to answer this question, but the speculation is, I think, worth the time.

 

[i] Gitlow v. N.Y., 268 U.S. 652 (1925).

 

[ii] My addition.

 

Transcendental Liberty

In America, American History, Arts & Letters, Creativity, Emerson, Essays, Ethics, History, Humane Economy, Humanities, Libertarianism, Literary Theory & Criticism, Literature, Nineteenth-Century America, Philosophy, Poetry, Politics, Property, Rhetoric, Western Philosophy, Writing on January 15, 2014 at 8:45 am

Allen 2

This essay originally appeared here in The Freeman.

“The less government we have, the better.” So declared Ralph Waldo Emerson, a  man not usually treated as a classical liberal. Yet this man—the Sage of  Concord—held views that cannot be described as anything but classical liberal or  libertarian.

None other than Cornel West, no friend of the free market, has said that  “Emerson is neither a liberal nor a conservative and certainly not a socialist  or even a civic republican. Rather he is a petit bourgeois libertarian, with at  times anarchist tendencies and limited yet genuine democratic sentiments.” An  abundance of evidence supports this view. Emerson was, after all, the man who  extolled the “infinitude of the private man.” One need only look at one of  Emerson’s most famous essays, “Self Reliance,” for evidence of his  libertarianism.

“Self-Reliance” is perhaps the most exhilarating expression of individualism  ever written, premised as it is on the idea that each of us possesses a degree  of genius that can be realized through confidence, intuition, and nonconformity.  “To believe your own thought, to believe that what is true for you in your  private heart is true for all men,” Emerson proclaims, “that is genius.”

Genius, then, is a belief in the awesome power of the human mind and in its  ability to divine truths that, although comprehended differently by each  individual, are common to everyone. Not all genius, on this view, is necessarily  or universally right, since genius is, by definition, a belief only, not a  definite reality. Yet it is a belief that leads individuals to “trust thyself”  and thereby to realize their fullest potential and to energize their most  creative faculties. Such self-realization has a spiritual component insofar as  “nothing is at last sacred but the integrity of your own mind” and “no law can  be sacred to me but that of my nature.”

According to Emerson, genius precedes society and the State, which corrupt  rather than clarify reasoning and which thwart rather than generate  productivity. History shows that great minds have challenged the conventions and  authority of society and the State and that “great works of art have no more  affecting lesson for us than this. They teach us to abide by our spontaneous  impression with good-humored inflexibility then most when the whole cry of  voices is on the other side.” Accordingly, we ought to refuse to “capitulate to  badges and names, to large societies and dead institutions.” We ought, that is,  to be deliberate, nonconformist pursuers of truth rather than of mere  apprehensions of truth prescribed for us by others. “Whoso would be a man,”  Emerson says, “must be a noncomformist.”

Self-Interest and Conviction

For Emerson, as for Ayn Rand, rational agents act morally by pursuing their  self-interests, including self-interests in the well-being of family, friends,  and neighbors, who are known and tangible companions rather than abstract  political concepts. In Emerson’s words, “The only right is what is after my  constitution, the only wrong what is against it.” Or: “Few and mean as my gifts  may be, I actually am, and do not need for my own assurance or the assurance of  my fellows any secondary testimony.”

It is not that self-assurance equates with rightness, or that stubbornness  is a virtue; it is that confidence in what one knows and believes is a condition  precedent to achieving one’s goals. Failures are inevitable, as are setbacks;  only by exerting one’s will may one overcome the failures and setbacks that are  needed to achieve success.

If, as Emerson suggests, a “man is to carry himself in the presence of all  opposition, as if everything were titular and ephemeral but he,” how should he  treat the poor?  Emerson supplies this answer:

Do not tell me, as a good man did to-day, of my  obligation to put all poor men in good situations. Are they my poor? I tell  thee, thou foolish philanthropist, that I grudge the dollar, the dime, the cent,  I give to such men as do not belong to me and to whom I do not belong. There is  a class of persons to whom by all spiritual affinity I am bought and sold; for  them I will go to prison, if need be; but your miscellaneous popular charities;  the education at college of fools; the building of meeting-houses to the vain  end to which many now stand; alms to sots; and the thousandfold Relief  Societies;—though I confess with shame I sometimes succumb and give the dollar,  it is a wicked dollar which by and by I shall have the manhood to withhold.

These lines require qualification. Emerson is not damning philanthropy or  charity categorically or unconditionally; after all, he will, he says, go to  prison for certain individuals with whom he shares a special relationship. He  is, instead, pointing out, with much exhibition, that one does not act morally  simply by giving away money without conviction or to subsidize irresponsible,  unsustainable, or exploitative business activities. It is not moral to give away  a little money that you do not care to part with, or to fund an abstract cause  when you lack knowledge of, and have no stake in, its outcome. Only when you  give money to people or causes with which you are familiar, and with whom or  which you have something at stake, is your gift meaningful; and it is never  moral to give for show or merely to please society. To give morally, you must  mean to give morally—and have something to lose.

Dissent

Emerson famously remarks that a “foolish consistency is the hobgoblin of  little minds, adored by little statesmen and philosophers and divines.” Much ink  has been spilled to explain (or explain away) these lines. I take them to mean,  in context, that although servile flattery and showy sycophancy may gain a  person recognition and popularity, they will not make that person moral or great  but, instead, weak and dependent. There is no goodness or greatness in a  consistency imposed from the outside and against one’s better judgment; many  ideas and practices have been consistently bad and made worse by their very  consistency. “With consistency,” therefore, as Emerson warns, “a great soul has  simply nothing to do.”

Ludwig von Mises seems to have adopted the animating, affirming  individualism of Emerson, and even, perhaps, Emerson’s dictum of nonconformity.  Troping Emerson, Mises remarks that “literature is not conformism, but dissent.”  “Those authors,” he adds, “who merely repeat what everybody approves and wants  to hear are of no importance. What counts alone is the innovator, the dissenter,  the harbinger of things unheard of, the man who rejects the traditional  standards and aims at substituting new values and ideas for old ones.” This man  does not mindlessly stand for society and the State and their compulsive  institutions; he is “by necessity anti-authoritarian and anti-governmental,  irreconcilably opposed to the immense majority of his contemporaries. He is  precisely the author whose books the greater part of the public does not buy.”  He is, in short, an Emersonian, as Mises himself was.

The Marketplace of Ideas

To be truly Emersonian, you may not accept the endorsements and propositions  in this article as unconditional truth, but must, instead, read Emerson and  Mises and Rand for yourself to see whether their individualism is alike in its  affirmation of human agency resulting from inspirational nonconformity. If you  do so with an inquiring seriousness, while trusting the integrity of your own  impressions, you will, I suspect, arrive at the same conclusion I have  reached.

There is an understandable and powerful tendency among libertarians to  consider themselves part of a unit, a movement, a party, or a coalition, and of  course it is fine and necessary to celebrate the ways in which economic freedom  facilitates cooperation and harmony among groups or communities; nevertheless,  there is also a danger in shutting down debate and in eliminating competition  among different ideas, which is to say, a danger in groupthink or compromise, in  treating the market as an undifferentiated mass divorced from the innumerable  transactions of voluntarily acting agents. There is, too, the tendency to become  what Emerson called a “retained attorney” who is able to recite talking points  and to argue predictable “airs of opinion” without engaging the opposition in a  meaningful debate.

Emerson teaches not only to follow your convictions but to engage and  interact with others, lest your convictions be kept to yourself and deprived of  any utility. It is the free play of competing ideas that filters the good from  the bad; your ideas aren’t worth a lick until you’ve submitted them to the test  of the marketplace.

“It is easy in the world,” Emerson reminds us, “to live after the world’s  opinion; it is easy in solitude to live after our own; but the great man is he  who in the midst of the crowd keeps with perfect sweetness the independence of  solitude.” Let us stand together by standing alone.

Literature and Liberty: Essays in Libertarian Literary Criticism

In Arts & Letters, Austrian Economics, Books, Economics, Emerson, Fiction, History, Humane Economy, Humanities, Imagination, Justice, Law-and-Literature, Liberalism, Libertarianism, Literary Theory & Criticism, Literature, News and Current Events, News Release, Novels, Philosophy, Politics, Property, Rhetoric, Shakespeare, The Novel, Transnational Law, Western Civilization, Western Philosophy, Writing on November 15, 2013 at 8:46 am

Allen 2

My forthcoming book, Literature and Liberty: Essays in Libertarian Literary Criticism, is now available for pre-order here at Amazon.com or here at Rowman & Littlefield’s website.  From the cover:

The economic theories of Karl Marx and his disciples continue to be anthologized in books of literary theory and criticism and taught in humanities classrooms to the exclusion of other, competing economic paradigms. Marxism is collectivist, predictable, monolithic, impersonal, linear, reductive — in short, wholly inadequate as an instrument for good in an era when we know better than to reduce the variety of human experience to simplistic formulae. A person’s creative and intellectual energies are never completely the products of culture or class. People are rational agents who choose between different courses of action based on their reason, knowledge, and experience. A person’s choices affect lives, circumstances, and communities. Even literary scholars who reject pure Marxism are still motivated by it, because nearly all economic literary theory derives from Marxism or advocates for vast economic interventionism as a solution to social problems.

Such interventionism, however, has a track-record of mass murder, war, taxation, colonization, pollution, imprisonment, espionage, and enslavement — things most scholars of imaginative literature deplore. Yet most scholars of imaginative literature remain interventionists. Literature and Liberty offers these scholars an alternative economic paradigm, one that over the course of human history has eliminated more generic bads than any other system. It argues that free market or libertarian literary theory is more humane than any variety of Marxism or interventionism. Just as Marxist historiography can be identified in the use of structuralism and materialist literary theory, so should free-market libertarianism be identifiable in all sorts of literary theory. Literature and Liberty disrupts the near monopolistic control of economic ideas in literary studies and offers a new mode of thinking for those who believe that arts and literature should play a role in discussions about law, politics, government, and economics. Drawing from authors as wide-ranging as Emerson, Shakespeare, E.M. Forster, Geoffrey of Monmouth, Henry Hazlitt, and Mark Twain, Literature and Liberty is a significant contribution to libertarianism and literary studies.

Pragmatists Versus Agrarians?

In America, American History, Arts & Letters, Book Reviews, Books, Conservatism, Emerson, History, Humanities, Liberalism, Literary Theory & Criticism, Literature, Nineteenth-Century America, Philosophy, Politics, Pragmatism, Southern History, Southern Literature, Western Civilization, Western Philosophy, Writing on June 19, 2013 at 8:45 am

Allen Mendenhall

This review originally appeared here at The University Bookman.

John J. Langdale’s Superfluous Southerners paints a magnificent portrait of Southern conservatism and the Southern Agrarians, and it will become recognized as an outstanding contribution to the field of Southern Studies. It charts an accurate and compelling narrative regarding Southern, Agrarian conservatism during the twentieth century, but it erroneously conflates Northern liberalism with pragmatism, muddying an otherwise immaculate study.

Langdale sets up a false dichotomy as his foundational premise: progressive, Northern pragmatists versus traditionalist, Southern conservatives. From this premise, he draws several conclusions: that Southern conservatism offers a revealing context for examining the gradual demise of traditional humanism in America; that Northern pragmatism, which ushered in modernity in America, was an impediment to traditional humanism; that “pragmatic liberalism” (his term) was Gnostic insofar as it viewed humanity as perfectible; that the man of letters archetype finds support in Southern conservatism; that Southern conservatives eschewed ideology while Northern liberals used it to present society as constantly ameliorating; that Southern conservatives celebrated “superfluity” in order to preserve canons and traditions; that allegedly superfluous ways of living were, in the minds of Southern conservatives, essential to cultural stability; that Agrarianism arose as a response to the New Humanism; and that superfluous Southerners, so deemed, refined and revised established values for new generations.

In short, his argument is that Southern conservatives believed their errand was to defend and reanimate a disintegrating past. This belief is expressed in discussion of the work of six prominent Southern men of letters spanning two generations: John Crowe Ransom, Donald Davidson, Allen Tate, Cleanth Brooks, Richard Weaver, and M. E. Bradford.

Langdale ably demonstrates how the Southern Agrarians mounted an effective and tireless rhetorical battle against organized counterforces, worried that scientific and industrial progress would replace traditional faith in the unknown and mysterious, and fused poetry and politics to summon forth an ethos of Romanticism and chivalry. He sketches the lines of thought connecting the earliest Agrarians to such later Southerners as Weaver and Bradford. He is so meticulous in his treatment of Southern conservatives that it is surprising the degree to which he neglects the constructive and decent aspects of pragmatism.

Careful to show that “Agrarianism, far from a monolithic movement, had always been as varied as the men who devised it,” he does not exercise the same fastidiousness and impartiality towards the pragmatists, who are branded with derogatory labels throughout the book even though their ideas are never explained in detail. The result is a series of avoidable errors.

First, what Langdale treats as a monolithic antithesis to Southern conservatism is actually a multifaceted philosophy marked by only occasional agreement among its practitioners. C. S. Peirce was the founder of pragmatism, followed by William James, yet Peirce considered James’s pragmatism so distinct from his own that he renamed his philosophy “pragmaticism.” John Dewey reworked James’s pragmatism until his own version retained few similarities with James’s or Peirce’s. Oliver Wendell Holmes Jr. never identified himself as a pragmatist, and his jurisprudence is readily distinguishable from the philosophy of Peirce, James, and Dewey. Each of these men had nuanced interpretations of pragmatism that are difficult to harmonize with each other, let alone view as a bloc against Southern, traditionalist conservatism.

Second, the Southern Agrarians espoused ideas that were generally widespread among Southerners, embedded in Southern culture, and reflective of Southern attitudes. By contrast, pragmatism was an academic enterprise rejected by most Northern intellectuals and completely out of the purview of the average Northern citizen. Pragmatism was nowhere near representative of Northern thinking, especially not in the political or economic realm, and it is hyperbolic to suggest, as Langdale does, that pragmatism influenced the intellectual climate in the North to the extent that traditionalist conservatism influenced the intellectual climate in the South.

Third, the pragmatism of Peirce and James is not about sociopolitical or socioeconomic advancement. It is a methodology, a process of scientific inquiry. It does not address conservatism per se or liberalism per se. It can lead one to either conservative or liberal outcomes, although the earliest pragmatists rarely applied it to politics as such. It is, accordingly, a vehicle to an end, not an end itself. Peirce and James viewed it as a technique to ferret out the truth of an idea by subjecting concrete data to rigorous analysis based on statistical probability, sustained experimentation, and trial and error. Although James occasionally undertook to discuss political subjects, he did not treat pragmatism as the realization of political fantasy. Pragmatism, properly understood, can be used to validate a political idea, but does not comprise one.

The Southern Agrarians may have privileged poetic supernaturalism over scientific inquiry; it does not follow, however, that pragmatists like Peirce and James evinced theories with overt or intended political consequences aimed at Southerners or traditionalists or, for that matter, Northern liberals. Rather than regional conflict or identity, the pragmatists were concerned with fine-tuning what they believed to be loose methods of science and epistemology and metaphysics. They identified with epistemic traditions of Western philosophy but wanted to distill them to their core, knowing full well that humans could not perfect philosophy, only tweak it to become comprehensible and meaningful for a given moment. On the other hand, the Southern Agrarians were also concerned with epistemology and metaphysics, but their concern was invariably colored by regional associations, their rhetoric inflected with political overtones. Both Southern Agrarians and pragmatists attempted to conserve the most profitable and essential elements of Western philosophy; opinions about what those elements were differed from thinker to thinker.

Fourth, Langdale’s caricature (for that is what it is) of pragmatism at times resembles a mode of thought that is alien to pragmatism. For instance, he claims that “pragmatism is a distinctly American incarnation of the historical compulsion to the utopian and of what philosopher Eric Voegelin described as the ancient tradition of ‘gnosticism.’” Nothing, however, is more fundamental to pragmatism than the rejection of utopianism or Gnosticism. That rejection is so widely recognized that even Merriam-Webster lists “pragmatism” as an antonym for “utopian.”

Pragmatism is against teleology and dogma; it takes as its starting point observable realities rather than intangible, impractical abstractions and ideals. What Langdale describes is more like Marxism: a messianic ideology with a sprawling, utopian teleology regarding the supposedly inevitable progress of humankind.

Given that pragmatism is central to his thesis, it is telling that Langdale never takes the time to define it, explain the numerous differences between leading pragmatists, or analyze any landmark pragmatist texts. The effect is disappointing.

Landgale’s approach to “superfluity” makes Superfluous Southerners the inverse of Richard Poirier’s 1992 Poetry and Pragmatism: whereas Langdale relates “superfluity” to Southern men of letters who conserve what the modern era has ticketed as superfluous, Poirier relates “superfluity” to Emerson and his literary posterity in Robert Frost, Gertrude Stein, Wallace Stevens, T. S. Eliot, William Carlos Williams, and Ezra Pound. Both notions of superfluity contemplate the preservation of perennial virtues and literary forms; one, however, condemns pragmatism while the other applauds it.

For both Langdale and Poirier, “superfluity” is good. It is not a term of denunciation as it is usually taken to be. Langdale cites Hungarian sociologist Karl Mannheim to link “superfluity” to traditionalists who transform and adapt ideas to “the new stage of social and mental development,” thus keeping “alive a ‘strand’ of social development which would otherwise have become extinct.”

Poirier also links superfluity to an effort to maintain past ideas. His notion of “superfluity,” though, refers to the rhetorical excesses and exaggerated style that Emerson flaunted to draw attention to precedents that have proven wise and important. By reenergizing old ideas with creative and exhilarating language, Emerson secured their significance for a new era. In this respect, Emerson is, in Poirier’s words, “radically conservative.”

Who is right? Langdale or Poirier? Langdale seeks to reserve superfluity for the province of Southern, traditionalist conservatives. Does this mean that Poirier is wrong? And if Poirier is right, does not Langdale’s binary opposition collapse into itself?

These questions notwithstanding, it is strange that Langdale would accuse the Emersonian pragmatic tradition of opposing that which, according to Poirier, it represents. Although it would be wrong to call Emerson a political conservative, he cannot be said to lack a reverence for history. A better, more conservative criticism of Emerson—which Langdale mentions in his introduction—would involve Emerson’s transcendentalism that promoted a belief in innate human goodness. Such idealism flies in the face of Southern traditionalism, which generally abides by the Augustinian doctrine of innate human depravity and the political postures appertaining thereto.

What Langdale attributes to pragmatism is in fact a bane to most pragmatists. A basic tenet of pragmatism, for instance, is human fallibilism, which is in keeping with the doctrine of innate human depravity and which Peirce numbers as among his reasons for supporting the scientific method. Peirce’s position is that one human mind is imperfect and cannot by itself reach trustworthy conclusions; therefore, all ideas must be filtered through the logic and experimentation of a community of thinkers; a lasting and uniform consensus is necessary to verify the validity of any given hypothesis. This is, of course, anathema to the transcendentalist’s conviction that society corrupts the inherent power and goodness of the individual genius.

Langdale’s restricted view of pragmatism might have to do with unreliable secondary sources. He cites, of all people, Herbert Croly for the proposition that, in Croly’s words, “democracy cannot be disentangled from an aspiration toward human perfectibility.” The connection between Croly and pragmatism seems to be that Croly was a student of James, but so was the politically and methodologically conservative C. I. Lewis. And let us not forget that the inimitable Jacques Barzun, who excoriated James’s disciples for exploiting and misreading pragmatism, wrote an entire book—A Stroll with William James—which he tagged as “the record of an intellectual debt.”

Pragmatism is a chronic target for conservatives who haven’t read much pragmatism. Frank Purcell has written in Taki’s Magazine about “conservatives who break into hives at the mere mention of pragmatism.” Classical pragmatists are denominated as forerunners of progressivism despite having little in common with progressives. The chief reason for this is the legacy of John Dewey and Richard Rorty, both proud progressives and, nominally at least, pragmatists.

Dewey, behind James, is arguably the most recognizable pragmatist, and it is his reputation, as championed by Rorty, that has done the most to generate negative stereotypes and misplaced generalizations about pragmatism. Conservatives are right to disapprove of Dewey’s theories of educational reform and social democracy, yet he is just one pragmatist among many, and there are important differences between his ideas and the ideas of other pragmatists.

In fact, the classical pragmatists have much to offer conservatives, and conservatives—even the Southern Agrarians—have supported ideas that are compatible with pragmatism, if not outright pragmatic. Burkean instrumentalism, committed to gradualism and wary of ideological extremes, is itself a precursor to social forms of pragmatism, although it bears repeating that social theories do not necessarily entail political action.

Russell Kirk’s The Conservative Mind traces philosophical continuities and thus provides clarifying substance to the pragmatist notion that ideas evolve over time and in response to changing technologies and social circumstances, while always retaining what is focal or fundamental to their composition. The original subtitle of that book was “From Burke to Santayana,” and it is remarkable, is it not, that both Burke and Santayana are pragmatists in their own way? Santayana was plugged into the pragmatist network, having worked alongside James and Josiah Royce, and he authored one of the liveliest expressions of pragmatism ever written: The Life of Reason. Although Santayana snubbed the label, general consensus maintains that he was a pragmatist. It is also striking that Kirk places John Randolph of Roanoke and John C. Calhoun, both Southern conservatives, between these pragmatists on his map of conservative thought. There is, in that respect, an implication that pragmatism complements traditionalism.

Langdale relies on Menand’s outline of pragmatism and appears to mimic Menand’s approach to intellectual history. It is as though Langdale had hoped to write the conservative, Southern companion to The Metaphysical Club. He does not succeed because his representation of pragmatism is indelibly stamped by the ideas of Rorty, who repackaged pragmatism in postmodern lexica. Moreover, Langdale’s failure or refusal to describe standing differences between the classical pragmatists and neo-pragmatists means that his book is subject to the same critique that Susan Haack brought against Menand.

Haack lambasted Menand for sullying the reputation of the classical pragmatists by associating pragmatism with nascent Rortyianism—“vulgar Rortyianism,” in her words. Langdale seems guilty of this same supposition. By pitting pragmatism against Southern conservatism, he implies that Southern conservatism rejects, among other features, the application of mathematics to the scientific method, the analysis of probabilities derived from data sampling and experimentation, and the prediction of outcomes in light of statistical inferences. The problem is that the Agrarians did not oppose these things, although their focus on preserving the literary and cultural traditions of the South led them to express their views through poetry and story rather than as philosophy. But there is nothing in these methods of pragmatism (as opposed to the uses some later pragmatists may have put to them) that is antithetical to Southern Agrarianism.

Superfluous Southerners is at its best when it sticks to its Southern subjects and does not undertake comparative analyses of intellectual schools. It is at its worst when it resorts to incorrect and provocative phrases about “the gnostic hubris of pragmatists” or “the gnostic spirit of American pragmatic liberalism.” Most of its chapters do a remarkable job teasing out distinctions between its Southern conservative subjects and narrating history about the Southern Agrarians’ relationship to modernity, commitment to language and literature, and role as custodians of a fading heritage. Unfortunately, his book confounds the already ramified philosophy known as pragmatism, and at the expense of the Southern traditionalism that he and I admire.

Bloom, Poirier, Holmes: What’s the Link?

In American History, Arts & Letters, Creativity, Emerson, History, Humanities, Literary Theory & Criticism, Literature, Oliver Wendell Holmes Jr., Pragmatism, Western Philosophy on December 26, 2012 at 8:45 am

Allen Mendenhall

Harold Bloom’s Anxiety of Influence is of a piece with pragmatism as it is manifested in Richard Poirier’s account of poetic influence whereby a poet or writer struggles to overcome the powerful precedent of his or her forerunners.  Poirier goes to great lengths to demonstrate how Emerson’s “superfluity” has to do with Emerson’s anxiety about articulating the phenomenal world in ways that are new.  Like Emerson, Holmes distorts and recasts precedents.  Holmes uses the common law canon much as Emerson uses the literary canon, and vice versa.

Bloom and Poirier are Darwinians, as were most of the classical pragmatists, on the issue of revision and adaptation of forms to fit new social and cultural environments.  Bloom seems to suggest that there are perennial themes and tropes in the work of great poets over time, but that it is the new and creative ways in which these existing categories are expressed that make them great.  The anxiety is in finding new articulation for previously established content and methods.  The poet, then, is like the judge according Holmes: someone who must rely on precedent even as he carves out new spaces for critical inquiry.

Emerson is a milestone figure for Poirier because Emerson struggles with “linguistic skepticism.”  Emerson’s anxiety about expressing new ideas in old forms led him to embrace rhetorical superfluity as a means of compensating for the limitations of his own mind and historical moment.  Emerson was skeptical about the ability of the word or language to summon forth the meanings in his head or the sensations that he felt.  For Poirier, Emerson established what Joan Richardson calls an “aesthetic outpost” against which later writers like Robert Frost or Wallace Stevens wrote.  Emerson facilitated continuity with the past while generating his own tropes on which later American writers would themselves trope.  All of this revision and adaptation had to do with a distinctly American tradition of writing that attempted to break free of the confines of European traditions and express the attitudes and possibilities created by the New World.  Holmes himself turned away from European jurisprudence and embraced philosophical pragmatism, which led to such interpretive tendencies as judicial restraint, deference to state legislatures, rejection of abstractions, and analysis of actual experiences tested and tried in both the economic marketplace and the marketplace of ideas.

What links Bloom, Poirier, and Holmes is Emerson.

American Literary History and Pragmatism

In America, American History, Arts & Letters, Emerson, Fiction, History, Humanities, Literary Theory & Criticism, Literature, Nineteenth-Century America, Walt Whitman, Writing on August 29, 2012 at 8:45 am

Allen Mendenhall

American literary history, even before C.S. Peirce named “pragmatism” as a philosophy, validates much of what pragmatism has to offer.  Joan Richardson speaks of “frontier instances” whereby certain writers become aesthetic outposts from which we can trace continuities of thought and artistic representation.  She treats literature as a life form that must adapt to its environment; similarly, Richard Poirier looks to a tradition of linguistic skepticism in American literature to show the role that artistic influence and troping have had on American culture.  Long before Richardson and Poirier, George Santayana exercised his own literary flair in his celebratory, summative essays about American culture and experience.  If American literary history can undergo operations of tracing and mapping, it might be because—as Richardson, Poirier, and Santayana have suggested—the unfolding and development of an American literary canon have been processes of evolution.  Literary texts and movements have shown a tendency toward growth that is responsive to the natural and changing circumstances of the time.

Richardson begins A Natural History of Pragmatism with 17th century Puritan ministers and then quickly moves to Jonathan Edwards.  Edwards is representative of the Calvinist notion of limited disclosure, the idea, in other words, that God reveals his divinity to us through the shapes, forms, and outlines he provides to us in the phenomenal world.  From this idea (and others like it) began the uniquely American insistence on the value of nature and the physical universe to thought and the spiritual or psychological realm.  As Americans sought to make themselves culturally and intellectually independent from Europe, both in the eighteenth and nineteenth centuries, they used the New World landscapes and vastly unexplored (by Europeans at least) terrains as objects of their fascination and as sources of inspiration.  Even figures like Jefferson insisted upon the scientific study of the natural world in order to authorize theories about law and politics, which he wished to distinguish from European ways.  Jefferson, like William Bartram, another naturalist, lionized Natives as being more in tune with nature and hence more “lawful” in the sense that their communal governments were in keeping with the laws of nature.  However problematic we may consider these romanticized depictions today, we should at least say of them that they inspired further attention to sustained observation of nature as a critical component of what was intended to be a new way of thinking divorced from the Old World of Europe.

Santayana says that when orthodoxy recedes, speculation flourishes, and accordingly it is no surprise that as Puritanism solidified into an orthodoxy of the kind against which it once defined itself, there was a resistance among artists and writers and thinkers.  Emerson, for one, adapted the thinking of the Calvinists while maintaining their commitment to the natural world as a means for realizing higher truths.  Instead of God revealing himself to man through the forms of the natural world, God, according to Emerson, was realized within the person with a poetical sense, who was inspired by the natural world to discover the divinity within himself.  To become one and to see all—that is, to become a “transparent eyeball”—was something of a religious experience for Emerson.  Read the rest of this entry »

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